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Entries in The Laurie Beechman Theatre (30)

Monday
Apr032017

Call Answered: Sally Schwab: Adventures in Babysitting, The Marvelous Wonderettes, NEWSical The Musical

Sally SchwabFor over 10 years I have been a fan of Sally Schwab. Ever since I saw her star in Tom D'Angora's (Call Me Adam's very first participant) A Broadway Diva Christmas, I was hooked on her glorious vocals! She has repeatedly won me over and over again every time I see her sing.

In addition to being a high school history teacher, starring in the Off-Broadway revival of The Marvelous Wonderettes and being a swing in the long-running hit musical NEWSical the Musical, Sally is bringing back her one woman show Adventures in Babysitting for three performances only at The Laurie Beechman Theatre in NYC! Adventures in Babysitting recounts Sally's story of arriving to the Great White Way as a young, wide-eyed aspiring theatre actress. It follows Sally as she navigates the insane world of auditions while paying her dues working odd gigs, including what would become her go-to survival job: helping to raise NYC's most colorful children.

Joining Sally in Adventures in Babysitting are Alex Ringler (Broadway’s West Side Story, first national tour of A Chorus Line and off Broadway’s Pageant) Dylan Thompson (NEWSical the Musical and Naked Boys Singing!) and Gregory Sullivan (Naked Boys Singing!). Music direction is by eight-time MAC Award winner and Bistro Award winner Tracy Stark.

Adventures in Babysitting will play at The Laurie Beechman Theatre in NYC (407 West 42nd Street, between 9th & 10th Avenue, in the basement of the West Bank Cafe) on Monday, April 3 at 7pm, Monday, April 17 at 9:30pm, and Monday, May 1 at 7pm! Click here for tickets!

For more on Sally follow her on Twitter and Instagram!

For more on The Marvelous Wonderettes visit https://www.themarvelouswonderettes.com!

1. Who or what inspired you to become a performer? There were a few people in my life that really inspired me to become a performer. My entire family is very musical and has always loved musical theatre. So I grew up watching all the classics...The Sound of Music, Carousel, etc. My grandmother actually recorded the PBS Les Miserables special with Colm Wilkenson and Lea Salonga played "Eponine." I remember just falling in love with the music and studying the way she sang "On My Own." It was the only song I sang between the ages of 11 and 16. Around this same time, I was 11, my Aunt took me to NYC for the first time. Beauty and the Beast just opened on Broadway and we saw that. I remember just crying through the opening number. It was a happy, uplifting number, but I was just so moved and at that moment I knew I wanted to be a performer.

2. This April, you are revising your show Adventures In Babysitting, which recounts your story of arriving to the Great White Way as a young, wide-eyed aspiring theatre actress. It follows you through the insane world of auditions, odd jobs, and finding your go-to survival job. What made now the right time to bring this show back? I decided now was the time because I am so immersed in the performing world right now. Before Wonderettes, I haven’t performed in years. You realize very quickly it all can go away, so one day before a Wonderettes show, Tom D'Angora, my producer, and I just looked at each other and said "It’s Time."

Tom D'Angora3. Adventures in Babysitting is co-written with your long-time friend Tom D'Angora. How did you first decide to have him co-write the show with you? What was it like revisiting this show with him now? Tom and I working together is nothing but laughs from start to finish. We met 14 years ago at a Kinkos my first week in NYC. We have been working together on various projects for our entire 14-year friendship. Tom has always believed in me and supported me. I can’t remember if I said to Tom that I wanted to do my own show or if he said "you need to do your own show," but we decided a few years ago to sit down and write something. There was a restaurant on 48th Street called Mont Blanc…it’s closed now, but that was our spot. We met there one day and just started throwing ideas around and the show was born. Working on it now is just as fun. We couldn't go to Mont Blanc, but our other lucky spot is in Tom’s building. So we went there and just started reworking some bits and once again just started laughing and never stopped.

4. How do you feel the four years of life experience, since the last time you did this show, will alter the feel and style of the show? I truly think every experience in life shapes you as a performer. I have been teaching in a public high school in the South Bronx for the past four years. I have grown so much as a human and learned so much about myself. I think it has made me a much more confidant performer. Also, the past year playing "Betty Jean," in a comedic show, has really helped me as an actor. When I did the show years ago, I wasn’t performing, so I wasn’t used to being on a stage. I didn’t have that same confidence that I am hopeful I do now. Haha! I hope the feel and style stays the same though….I just hope I can make it even funnier than last time.

Sally Schwab5. Let's break down this story without giving too much away! It's no secret that your go-to survival job was babysitting the kids of NYC. Why do you think babysitting stuck where so many other "odd jobs" didn't? What did you learn about yourself from babysitting other people's kids? Babysitting stuck because I am such a family person. My first year in NYC was really hard. I was so homesick and missed my family so much. I was so fortunate to meet a couple of really incredible families right away. Yes, I watched their kids, but they welcomed me and included me as a member of their family and that was exactly what I needed. It gave me a sense of stability at a time when I didn’t know anyone and was figuring out my way through the city. I learned through babysitting that I was really good with kids. Working with kids was the best fit for me.

6. How did babysitting lead to you being a high school social studies teacher? What was it like to bring your love of theatre to these high school kids, who have never seen a stage show before, and start their first ever musical theatre department? I love being a performer, there is nothing like taking the stage every night. However, the work I have done as a teacher in the South Bronx is something I am so proud of. Working with this demographic of student has changed my life. I am the person I am today because of these kids. Babysitting taught me that I really loved working with kids, so getting a Masters in Education seemed like the perfect fit. I have always loved history and I knew I wanted to teach it in a way that could be fun and engaging for the kids. I don’t want to brag, but I was writing historical raps for my students well before Hamilton came out. Haha! The kids love when I rap. Of course, musical theatre was always on my mind and our school has a gorgeous stage that never had a musical on it. I knew my mission. My first year teaching I directed and choreographed Once on this Island. This became the schools first ever musical. Now, they are about to have the 4th musical in a row! There are no words to describe the feelings I felt watching these kids take the stage and perform for the first time ever. These are kids who don’t have a lot. They come from an extremely tough neighborhood and just getting them to rehearsals was a challenge. But they persisted and they were all shining stars. My family and friends all came to town to see the show too. It was probably one of the most magical nights of my life. I cried from start to finish.

Cast of "The Marvelous Wonderettes"7. In addition to Adventures in Babysitting and being a high school teacher, you are also starring in the hit Off-Broadway revival of The Marvelous Wonderettes and as a swing in the long-running hit show NEWSical The Musical. How do you keep yourself balanced with such a varied and demanding schedule? That is the biggest challenge of my life right now. I am working seven days a week and every job that I am working is demanding in its own way. I constantly need to switch the roles I play in life. I hit the stage and spend two hours singing in the Wonderettes and having a blast with the gals, then in bed and ready to be up at 6:30am for a full day of teaching. It is intense, but I find time here and there to sit on my couch and watch some Housewives. The girls in the show Ryann Redmond, Jenna Leigh Green and Laura Woyasz have become three of my closest friends, so after every Sunday matinee we go out for dinner and drinks. It is time I really cherish and long after the shows close, it is something I will continue to do with these girls. They have become family. The hardest part is not seeing my friends I don’t work with. It is hard to find time to see people I don’t do a show with or teach with. Also, one day, one day soon, I would love to go on a vacation.

8. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent better every day? Can I pick two things?? Haha!! I need to improve my eating habits. I am always on the go which makes it so hard to cook a nice meal. I love to cook and I don’t have any time to do it. So my bank statement pretty much is all Seamless. So that I need to improve. The second thing is not being afraid to say no to things. I take on too much and I need to say no sometimes.

Sally Schwab in "The Marvelous Wonderettes"9. What do you love about starring in The Marvelous Wonderettes? What do you relate to most about "Betty Jean"? What is on characteristic of hers you are glad you, yourself, don't possess? I love Wonderettes so much. I have been with the show since the beginning and to see how we have evolved this past year has been an incredible thing to see. Wonderettes is such a feel good show. I love making people laugh and smile every night. I mean, when you hear "It’s My Party," how do you not have a good time. Also, the people have made this experience incredible. The cast and crew have become family. I look so forward to going to work knowing I get to see these gals that have become my best friends. We have shared so much and gone through so much together and they will be lifelong friends.

I relate very much to "Betty Jean's" goofiness and how feisty she is. She has such a positive spirit....even when things don't go her way, she tries to fight through it and stay positive. I like to think I am like that. The one characteristic of "Betty Jean" that I am glad I don't possess is her willingness to just go back to "Johnny" after he isn't faithful to her. I doubt I would be so forgiving.

10. In this post-election world we live in, what makes being in NEWSical The Musical so great? There is so much going on politically in the world right now and to have jokes and songs to poke fun at the administration in such a turbulent time is really helpful for all of us. When I stop and think about everything that is going on it really enrages me. Performing in NEWsical gives us an outlet and an artistic way to express some feelings. There is a really great Melania Trump number that is just so much fun to do. Expression through art is a really great way to cope with what is going on.

Sally SchwabMore on Sally:

Sally Schwab made her Off-Broadway debut in A Broadway Diva Christmas, produced by Tom and Michael D’Angora. She later went on to appear in Back in Pictures and as "Queenie" in the Provincetown Theatre’s production of Andrew Lippa’s The Wild Party. She attended the University at Buffalo for musical theatre and holds a Masters degree in Education from Hunter College.

She currently stars as "Betty Jean" in The Marvelous Wonderettes and as the female swing in NEWSical the Musical, both playing at The Kirk Theatre. The Marvelous Wonderettes takes a cotton-candied colored musical trip down memory lane with four girls whose hopes and dreams are as big as their crinoline skirts. Their lives and loves from prom night to their ten year reunion are told through more than twenty chart topping hits of the fifties. NEWSical the Musical spoofs all the headlines of the day in side splitting numbers. Both are produced by Tom D’Angora.

Tuesday
Mar142017

Call Answered: Steve Willis: The Legend of Yma Sumac at The Laurie Beechman Theatre

Steve WillisI love music videos. I love documentaries. I love live performance. I love learning about people. When you get asked to interview someone that encompasses all of these and then you find out they have worked with some of the biggest names in entertainment, you jump at the opportunity presented before you.

That's where Steve Willis comes in. He has made videos for Mary J. Blige, Patti Labelle, Maxi Priest, Dawn Robinson, Miranda, and many others (including RuPaul's Drag Race stars Jinkx Monsoon and Sharon Needles). Now, he is premiering his "live documentary" cabaret show The Legend of Yma Sumac starring drag performer Scarlet Envy. Featuring many of Yma's greatest hits and never-before-seen footage of Yma, shot by Steve, The Legend of Yma Sumac will play The Laurie Beechman Theatre in NYC (407 West 42nd Street, between 9th & 10th Avenue in the basement of the West Bank Cafe) from March 15-29Click here for tickets!

For more on Steve be sure to visit http://thestevewillis.com and Instagram!

1. This March you are premiering The Legend of Yma Sumac, starring Scarlet Envy. The show is described as a "live documentary" cabaret about the late star, whom you were friends with. How did you first come to meet Yma? What was it about her that made you want to be friends? What do you miss most about her? When I first heard Yma’s music I became obsessed and couldn’t stop talking about her. From the very beginning I treated her as news that must be spread. I had the feeling that more people needed to know about her. I was so shocked to find out she existed. So one of the people that heard me talking said she was making gowns for Yma and I begged her to introduce me. She took me to dinner with Yma and I asked if I could make a documentary about her life. She was totally interested but she also wanted help with her career and I eventually learned she wanted help with her life. She was quite isolated. Over the years the relationship developed from director of her documentary, to also include manager for live shows to personal assistant. We would spend long hours in her apartment listening to her new music and hearing stories of the past and the people that did her wrong.

I think what I miss about her is being around such amazing talent and her wise worldly ways. She was always full of good advice and she cared for people and animals. She had a magical quality with animals that was like nothing I've ever seen. Wild animals, birds for example, would come to her and she was acting like it was the most natural thing when it was extremely rare. I believe the power of her mind was very great, she credited her singing ability to her mind and believing she could do it. She taught me more about integrity, artistic integrity than anyone I've ever met.

Scarlet Envy as Yma SumacThe real Yma Sumac2. What made now the right time to mount this show? That's an interesting question because there are three people that were involved with Yma at the end of her life trying to do projects with her. All three of us, without communicating with each other, returned to our projects again at the same time, around seven years after she died. The seven year itch? I've read the human body completely replaces all its cells after seven years and therefore you are a totally new person. Maybe we all had to heal a little before getting back to work on our projects? The other two people are Damon Devine, who was Yma’s caregiver and friend. He is working on a book that I really want to see come to life and I want to help promote. The other is Thomas Lauderdale of the band Pink Martini. I introduced him to Yma to record a song and she gave him a great start.

3. Why is Scarlet Envy the perfect drag queen to portray Yma? What aspects of Yma do you see in Scarlet? Spencer Rothman, the editor of this project has gone so far and beyond helping make this show come to life, introduced me to her. He saw I was really struggling to cast the project. I went through so many options. The problem was...if I was making a show that says "Yma has the greatest voice in the world ever," then how do I cast a live singer? No-one can sing these songs. (if you are reading this and you think this is incorrect….please introduce me to the singer that you think can do this).

Also, if I was in the audience for this show, I would want to hear Yma’s voice. So, the only choice seemed to be to do a lip sync show. I did consider real women along with drag performers but when it came to lip syncing, I think Drag performers have a little more practice…haha. I was already following Scarlet Envy on Instagram, so I was a fan of her beauty. She has an old Hollywood glamor to her look. She’s a beautiful woman and not a girl. I wanted the person playing Yma to be an older version of Yma. When I saw Scarlet paint herself to look like Yma, the resemblance was shocking and exciting. She had to do it. Yma’s career suffered somewhat from being considered "campy" or "kitsch" so I carefully considered whether casting a drag performer was the right thing to do but in the end I decided that the gender of the artist on stage is the last thing anyone needed to worry about. There is no nudity in the show except the male dancers show a lot of side ass.

Scarlet Envy as Yma SumacThe real Yma Sumac4. Some of Yma's greatest hits were "Malambo No. 1," "Mozart's Queen of the Night," and "Claire de Lune." In rehearsing this show what memories come up for you as hear these songs being performed? Because it is pretty rare to hear Yma’s music out in the world, I look forward to hearing my favorite songs by her on a nice loud system in a public place. I never heard Yma sing any of these songs live but when I would drive her around I would play these songs and she would drum on my dash board and sing along. One of my biggest regrets is not filming these moments. The way she would sing on top of the existing song was incredible. She would do this with any song by the way, not just hers. It was always in perfect harmony. I don’t know musical terms that well but she would also counter the melody in a very interesting way. She was also a great percussionist. Who knew the dashboard of a car could add so much great rhythm to a song?

5. The Legend of Yma Sumac incorporates unseen footage of Yma that was shot by you. How did you decide what footage to pick? What was it like to watch this footage now as opposed to when you first shot it? When I first picked up this project five years after her death, I needed to digitize some pretty archaic video formats (the project started in the 80’s). When I first started watching the footage, I literally broke out in hives on my face. The experience of watching the footage was a overwhelming. I put it away again until now. This year, I also won a grant from the National Hispanic Foundation for the Arts for my feature documentary about Yma so I’ve been working on that as well. Chip Duckett knew I was doing this and asked me if I wanted to do a live show at the Laurie Beechman Theatre, I wanted the live show to be a tribute to her so I picked footage that was happy and she looked great in.

Scarlet Envy as Yma SumacThe real Yma Sumac6. What do you hope audiences learn about Yma from attending the show? I want them to learn that she was a serious artist and had the greatest voice ever recorded. According to some experts I've interviewed, there are two other women who could sing the same scale as Yma and we know this from the music that was written for their voices but this was before the technology to record them existed.

7. What was the hardest/most emotional part of the show to write? What was the most fun part? The hardest part of the show was the end. Every time we would get to that part I would get emotional. It was a little embarrassing but luckily Spencer the editor is a friend. The "fun" part?…..did I say I had fun? Actually the whole experience has been fun.

Patti LaBelle8. In addition to Yma, you have made videos for numerous high profile artists such as Mary J. Blige, Patti Labelle, Maxi Priest, Dawn Robinson, Miranda, and RuPaul's Drag Race stars Jinkx Monsoon and Sharon Needles, amongst others. Is there a really crazy story that stands out from one of these shoots where you were like, "I can't believe that just happened?" Meeting Patti LaBelle was crazy and amazing and educational. She was the first big name person I ever directed. The record company guy took me to her hotel room and as we waited in the living room of her suite I was very nervous. From the bedroom she called out "Is that Steve Willis? I love your work!" I said "yes." She answered "Oh my, I look terrible and I don’t want to come out of my bedroom, I'm on my period." We all laughed and my nerves went away. She came out and we had a great meeting. I realized after what a pro move this was. She has probably met and intimidated many people and that's not the best place to start working with someone. Complimenting me and bringing herself to a human level was a great way to start working together.

Rebecca Romijn9. You also directed the documentary Wet Dreams with Rebecca Romijn about your attempt to approach Wet Design, the creators of the Bellagio fountain, to choreograph a fountain show of your own. What did you learn from this experience? Are there any secrets about the Bellagio fountain or fountain show that you can share with us that we, the public, might not know? That was an amazing experience. I was the first civilian to swim in the Bellagio Fountain. The film is about what we learned and the secrets of the fountain. It is on Youtube. So, if you want to know the answer to this question you need to watch the film ๐Ÿ˜Š

10. What is something Yma taught you that you can share with us? She taught me not to compromise on your artistic vision no matter what. Once you have a clear vision, everyone can go to hell before you compromise on any small detail. I’ve never seen anyone hold to this more strongly and I've worked with many of the top people in the Film, TV and Fashion Industry.

Steve WillisMore on Steve:

Steve Willis is a filmmaker, photographer, and music video director. As a music video director, he has made videos for numerous artists, including Mary J. Blige, Patti Labelle, Maxi Priest, Dawn Robinson, Miranda, and many others (including RuPaul's Drag Race stars Jinkx Monsoon and Sharon Needles). He directed the documentary Wet Dreams with Rebecca Romijn, and is currently working on a documentary about Yma Sumac, who he befriended in 1987.

Saturday
Mar112017

Call Answered: Miss Richfield 1981: 20/20 Vision at The Laurie Beechman Theatre

With her unique brand of humor, fun songs, and entertaining videos, I know my cheeks will hurt from the amount of laughter ensued after attending a Miss Richfield show and since 2006, I have been in constant pain. 

Now Miss Richfield 1981 brings her brand-new show 2020 Vision to The Laurie Beechman Theatre in New York City (407 West 42nd Street, between 9th & 10th Avenue, in the basement of the West Bank Cafe) from March 14-16! In this show, Miss Richfield 1981 offers a survival guide for the new world we live in, helps calm any post-election panic, and provide tools to prevent the apocalypse! This is one show you can't afford to miss! Click here for tickets! 

For more on Miss Richfield 1981 be sure to visit https://missrichfield.wordpress.com and follow her on Facebook and Twitter!

Miss Richfield 19811. After seeing you several times in Provincetown, I'm honored to be getting to do this interview. Since this our first interview together, let's start at the beginning. How did you become Miss Richfield 1981? It was a beauty pageant July 4, 1981, on a simple plywood stage in Richfield, Minn. And like so many beauty queens, I won that title with my natural beauty, my booming baritone vibrato and a fire that horribly disfigured all 11 other contestants when Trudy Olson lost control of her flaming batons. I was the only contestant to stop, drop and roll, which is also how I do my hair. So after they hauled off 9 contestants to the burn unit, and a couple others to the morgue, I was the only one left to receive the lovely hand-glittered sash, shiny tiara, and a power lawnmower! Our local Ace Hardware is very involved in Richfield beauty!

2. What does holding this beauty title now mean to you as opposed to when you first got it in 1981? Beauty pageants became a focal point of my life, when a ninth-grade vocational aptitude test pointed me to a career in beauty or the fragrance counter at Sears. As I never could pass the math section of the Sears job application, a beauty career appeared imminent. Then winning the pageant was just the beginning, since the day after I received my beauty title, Miss Richfield 1981, the gals at my church started a fund to buy me a bus ticket to go someplace else. And for the last 36 years, every time I get back to Minnesota, there on the screen door of my trailer is taped another bus ticket for me to go someplace else! It’s embarrassing, they just adore me!

3. What is the best part about being Miss Richfield 1981 and what is the most challenging part? Has anyone every tried to de-throne you? I adore making new friends and I’m doing that with my hectic schedule this Spring, which includes San Francisco, Seattle, Vancouver, Tulsa, Tampa, Philly, and your godless mecca, New York City – all before I head to Ptown for the summer at the Crown & Anchor. Well popularity has its penalties! But the traveling can be a bit of a minus, as I’m trying to find a boyfriend. And you know most single gals in my stage of life are more likely to be killed by a terrorist, than find love. So I’m thinking I might relocate to Iraq to better my chances. And as far as dethroning goes, I don’t have that concern since all the other gals got heavy.

4. This March you are presenting your new show 2020 Vision at The Laurie Beechman Theatre. What are you looking forward to most about bringing 2020 Vision to New York? My new 2020 Vision show has new music, new videos, new chatter, and most importantly a new message for New York in our new world! These are some strange times, my dears, so I want to offer people a message of hope – or at least survival! And I adore doing this show. It’s supreme happiness to hear the folks go crazy with my upbeat music, informative videos and audience interaction! It’s also always a bonus when I remember the words to the songs! And the Laurie Beechman is a wonderful facility that does not require you to be a Christian to attend the show. So bring neighbors, co-workers, friends or enemies! Just think about who deserves it, and bring them along!

Miss Richfield 19815. In this post-election world, how did you get the whereabouts to write a show about having perfect vision when we are living in a constant state of fog? You’re right on the money there! A life of beauty can be challenging; as a lot of time folks only see the glamour. They don’t see the weeklong Greyhound bus trips, where the only person I get to talk to is the driver – that I wrap my hair in toilet paper and sleep on my face – the duties of washing and polishing my balls during cold and flu season of Bingo. It can be a grind!

6. In this show, you are going to be giving some advice as to calm any post-election panic. What are some calming pointers that did not make it into the show you can share with us? That’s tough, as I generally don’t leave anything out. You may be aware, that I’m famous for cramming a 60-minute show into 90! That’s a lot of time to fill. But there was one post-election duty I did not include in this show. The day after the election I went behind my trailer and burned everything I owned that was orange – living room draperies, a bathroom rug, two sweaters, a leotard, and most of my dishware.

Miss Richfield 19817. You are also going to be providing tools to prevent an apocalypse. How do you know these tools will work and what apocalypse have you tried them on to know they are successful? First off, it’s probably too late to prevent an apocalypse, but I believe that you can always look your best in a bad situation. So most of my advice is a bit after the fact, sort of "since we’re all going to die anyway, let’s go buy shoes and a handbag!" And I am well versed in apocalypse experiences, mostly due to the Greyhound when the bathrooms are clogged up with adult diapers. You know that senior discount is popular!

8. What is something about Miss Richfield 1981 that you haven't revealed yet in an interview? Secrets? Alright just one: I do not wear make-up.

9. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent better every day? Math has never been my strong suit, so I’m not sure how much we’re talking here, plus I feel like my purpose as a beauty professional is to help other people make improvements. With that in mind, I’d like to offer your readers a word of advice from my mother, "You can lose your money, you can lose your lipstick, and you can lose your dignity, but if you pack a smile in your handbag, you’ll always be able to find a trucker to give you a ride home!" That is definitely more than one percent!

Miss Richfield 1981More on Miss Richfield 1981:

Miss Richfield 1981 dedicates her life to the friendly citizens and responsible merchants of her hometown of Richfield, Minnesota. This Midwestern maven is winning over theater and cabaret audiences around the country with an interactive format that combines homespun warmth and edgy improv, leaving audiences in hysterics with a truly original performance.

Miss Richfield’s national appeal includes riotous appearances on The Tonight Show with Jay Leno and Today on NBC, as well as prestigious mentions, such as The New York Post recently honoring "Miss Richfield 1981 as the must-see act in Provincetown."

As well as sell-out performances throughout the country, including LA, Chicago and New York, Miss Richfield continues her sold-out reputation as the most successful act each summer at the Crown and Anchor in Provincetown, Mass. Miss Richfield also finds time in her busy schedule to headline for Atlantis Events cruises and resort vacations, the largest LGBT vacation company.

Sunday
Jan082017

Call Redialed: Marta Sanders: "Follow Me" at The Laurie Beechman Theatre

Marta Sanders, Photo Credit: Lou MontesanoI am so thrilled to have the opportunity to interview MAC/Bistro Award winning vocalist and top NYC tour guide Marta Sanders about the encore presentation of her show Follow Me. I have known Marta for 15 years and every time we get to do a new interview, I am as giddy as the first time we reconnected! I adore Marta and can't wait to see this show!

Follow Me celebrates Marta's twin passions -- New York, and the rest of the world. In addition to her music director John McMahon, Marta performs songs she introduced with her frequent collaborator, the late Michael Greer ("Hunk on the Bus"), she does three tunes by John Wallowitch (including her signature "Warsaw"). Marta's world-class romp around the world also includes tunes by Carol Hall, Sting, and Peter Matz, among others. Debra Zalkind and Mark Nadler are the show’s director.

Follow Me will play a four-week engagment at The Laurie Beechman Theatre (407 West 42nd Street, between 9th & 10th Avenue, inside the West Bank Cafe) from February 2-25 on the following dates: Thursday 2/2Saturday 2/11Thursday 2/16, and Saturday 2/25, all at 7pm. Click here for tickets!

For more on Marta be sure to visit http://www.martanyc.com!

1. This February you are presenting a four-week encore engagement of your newest show Follow Me. What made 2017 the right time to re-do this show? I choose to do my cabaret shows in the winter when the tourism business is quiet here in NYC. I wanted to do the show again, because I got a great response to some changes I made to the format. More storytelling and comedy.

2. What are you looking forward to most about getting back into the show? I'm excited to work the material again. I get to make some edits that I think will make it funnier. It's all about the process, working and reworking.

3. In Follow Me, you are performing "Maria by the River," a song you co-wrote with your music director John McMahon & Debra Zalkind. What do you love about the songwriting process? What do you like most about performing a song you had a part in creating as opposed to a song by someone else? "Maria By The River" is a full character and story. It's not one piece of music. She came through me on my morning walk by the Hudson. I love her because she is a part of me and she is a woman who I know from my travels and my imagination. Every time I bring her to life, she fills me with joy!

Marta Sanders, Photo Credit: Lou Montesano4. In Follow Me, you celebrate your twin passions New York and the rest of the world. As a NYC resident, what are your favorite things to do in the city? As a tour guide, what are you favorite NYC sights to show people? I love exploring the City on my own. Going into a neighborhood and just walking around, or getting on a public bus and just riding through neighborhoods and absorbing the different communities. I love taking people through the Village, NOLITA, DUMBO, Hudson Yards, Central Park, St John The Divine, Chelsea, and Bushwick.

5. If you were living in NYC and New York only had five tourist attractions in which you had to live among, which attractions would you choose to live in? Washington Square, Plymouth Church Brooklyn Heights, Riverside Church, Flatiron Building, and The Players Club.

6. What are your top five favorite places you've visited outside NYC? What are your top five dream spots to visit? Favorite Places: Hong Kong, Sydney, Venice, London, & Cape Town.

Dream Places: Portugal, Bali, Thailand, Japan, & Istanbul.

Marta Sanders7. You will be performing Follow Me in the winter month of February. What do you love most about winter in NYC? I love that it's quieter and we reclaim our city for a minute. I also love the light.

8. If you put out an album of 10 duets, who would you want to sing with? Robert Carlos, Lucicita, Mark Nadler, Eric Michael Gillette, Mercedes Sosa, Delores Hall, Marin Mazie, Chita Rivera, Brian Stokes Mitchell, & Kelli O'Hara.

9. Since this show is called Follow Me, what footsteps of yours do hope people would follow? I believe you can't learn about what the real world is, if you don't travel. Travel is the greatest teacher. It is my passion as is my entertaining.

10. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent better every day? I'm just trying to slow down. Listen more.

Marta SandersMore on Marta:

In a career spanning several decades, Sanders has won both MAC and Bistro Awards for outstanding female vocalist. Mixing her soaring alto and prowess as a comic storyteller, Marta epitomizes a freewheeling American nightclub style that was prevalent until the ‘70s -- and that has endured with such pros as Bobby Short, Steve Ross, Barbara Cooke and Marilyn Maye.

Texas born, and of American father and an Argentinian mother (her father was the head of the Peace Corp in Colombia for a time), Marta grew up in cities across the States and in South America. Soon after arriving in New York, she was cast in the original Broadway production of The Best Little Whorehouse in Texas. But her taste for travel had her gravitating away from the theater to nightclub performing. She was featured in supper-clubs, on cruises and in concert venues across Central and South America, Russia, and on both coasts. In New York she gained a loyal following in regular appearances at such clubs as Les Mouches, The Ballroom, Upstairs at Greene Street, Reno Sweeney, and Grand Finale. She also hosted a radio program on WLIR for a time.

In October she combined her twin professions when she offered a uniquely immersive tour of New York’s storied nightlife that included performances and stories by several popular entertainers and cabaret entrepreneurs. Sponsored by Karen Lotman Productions the tour was an official event of the 27th annual Mabel Mercer Foundation Cabaret Convention.

Marta’s recordings include Panache (available on CD Baby), and Corazon del Alma available through www.martanyc.com.

Friday
Jul292016

Call Redialed: Karen Finley: Unicorn Gratitude Mystery at The Laurie Beechman Theatre

Karen FinleyI first interviewed Karen Finley in 2014 when her show Written in Sand made it's NYC debut. I was so inspired by that interview that when this new opportunity came to interview her, I jumped at it.

Her new show Karen Finley: Unicorn Gratitude Mystery, will be debuting at The Laurie Beechman Theatre this summer! In UNICORN, Karen humorously explores America's obsession with the imagined, unattainable white-horned mythical creature. Armed with a healthy does of cynicism, GRATITUDE finds Karen obsessing on the narcissistic tendencies that fuel contemporary gentrification. And with MYSTERY, Karen dives deep into the language, emotion, and the loss of control that can happen when we give in to our fear of the unknown.

In this interview Karen and I dive deep into the creation of this show talking about Karen's interest in unicorns, what she is grateful for, and which of life's mysteries she thinks about the most. We also discuss her fears, what she still wants to accomplish, and how she would like to improve her life by one percent better!

Karen Finley: Unicorn Gratitude Mystery will play The Laurie Beechman Theatre (407 West 42nd Street, between 9th & 10th Avenue, inside the West Bank Cafe) from July 31-August 21! Click here for tickets!

1. It's great getting to talk to you again Karen. You're new show, Karen Finley: Unicorn Gratitude Mystery, will be premiering at The Laurie Beechman Theatre from July 31-August 21. What are you looking forward to about performing this new show? How did you come up with the title? It is great speaking to you too Adam. There are so many reasons why I am looking forward to the performance. First, personally, I love performing and I love the Laurie Beechman Theater - and look forward to the physical intimacy of performing before a live audience being able to have a cocktail!. Secondly – the material – there will be humor, politics, and hopefully moments of profoundness. The performance has 3 sections – and each section deals with a topic - Unicorn – which is an exploration of the mythical attainment of the isolated white magical beast as a metaphor. Gratitude – explores the despair, the condescension of liberal white power, the aggressiveness of gratitude, thankfulness, forgiveness and the privilege of appreciation. The Mystery section explores the preoccupation of unknown events – trauma – such as flight 360 that vanished, the fear of the unknown. And the blues, depression that accompanies the not knowing. It is still in development….

Karen Finley2. According press notes, this show is divided into three sections. In Unicorn, you humorously explores America's obsession with the imagined, unattainable white-horned mythical creature. Why are you fascinated with unicorns? What do they represent to you? I have been interested in unicorns – for sometime since a child, probably since seeing the famous Cloister medieval tapestry with the gated unicorn. But what I am interested in – is the symbol – or the replacement – and the interest of the unicorn by the unconscious - and what that means. I think that the white, mythical creature – with the phallus on it’s head – a dick coming out of it’s brain – and that the imagination - circulated only in whiteness mythology. The unicorn is always alone…

3. In Gratitude, you talk about the narcissistic tendencies that fuel contemporary gentrification. Do you find any gratitude in society's obsession with each individuals narcissism? What are you most grateful for today? It is more that narcissistic tendencies but a narcissistic prevalent culture that disguises its exclusivity and elitism by the purchasing power of coconut water and the yoga mat yet the aggressiveness seen in the aisles of Whole Foods. Yet, I go deeper with the masochism in apologies – that can be ever so gendered.

Karen Finley performing "Written in Sand"4. In Mystery, you dive deep into the language, emotion, and the loss of control that can happen when we give in to our fear of the unknown. When was there a time in your life that you lost control? How did you find your way out? Thank you for taking the topic seriously – for yes, mystery – the mystery in life, in death is a space of not knowing. Mystery for me is to allow a designated space or time to knowing the not knowing – and the mystery that surrounds the situation. Allowing mystery without knowing rather in the literary genre the crime or mystery is solved. For me mystery serves both a spiritual and psychic function. Once I stopped searching – but allowed mystery a presence in my life was able to feel or accept blueness, depth, and beyond.

5. What is one of life's mysteries you think about the most? There are so many different ways to answer that – whether in my personal life- society – and larger questions of the universe – but somehow there are questions – or events that answers are never given – and for me the part is to try and not to obsess about or wait for an answer but to be present and to have a connection to humanity regardless.

Karen Finley6. What is your greatest fear? Donald Trump becoming president. I fear the escalation – continued violence in this country and abroad – I fear racism, sexism, oppression – bullying.

7. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent better every day? That is a lovely part of your column - I would think of it as in one step on a staircase – How can I transform my pain into compassion?

8. What is something about Karen Finley that most people don't know? That I am an introvert.

9. What haven't you accomplished that you would still like to? I would like to host my own talk show.

10. If you could star in a film or TV show that was a mystery, centered around a unicorn or featured one, and made you feel grateful, which films or TV shows would have liked to be in? LOL - hahaha. The Golden Girls where ("Rose") Betty White, buys a cute Unicorn in the winodw of a Romantic Depot - shows it to "Blanche," "Dorothy," and "Sophia" and it turns out to be a unicorn sex toy. Mystery solved! And boy, were they grateful!

Karen Finley performing "Written in Sand"More on Karen:

Since her first performances in the early 1980's, Karen Finley has become synonymous with performance art. A performer, artist, writer, musician, poet, teacher and lecturer, she is the recipient of two Obies, two Bessies, and multiple grants from the NEA and NYSCA. She has toured internationally with pieces including Make Love, George & Martha, The Jackie Look, The American Chestnut, A Certain Level of Denial and The Return of The Chocolate Smeared Woman and Written in the Sand. In 1990, Karen became an unwilling symbol for the NEA when she, along with Tim Miller, Holly Hughes & John Fleck, sued the NEA for withdrawing grants on the grounds of indecency; the controversial case went all the way to the Supreme Court. Among Karen's books include Shock Treatment, Enough Is Enough: Weekly Meditations for Living Dysfunctionally, the Martha Stewart satire Living It Up: Humorous Adventures in Hyperdomesticity, Pooh Unplugged,  and A Different Kind of Intimacy.