Call Answered: Michael Mott: Abandoned Heart

Michael Mott, Photo Credit: Michael Kushner PhotographyWhen I saw the list artists singing on Michael Mott's new album Abandoned Heart, I knew I had to take a listen. What I heard were songs filled with raw emotion in regards to love & relationships. From finding love to losing love, Michael has a voice all his own. And he's found a group of performers, including Brian Justin Crum, Jay Armstrong Johnson, Natalie Weiss, Shayna Steele, & Jenna Ushkowitz, who really knew how to help bring these songs to life!

Abandoned Heart is available now on iTunes and Broadway Records along with his new single "More Than Me," which benefits Puerto Rico.

For more on Michael be sure to visit http://www.michaelmott.net and follow him on Facebook, Twitter, Instagram, & YouTube!

1. Who or what inspired you to become a composer/lyricist? Honestly, the piano. I dreaded playing the rudimentary exercises my piano teacher required of me, so I'd go off and make up my own compositions. I've always written ever since I was a little kid, but didn't really explore this talent seriously until I applied to the BMI Musical Theatre Writer's Workshop in 2012 in NYC. Going through that program gave me the confidence and skill set to pursue writing full time.

2. You just released your new CD Abandoned Heart, a variety of feel good pop, anthemic soul and introspective ballads. How do you feel you struck "Gold" with this album? Haha. Well, as corny as this sounds, I truly wrote all of these songs from the heart. Over the past few years I've found my artistic voice as a songwriter and these songs are written from a place of truth. While this is stylistically very different from my first album, Where The Sky EndsAbandoned Heart explores the type of music I truly love creating and am inspired by as a fan of music.

3. You have stated that this album helped you find your own individual voice and point of view as a writer and singer. How do you feel this album did that? Not to discredit my first album, but I feel like I was trying very hard to say "Look! I can write in any style or genre!" with that record. I was trying to appeal to a more high brow audience and show everything I could do, which almost made that record feel like a sampler platter. Abandoned Heart is a much more cohesive album. It has a true beginning, middle and end. I honed in on the styles and genres that speak to me as a fan first and foremost and then wrote from my heart and soul.

4. Since the album is called Abandoned Heart, when have you abandoned your heart? This can get pretty deep, pretty quickly. Let's just say working on this album taught me A LOT about myself. Haha. When I was going through the process of naming this project I was listening to these songs over and over again and beginning to analyze lyrics. I don't know why I write what I write, I just write! When I was trying to dissect every phrase, I realized  that every song was written from a place of yearning or longing. Each song on this record deals with a heart crying for acceptance. Hence, Abandoned Heart.

5. Which songs were the easiest to write? Which ones gave you the most trouble? I wrote "Gold" in a matter of 15-20 minutes sitting in the park. "My Favorite Color" also came to me pretty quickly. It's funny because the rest of these songs are like the fourth or fifth versions of these songs. "So Relentless," "Minefield of Love" and "Breathless" all had completely different choruses. It was after I had demo'd them and listened back that I realized what I wanted to do to evolve them into what they are now. I would actually love to do a concert or workshop or something and show the earliest versions of these songs. It's very interesting to see just how different they were in their first draft stages. "Minefield of Love" was originally called "Ask Me To Stay" and had this interesting country/rock vibe. "Breathless" was called "My Man" and had a totally different hook. Listening back on those earlier versions now, they're extremely inferior to the current versions. Thankfully I had the common sense to know I could do better, haha. It's very important for artists to give themselves the time and space to allow the material to grow and evolve. You can not undermine the creative process.

Michael Mott6. How do you prepare for a day of writing? What is your writing process like? Do you say today I'm going to write my emotional songs and then I will tackle my more upbeat songs or vice versa? How do you decompress writing songs? I wish I knew. I've found that when I sit down with the intention to write is when I usually come up with the worst material that makes me feel like the most untalented human being on earth. It's funny because once I allow myself to be in this place, suddenly the flood gates open and I am receptive to inspiration; my subconscious opens and melodies, lyrical phrases and ideas start coming to me in the most inopportune times (see: showering, working out, walking to the park, etc).

7. Your song "Complicated" is about someone holding on to a relationship that seems to be ending. When you write a song like this, if it's based upon your own experience, how far out from this relationship were you when writing it? What do you feel as you write it? Freedom or the anger/frustration of the situation? This song is based on a relationship I was in last fall. I was head over heels for this guy, but he was scared of commitment. We fell for each other and then he pulled away. It's very therapeutic to be able to sit down at the piano and allow the music to do all of the work for me. That song encapsulates exactly how I felt in that relationship and Eric LaJuan Summers' vocal performance is exquisite. I couldn't ask for a better vocalist. He's such a star.

Michael Mott at the "Abandoned Heart" release concert8. I love the different styles of music on your album. How did you know they would all blend together so well? Thank you, I appreciate that. I honestly don't think about it. I just knew I was writing from a place of truth and wanted to write with a more fresh, contemporary pop sound and that was that. It also helped that I worked with one music producer on the entire album, so we were able to hone in on a certain tone that was all encompassing on the entire record. Rich Matthew produced and made everything sound like a million bucks.

9. Another song on the album is "My Favorite Color." So, what's your favorite color? I enjoy a dark blue or black. Let's go with black as the black heart emoji has been part of the branding experience of this new album.

10. If you had the opportunity to write songs for five of your favorite artists, who would you want to write for? Well, I have been lucky enough to have worked with most of my favorite artists from the Broadway and television worlds, including everyone on this album and my first album. That is something I do not take for granted at all! However, it would be an absolute dream come true to write with Mariah Carey, Billy Joel, Sia, John Mayer and P!nk. I love collaborating because I learn so much from the writers and artists I'm working with. You can not get any better than those legends and it would be a dream come true to be able to work with them in any capacity.

Michael Mott, Photo Credit: Cristin DownsMore on Michael:

Michael Mott is a composer, lyricist, singer, actor and voice teacher living in NYC. Born and raised in New Hartford, New York, Michael graduated from Ithaca College with a Bachelor of Fine Arts Degree in Musical Theatre Performance. After graduating, he moved to New York City and enjoyed a successful career performing in numerous Off-Broadway, regional and national touring shows. In 2012 he decided to shift his focus to writing and was accepted into the prestigious BMI Lehman Engel Musical Theatre Writer’s Workshop. He has since been named one of Playbill's "Contemporary Musical Theatre Songwriters You Should Know."

Michael's debut album, Where The Sky Ends, is a compilation album of his original theatre, jazz and pop music performed by some of the best singers on Broadway, co-produced by Mott and legendary orchestrator/ producer, Kim Scharnberg. The LP has been referred to as "a masterpiece" by Broadway World and was released by Grammy Award Winning label, Broadway Records on June 17, 2014. Due to popular demand, Where The Sky Ends: The Dance Remixes was released by the same label on October 14, 2014 and spawned the popular dance track, "Gone" (Julian Marsh Ethereal Mix). In 2016 he composed a Christmas single for Broadway star, Laura Osnes, co-produced by Mott, Scharnberg and Jeremy Roberts. "Christmas, Will You Stay?" was released digitally on his own label, Motta Music, on December 6, 2016.

Michael has had the great fortune of working with some of the best singers in the business both in the recording studio and on stage in his touring show, Michael Mott & Friends. His collaborations include TONY Award Nominees Jeremy Jordan, Laura Osnes, Jennifer Damiano, Orfeh, Sierra Boggess, Zachary Levi, Jenna Ushkowitz, Andy Mientus, Jay Armstrong Johnson, Adrienne Warren, Justin Guarini, Brian Justin Crum, Shayna Steele, James Snyder, Jackie Burns, Mitch Jarvis, Michael Lanning, Marissa McGowan, Crystal Monee Hall, Loren Allred, Natalie Weiss, Teal Wicks, Jason Gotay, Ryan Silverman and countless others. As composer/ lyricist, Michael’s original musicals include In The Light (book by Nathan Wright and Justin Silvestri), The Don (book by Corey Skaggs) and Lucifer (co-lyricist, Mike Squillante, book by Corey Skaggs). He co-conceived and composed music to the original ten minute musical, Riding Out The Storm, written with lyricist and librettist, Christine Toy Johnson. Additionally, he has written and recorded several stand alone pop/ R&B/ top 40 songs.

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