"Call Me Adam" chats with David Campbell and John Bucchino about their new CD, David Campbell sings John Bucchino. Accompanied by Bucchino on piano Campbell tackles 11 of the composer’s compositions including "Taking The Wheel" and "Grateful" which appeared on earlier Campbell albums but are recorded here anew with Bucchino for the first time. Also featured is "Better Than I" which Bucchino composed for the Dreamworks Animation film Joseph: King of Dreams in which Campbell was heard as the singing voice of Ben Affleck’s title character. Click here to purchase David Campbell sings John Bucchino!
For more on David be sure to visit http://store.socialfamilyrecords.com/artist/david-campbell and follow him on Twitter!
David Campbell: My Dad (Jimmy Barnes) showed me that it was possible to become a performer. My style is more directly influenced by Bobby Darin, Peter Allen, Sammy Davis Jr.
John Bucchino: Performing was a natural extension of songwriting, and part of my dream was being a piano-playing singer/songwriter like Elton John, Joni Mitchell, or Billy Joel. I never imagined that other singers would perform my songs.
2. Who haven't you worked with that you would like to?
David: There are too many to list. Composers? Burt Bacharach, Jimmy Webb, Stephen Sondheim and so many more.
John: Too many to name! And not only singers – also other writers, directors, playwrights, visual artists, all kinds of creative souls. One of the joys of growing older has been learning to embrace collaboration which is not always easy since I started out wanting to do everything myself. I still have a hard time relinquishing control. The trick is to choose the right people.
David: The idea of touring a show with John in Australia came up and I thought we should record it. It was one of those things, if we didn’t do it now we never would!
John: I'd just completed a 4-year commission for a new Danish musical called ESAURA and we had a gorgeous production over in Denmark. I was going through artistic postpartum after that, and was wondering what the next project would be when David contacted me with this idea. Perfect timing in so many ways: I love making music with David; he's one of my best friends and one of my favorite interpreters of my songs – not only does he have a spectacular voice, he's also a terrific actor, which is essential for my material; I adore Australia and leap at any opportunity to come back (this is my 6th visit!) I would get to hang out with not only David, but with his fabulous wife Lisa and their precious son Leo; Lisa set up some master classes for me around Australia and also in New Zealand, (another place I love, and coaching students on performance of my songs is one of my favorite things to do); so, win win win win win win!
4. What has been the best part about working together on this CD?
David: We are old friends. It was one of the most enjoyable times I have had in the studio because we were in synch. You don't always get that when under the pressure to create an album. Our friendship gave us a shorthand that was invaluable and fun!
John: You know when you see a flock of birds and they all turn together at the same exact moment and you think, "How did they know?" That's what it feels like to make music with someone with whom you're in synch. It's the most beautiful telepathy, and that's what it feels like to accompany David. We just "know," and it's a rare and miraculous feeling that, I think, comes across both to our audiences and on this CD.
David: All the laughs. John and I have a similar and silly sense of humor.
John: I'd say the biggest gift was that, because of the level of trust I have in David, Lisa, and everyone they invited into the project, I let go more than I ever have. I let other people do their jobs and allowed the recordings to flow and I couldn't be prouder of the results. Funny thing: we'd sometimes do 4 or 5 takes of a song and, almost always, the first take was the magical one we'd use.
6. How are your processes similar and how do they differ?
David: We are both very strong in our visions. John with his music and me with how it should be represented. We were constantly challenging each other. We played with keys and various arrangements of some songs. I wanted this to feel different than other recordings we had done. For me that meant what songs to do and how to represent them in a way I felt was new for John and fans of his work.
John: David tends to be more spontaneous and value the "vibe" of the moment, and I tend to want to polish and re-work. But on this project I've adopted his approach more and can clearly see the benefits.
David: John is a wonderful songwriter. His music moves me. It surprises you and envelopes you. I have always been a huge fan since the day I met him. I still am.
John: I admire David's versatility. He can sing ANYTHING, and sing it really well. I arrived here in Sydney on a Saturday morning and was invited to a benefit that night at which he was performing with his dad, rocker Jimmy Barnes. They had a kick-ass band complete with horn section, and as I watched David belting stratospheric notes I was dazzled but a little concerned about him dialing it back to sing my songs with the subtlety and intimacy they require. Well, I needn't have worried. After a couple of days of rehearsal there was a moment when he "found" exactly the right voice for this recording. I describe it as the difference between a voice that's "in your face" and one that's "whispering in your ear": tender, vulnerable, nuanced.
8. How has your workmanship together grown since the first time you worked together?
David: I am more confident as a performer and a person. Having a family has settled me emotionally. This affects my performance style. I tried to reflect that in the song choices.
John: Working together doesn't feel much different than it did in the past. The special connection has always been there. But in the past 10 years or so, through the variety of work we've done apart, we've each grown as musicians which enriches this collaboration.
9. What's the best advice you've ever received?
David: There is no one piece of advice that stands out. I am always listening to myself and to people I trust for advice and guidance. I am constantly evolving and learning. I hope I always do.
John: From my dear friend Stephen Schwartz: "Never read reviews."
David: As I get older I have learned to trust my instincts more. Also your failures make you as much as your successes. Every successful career has a trail of failure along the way to success. You need to stop worrying and just do everything to the best of your ability. Then move on to the next project and give that your all.
John: I've learned an important lesson that applies not only onstage, and in writing, but in every aspect of life: that being totally, openly, honestly oneself is the most powerful, engaging, rewarding, appealing and, eventually, easiest thing to do.
11. If you could have any super power, which one would you choose?
David: Super Strength because I want to carry all the shopping bags from the car in one trip not two.
John: Flying would be nice. Or maybe the superpower to ease pain.
One of Australia’s biggest selling recording artists, David Campbell has also achieved considerable success in the United States. His critically acclaimed New York show attracted major crowds and created what Time Out New York described as "…the biggest buzz since Barbra Streisand." David’s show subsequently moved to Rainbow & Stars where he became the youngest performer ever to headline the iconic venue. With this success as a launch-pad, David was soon in demand from Broadway’s most prestigious writers and directors. He was cast in the New York premiere of Stephen Sondheim’s musical Saturday Night and played a leading role in New York City Center Encores! production of Babes In Arms. He released three highly praised recordings in the U.S. and has been featured on CBS Sunday Morning.
In recent years David has taken a break from recording while co-hosting the top-rated Mornings alongside co-host Sonia Kruger on Australia’s Nine Network.
John Bucchino is one of New York’s most beloved composers. His work has been recorded by artists such as Art Garfunkel, Liza Minnelli and Kristin Chenoweth and performed at venues across the world – from the Sydney Opera House to the White House. His work with Harvey Fierstein's A Catered Affair opened on Broadway in 2008 and won the Drama League Award for Distinguished Production of a Musical. Most recently, he was commissioned by Danish producer Soren Moller to compose music and lyrics for the musical Esaura.