I've never read nore seen a Harry Potter book/movie, but I'm a big fan of magic/fantasy and am very intrigued by the Harry Potter phenomenon we live among. When I heard about Matt Cox's show PUFFS or: Seven Increasingly Eventful Years at a Certain School of Magic & Magic, I cast a spell for him to answer my call and voila, this interview ensued.
Some people are born with the capacity to do great things. Some people change the world. Some people rise from humble beginnings to defeat the forces of darkness in the face of insurmountable odds. PUFFS or Seven Increasingly Eventful Years at a Certain School of Magic & Magic is the story of the people who sit in class next to those people.
PUFFS or: Seven Increasingly Eventful Years at a Certain School of Magic & Magic plays in the heart of NYC's theatre district at New World Stages (340 West 50th Street) Mondays, Fridays, Saturdays, & Sundays. Click here for tickets!
1. Your show, PUFFS or: Seven Increasingly Eventful Years at a Certain School of Magic & Magic now moved to New World Stages after a triumphant, sold-out run at The PIT last summer and The Elektra Theatre. What excites you most about moving this show to New World Stages, located in the heart of midtown? So, a bit further removed from that now, but the most exciting thing that has certainly happened is that our reach to new audience members has been much larger. Not only just due to more seating, but with a midtown location, we're a bit more likely to be stumbled upon which is great!
Along with that, we have been able to dedicate a bit more of the space to the show, including some decor in the theater itself (we've got some floating candles!) and the lobby, which we've decorated with various posters for other wizard themed shows.
2. What did you learn from the run at The PIT that helped inform this bigger run? I will be forever grateful for the run of the show at The PIT, and the many things we learned. We also did a workshop at the University of Florida back in May of 2016, as well, which was very helpful to the story. At the PIT, I was able to make changes from show to show just to try new ideas out/figure out better ways of doing what we were already doing.
It left us with a script with humor that had so many different versions tried that I believe we have the best possible versions in the current iteration. And it was just a lot of fun, and has kept the show fun.
Puffs also has a certain playfulness when it is at it's best, which was definitely something that was developed running at the PIT.
3. PUFFS or: Seven Increasingly Eventful Years at a Certain School of Magic & Magic, is alternate narrative of the Harry Potter series so to speak. What was it about the Harry Potter that made you go, "I want to write my own version of this series?" What did you identify most with about the Harry Potter saga? I was of the lucky age of people that ended up growing up alongside the books, and alongside Harry. So, the characters continued to stay relevant throughout my adolescence. It was also just very influential to my developing love of storytelling.
The idea for Puffs manifested while I was on a train, and it was more of a: Wow! It really would have been terrible to be another kid at that school during those seven years. Then it was a quick skip to the idea that the story would focus on "The Puffs," who pop culture has always deemed the not so great house. (Less so in recent years, which is great!) I had to look it up immediately, and was surprised no one had done it, and figured I should go ahead and do it.
4. When did you become interested in magic? What was it about magic that drew you in? I have always been a fan of Fantasy books, movies, and whatnot, so that kind of magic has always been very interesting/magical to me. I don't have a particularly deep interest in magic-magic but if someone is very good at it, then I am certainly impressed.
5. In PUFFS or: Seven Increasingly Eventful Years at a Certain School of Magic & Magic, "some people are born with the capacity to do great things. Some people change the world. Some people rise from humble beginnings to defeat the forces of darkness in the face of insurmountable odds. PUFFS is the story of the people who sit in class next to those people." If you could name people or events in your life that describe each of these scenarios, who or what would be assigned to each phrase? The idea is that that pretty much applies to almost everybody. The crux of the play is that ultimately, most of us don't get to be the "Harry's" in life. But there's something to celebrate about the heroic victories of normal existence. So we are all the people who sit next to those people in the grand scheme of it.
6. As the writer of this show, did you grow up feeling as though you were living in other people's shadows never shining for yourself? If so, when did you shine your own spotlight? I definitely put some of my own school experiences into the show, as I was definitely not one of the "cool" kids growing up. Not sure when that stopped, I think I just stopped necessarily caring too much about it, and focused more on the things I enjoyed.
8. If you could cast a spell today, what spell would you conjure up? Like most people, I can only assume, it would be the spell that turns stairs into slides.
9. Aside from Harry Potter characters, who are some of your other favorite magicians from stage or screen? I'll always be a Gandalf man. (Not a conjurer of cheap tricks).
Matt Cox is a New York City-based playwright, actor, improviser, sometimes comic book retail associate, and probably/maybe one day, novelist. His plays include Puffs Or: Seven Increasingly Eventful Years At A Certain School Of Magic & Magic, Adult Mutant Ninja Turtles, The Madness of Captain Dread, and the 3-part epic Kapow-i GoGo. He authored the radio play El Hombre Bovino for WNYC’s The Greene Space, and contributed to The Flea Theater’s The Mysteries. His work has been produced at The Peoples Improv Theater, The Tank, and The Flea Theater, among other places. His acting credits include: Kapow-i GoGo (The PIT), Blogologues (Lively Productions), The Mysteries (Flea Theater), Sarah Flood in Salem Mass (Flea Theater), and Restoration Comedy (Flea Theater). Matt has studied at The Upright Citizens Brigade, The Stella Adler Studio of Acting, and Tarleton State University.