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"Call Me Adam" chats with...



Entries in Sting (2)


Call Answered: Matthew Morrison: New York Pops Summer Series, Glee, Broadway

Matthew Morrison, Photo Credit: Christian RiosThe year was 2002 and a new Broadway musical was opening that summer called Hairspray, starring Harvey Fierstein, Matthew Morrison and newcomer Marissa Jaret Winokur. The moment Matthew took the stage and started singing, he definitely had a new fan. Matthew's vocals are like no other and ever since Hairspray, I have had the pleasure of seeing him in almost all his Broadway endeavors, getting to hear that golden voice raise the roof time and time again! It has been a pleasure watching Matthew's career rise and then watching the world over get to know him and his voice because of his starring turn in Fox's Glee.

Ever since I started "Call Me Adam," I have been eager to interview Tony, Emmy, and Golden Globe nominee Matthew Morrison. It is a real honor to have been granted this opportunity, not only because we got to talk about Broadway, Glee, and his upcoming concert with The New York Pops, but because we got to the heart of what makes Matthew tick. Matthew's enthusiasm, excitement, and genuineness really shine through.

Matthew will be reuniting with The New York Pops and conductor/musical director Steven Reineke on Thursday, July 7 as he takes the stage with them at their summer home of Forest Hills Stadium (1 Tennis Place, Forrest Hills, NY). Matthew and The Pops' will be joined by Tony nominee Megan Hilty. Showtime is 7:30pm. Click here for tickets!

For more on Matthew be sure to visit and follow him on Facebook, Twitter, and Instagram!

For more on The New York Pops be sure to visit and follow them on FacebookTwitter, and Instagram!

Matthew Morrison1. This July you are once again going to be performing with The New York Pops at their summer home of the Forest Hills Stadium. What do you love about performing with The New York Pops? The Pops have such an amazing history, and do such a great job of including all members of its community. Its involvement with public schools and children’s hospitals in particular really resonates with me and my values.  I’ve had such great experiences working with The New York Pops in the past, and I look forward to sharing the stage once again with this amazing group of professionals, led by my good friend, conductor Steven Reineke.

Steven Reineke and The New York Pops2. When performing with The New York Pops, what do you learn from The Pops' Musical Director/Conductor Steven Reineke that you don't learn from working with other musical directors? Steven and I are good friends who share a similar taste in music. He understands my brand and takes the time to work with my Music Director, Brad Ellis, and myself to really bring the best show to the audience. He’s a team player who works extremely well with the artists that share the stage with The New York Pops. It’s always a fun and exhilarating show with Conductor Reineke.

3. Since Forest Hills Stadium is an outdoor venue, do you vocally prepare yourself differently than if you were getting ready to sing at an indoor venue? If you do you prepare differently, what do you do that's different? My regimen is pretty consistent no matter the setting. Days leading up to the performance, I rest my voice as much as possible. The day of the performance, I stay away from any types of dairy. To help coat the throat, I drink plenty of warm tea with honey and lemon. The only difference between preparing for outdoor vs. indoor shows is when I’m faced with temperatures that aren’t ideal for vocal performances. However, I don’t see summer in New York posing any issues!

Matthew Morrison4. We first met when you were starring on Broadway in Hairspray and since then, I've had the pleasure of watching your career take off. What has this journey been like for you? Is the reality of the trip the same as what you envisioned or hoped for? Thank you for the kind words. Looking back at my career, it’s been an amazing journey. Through it all, I have never chased success. Instead, I have always pursued happiness, and what that meant to me personally. To me that’s the key. I never thought I’d be in the position I’m in today, working with amazing creative professionals and having the liberty to decide which projects I want to attach myself to. But when you pursue your passion and stick with it even through challenging times, it’s amazing what opportunities will present themselves.

Matthew Morrison and Call Me Adam after "The Light in the Piazza"5. I've also had the pleasure of seeing you on Broadway in The Light in the Piazza and South Pacific, both productions played at Lincoln Center's Vivian Beaumont Theatre. When you walked back into the Beaumont for the first time during South Pacific what memories came up for you from starring in The Light in the Piazza and what new memories did you make during South Pacific? In The Light In The Piazza, I was faced with the extreme challenge of learning a foreign language in a very short window of time. Unlike television or film, you only get one shot at executing lines in theater. So memories of going through that challenge stood out. Each night on stage, the amount of emotion and energy that translated from the stage was unparalleled to any show I’ve been in. I will always cherish my tenure with that production, and once I walked back on to that stage for South Pacific, those memories came flooding back. In South Pacific, there was a different emotional connection I had with that show. "Lieutenant Cable’s" internal struggle through each performance often left me leaving the theater a bit melancholy. Playing a character who was being sent on a mission from which the likelihood of return is slim was a difficult task. I had to learn to pace myself in order to keep going with the run.

Matthew Morrison and Jane Lynch on the set of Fox's "Glee"6. While many people know you from your Broadway shows, lots of people got to know your talent when you starred on Fox's Glee for six years. What songs or artists did you never get to sing on Glee that you wished you had? What were the top three funniest things that happened to you during the taping of the series? We covered a very diverse repertoire of songs throughout the series, and I recall very fond memories of performing many of them with my cast mates. "Singin’ in the Rain" with Gwyneth Paltrow was amazing, aside from being wet all day! When we performed "Proud Mary," we were all in wheelchairs, and that was one of the biggest workouts on set that I can remember. We were up and down ramps, giving it our all in camaraderie for "Artie." "Don’t Stop Believin" was the Glee anthem, although now I can’t listen to that song just because at every event we attended for the show, they would be playing it. "You’re All The World To Me" was my favorite because of the creative direction. It’s the performance where I danced on the ceiling and walls. It was choreography at its finest, and was such an exhilarating day for me. Jane Lynch was my comedic crutch – she was always there to brighten spirits and bring a smile to everyone’s face.

Matthew Morrison7. With all the interviews you do, what is one question, you are so tired of people asking and what is one question you have not been asked that you wish you would be (and please provide your answer to that question)? The one question I get a lot is "Would you ever do a Glee reunion show?" The show was extremely special to me, and had its place in pop culture. Sometimes you just need to appreciate an ending and move on without entertaining a possible comeback, especially this early on. One question I haven’t been asked is "What do I value most in life?" My answer – happiness.

8. Some actors who start in theatre and then find success in television/film, stay working in television/film. What keeps you coming back to the stage? How do you feel your theatrical training prepared you for television work? Performing on stage is my air. I will always prefer being on stage because of that live interaction with an audience. There’s no substitute for the energy I receive from an audience. Live performances, to me, are a symbiotic relationship between the talent and the audience, where we both feed off of each other’s energy. My experience in theater prepared me for the work in television and film by instilling the sense of immediacy in my performances. In live theater, you get one take to get it right. In television and film, when you’re performing to a lens, there can be a number of takes on a single scene. I learned discipline with my techniques, and I think that helped a lot when transitioning to TV/Film.

9. On your album Matthew Morrison, you recorded Sting's "Let Your Soul Be Your Pilot" and on Where It All Began you recorded Stephen Sondheim's "Send In The Clowns." When in your life, have you "Let Your Soul Be Your Pilot" and when was there a time you wanted someone to "Send In The Clowns" to help cheer you up? "Let Your Soul Be Your Pilot" – When I made the decision to pursue the arts professionally. "Send In The Clowns" – Now that’s a bit too personal J

10. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent every day? To continue pursuing my passion and always striving to be a better person, husband and friend.

Matthew MorrisonMore on Matthew:

Matthew Morrison is a versatile actor who is recognized for his work on-stage and on-screen. He has been nominated for Tony, Emmy and Golden Globe Awards. Matthew most recently starred as "J.M. Barrie" in the Harvey Weinstein musical Finding Neverland through January 2016. The Broadway production is an adaptation of the 2004 film written by David Magee. The story follows the relationship between "Barrie" and the "Davies" family, who became the author’s inspiration for the creation of "Peter Pan." Matthew received two Drama Desk nominations for his role, and won the category of Favorite Actor in a Musical in the Audience Awards. In 2015, Morrison wrapped the final season of Fox’s musical comedy series Glee, where he starred as the director of the glee club, "Mr. Will Schuester." The show was created by Ryan Murphy and received the Golden Globe award "Best Television Series – Comedy or Musical" in 2010 and 2011. Morrison was the first artist signed to Adam Levine’s record label, 222 Records, where he released his Broadway standards album, Where it All Began, in June 2013. In 2012, Morrison starred in the Lionsgate film, What to Expect When You’re Expecting, which was based on the book of the same name, directed by Kirk Jones. The film also starred Cameron Diaz, Jennifer Lopez and Dennis Quaid among others. Matthew played a famous dance show star who is faced with the unexpected demands of fatherhood. The film was released on May 18, 2012.

In March 2012, Matthew hosted and narrated the PBS special entitled Oscar Hammerstein II - Out of My Dreams, which focused on the Broadway producer’s life and career. Also in March 2012, Matthew was featured in a performance of Dustin Lance Black’s play, 8, a staged reenactment of the federal trial that overturned California’s Prop 8 ban on same-sex marriage. The performance raised money for the American Foundation for Equal Rights.

Matthew studied musical theater, vocal performance and dance at New York University’s Tisch School of the Arts. He made his debut on Broadway in Footloose but his big break came when he was cast as heartthrob "Link Larkin" in the hit Hairspray. Matthew was later nominated for a Tony Award for his role in The Light in the Piazza, and received a Drama Desk Nomination for Outstanding Actor in a Musical for 10 Million Miles. He also starred in the Tony-winning revival of South Pacific at Lincoln Center Theater in New York. Matthew currently resides in New York.

Steven ReinekeMore on Steven Reineke:

Steven Reineke is the Music Director of The New York Pops at Carnegie Hall, Principal Pops Conductor of the National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts, Principal Pops Conductor of the Toronto Symphony Orchestra, and the Principal Pops Conductor Designate for the Houston Symphony, beginning in the 2017-2018 season. Mr. Reineke is a frequent guest conductor with The Philadelphia Orchestra and has been on the podium with the Boston Pops, The Cleveland Orchestra and the Chicago Symphony Orchestra at Ravinia. His extensive North American conducting appearances include San Francisco, Houston, Seattle, Edmonton and Pittsburgh. As the creator of more than one hundred orchestral arrangements for the Cincinnati Pops Orchestra, Mr. Reineke’s work has been performed worldwide, and can be heard on numerous Cincinnati Pops Orchestra recordings on the Telarc label. His symphonic works Celebration FanfareLegend of Sleepy Hollow and Casey at the Bat are performed frequently in North America. His numerous wind ensemble compositions are published by the C.L. Barnhouse Company and are performed by concert bands around the world. A native of Ohio, Mr. Reineke is a graduate of Miami University of Ohio, where he earned bachelor of music degrees with honors in both trumpet performance and music composition. He currently resides in New York City with his husband Eric Gabbard.

Steven Reineke and The New York PopsMore on The New York Pops:

The New York Pops is the largest independent pops orchestra in the United States, and the only professional symphonic orchestra in New York City specializing in popular music. Under the leadership of dynamic Music Director and Conductor Steven Reineke, The New York Pops continues to re-imagine orchestral pops music. The orchestra performs an annual subscription series and birthday gala at Carnegie Hall. The New York Pops is dedicated to lifelong learning, and collaborates with public schools, community organizations, children’s hospitals and senior centers throughout the five boroughs of New York City. PopsEd allows thousands of New Yorkers of all ages and backgrounds to participate in fully customizable music programs that blend traditional education with pure fun. Visit for more information. Follow The New York Pops onFacebookTwitter, and Instagram. 


Don Rebic

Don was trained as a classical pianist at Indiana University, where he studied with the internationally renowned concert pianist Abbey Simon. While at Indiana, Don became interested in jazz and was taken under the wing of jazz pedagogue David Baker. Upon graduating with a degree in piano performance, he moved to New York City, and within a year was conducting his first show on Broadway, "Jesus Christ Superstar." Since then, he has enjoyed a busy career as a conductor, pianist, and composer. Don has found success on Broadway, the national stage, and television, as an accompanist, musical director, performer and teacher, in classical music, jazz, popular music, and movie and television scoring. He has worked with such artists as Peggy Lee, Barbara Cook, Mary Cleere Harran, Karen Akers, Betty Buckley, Leslie Uggams, Chita Rivera, John Williams, Ricky Martin, and Jose Carreras.

In addition to "Jesus Christ Superstar," Don's other Broadway credits include "Dancin'" directed by Bob Fosse, "Sweet Charity" starring Debbie Allen and directed by Bob Fosse, "Little Johnny Jones" starring Donny Osmond, "Teaneck Tanzi" starring Deborah Harry and Andy Kaufman, "Anything Goes" starring Patti LuPone, and "The Mystery of Edwin Drood," among others. Don has conducted for the national companies of "Joseph and the Amazing Technicolor Dreamcoat" and "Kiss of the Spiderwoman," starring Chita Rivera.

Don is the Artistic Director of the "Singers Forum," a non-profit musical oasis in New York City, providing the highest quality vocal training for New York City Residents. Their continuing mission is to engage a diverse student body of singers dedicated to the development and appreciation of the vocal arts. With a strong emphasis on vocal technique, combined with numerous performance opportunities in a safe and supportive environment, Singers Forum strives to offer a full array of private instruction and group classes for both professional and personal growth.

As a jazz performer, Don has played with some of the best in the game, including drummers Jeff Hamilton, Peter Erskine, and Carl Allen; trumpeters Randy Brecker and Warren Vache; legendary guitarist Mundel Lowe; saxophonists Jesse Davis, Lou Marini, and Vincent Haring; and flutist Hubert Laws. He has also played with the Thad Jones/Mel Lewis Orchestra and with the Mingus Band.

As a composer, Don has co-written scores for HBO documentaries with his partner, Emmy winner Patty Stotter; he continues to write and orchestrate with Ms. Stotter in their production company "Liquid Architecture." Don composed the music for the off-off Broadway show "Flypaper," with lyricists Cheryl Paley and Larry Pelligrini (of "Tony and Tina’s Wedding"). He has composed over 50 songs with lyricists Laura Theodore, Sara Krieger of "The New York Voices," and Carol Hall of "The Best Little Whorehouse in Texas."

Don has also recently released his debut solo album "Together," which allowed Don to showcase himself as a composer and solo jazz pianist.

Don continues his interest and involvement in classical music as well. He is a member of the trio "Tremani," with the principal clarinetist and bassoonist of the Buffalo Philharmonic. He continues to compose serious contemporary music and of course to perform as a freelance musician. He has conducted the Pittsburgh, Dallas, and Syracuse Symphony Orchestras.

Don is currently touring with Leslie Uggams and Karen Akers. Catch them live:

Don Rebic and Leslie Uggams: July 31: The Capital Repertory Theatre, Albany, NY

Don Rebic and Karen Akers: September 24: The Bob Egan Cabaret, Ramada Inn, New Hope, PA

Don Rebic and Karen Akers: September 27-October 29: Oak Room, The Algonquin Hotel, New York City

1. Who or what inspired you to become a pianist, accompanist, and musical director? My father was an amateur trumpet player and he advised me to learn how to play the piano, because it was an orchestral instrument and would provide more opportunities if decided to become a professional musician.

2. What do you get from working on a Broadway show that you don't get from working on your own music or with a specific performer? The chance to work with a lot of musicians, actors, dancers, directors, choreographers, composers, orchestrators and lighting and sound designers all at the same time on one specific project.

3. What is your favorite part in the creative process of making an album and of working with a specific performer for a concert? I love the entire process, from choosing the material, to creating an arrangement/orchestration for the particular performer to recording the material in the studio and mixing all of the components to create something really special.

4. Who is the one person you haven't worked with that you would like to? That’s a tough one. Tony Bennett, Streisand definitely Sting.

5. How did you get involved with the Singers Forum and what made you want to be the Artistic Director? I met Andy Anselmo our founder at a summer symposium in Fredonia, NY and kept in touch with him after the engagement was completed. Due to the untimely death of Phil Campanella, the former artistic director, I applied for the position because I thought that my experience would be an asset to Singers Forum, and I felt that I could create an artist faculty that would attract a more professional clientele.

6. What are you looking forward to most about going on the road again with Leslie Uggams? What makes you such a great team? I’ve been Leslie’s music director for over 20 years and her ability to choose material that works for her with my input as an arranger is a relationship that I treasure. We click on a level that is difficult to put into words. She is an amazing performer who brings an incredible amount of musicality and experience to everything that she does and doing this show with her in Albany with musicians, some of whom I’ve worked with before and some I haven’t met yet, will be a real kick!

7. How did you come up with the title and concept for your debut album "Together" and what excites you most about it's release? My close friend and the drummer on the album, Michael Berkowitz, came up with that title and I think it’s perfect. Mike had been urging me for years to make a mainstream jazz album and when I came up with the arrangement of Styne and Sondheim’s “Together Wherever We Go" from "Gypsy," it sort of set the tone for the whole album. I’d personally like to thank Michael and bassist David Finck for all of their help in creating an album that I feel is truly unique.

8. Favorite place to write/compose music? The house that my father built in Fredonia, NY.

9. Favorite website? Hmm, there are so many, but if I had to choose,! What a resource!

10. "Mary" or "Rhoda"? Rhoda...Of course!

11. What have you learned about yourself from your artistry? I’ve learned that if I don’t know how to orchestrate or play something right of the bat, I can learn! I am teachable.


12. What's the best advice you've ever received? A teacher of mine once told me to learn how to play in as many different styles of music as possible. From Jazz to Broadway to Classical to everything in between and that has been a tremendous asset to my career.

13. If you could dream about anyone while you sleep, who would it be? I’m not touching that one with an eleven-foot pole!