Twitter
Facebook

 

 

Subscribe to our mailing list

* indicates required

    

"Call Me Adam" chats with...

 

 

Entries in Patti LaBelle (2)

Tuesday
Mar142017

Call Answered: Steve Willis: The Legend of Yma Sumac at The Laurie Beechman Theatre

Steve WillisI love music videos. I love documentaries. I love live performance. I love learning about people. When you get asked to interview someone that encompasses all of these and then you find out they have worked with some of the biggest names in entertainment, you jump at the opportunity presented before you.

That's where Steve Willis comes in. He has made videos for Mary J. Blige, Patti Labelle, Maxi Priest, Dawn Robinson, Miranda, and many others (including RuPaul's Drag Race stars Jinkx Monsoon and Sharon Needles). Now, he is premiering his "live documentary" cabaret show The Legend of Yma Sumac starring drag performer Scarlet Envy. Featuring many of Yma's greatest hits and never-before-seen footage of Yma, shot by Steve, The Legend of Yma Sumac will play The Laurie Beechman Theatre in NYC (407 West 42nd Street, between 9th & 10th Avenue in the basement of the West Bank Cafe) from March 15-29Click here for tickets!

For more on Steve be sure to visit http://thestevewillis.com and Instagram!

1. This March you are premiering The Legend of Yma Sumac, starring Scarlet Envy. The show is described as a "live documentary" cabaret about the late star, whom you were friends with. How did you first come to meet Yma? What was it about her that made you want to be friends? What do you miss most about her? When I first heard Yma’s music I became obsessed and couldn’t stop talking about her. From the very beginning I treated her as news that must be spread. I had the feeling that more people needed to know about her. I was so shocked to find out she existed. So one of the people that heard me talking said she was making gowns for Yma and I begged her to introduce me. She took me to dinner with Yma and I asked if I could make a documentary about her life. She was totally interested but she also wanted help with her career and I eventually learned she wanted help with her life. She was quite isolated. Over the years the relationship developed from director of her documentary, to also include manager for live shows to personal assistant. We would spend long hours in her apartment listening to her new music and hearing stories of the past and the people that did her wrong.

I think what I miss about her is being around such amazing talent and her wise worldly ways. She was always full of good advice and she cared for people and animals. She had a magical quality with animals that was like nothing I've ever seen. Wild animals, birds for example, would come to her and she was acting like it was the most natural thing when it was extremely rare. I believe the power of her mind was very great, she credited her singing ability to her mind and believing she could do it. She taught me more about integrity, artistic integrity than anyone I've ever met.

Scarlet Envy as Yma SumacThe real Yma Sumac2. What made now the right time to mount this show? That's an interesting question because there are three people that were involved with Yma at the end of her life trying to do projects with her. All three of us, without communicating with each other, returned to our projects again at the same time, around seven years after she died. The seven year itch? I've read the human body completely replaces all its cells after seven years and therefore you are a totally new person. Maybe we all had to heal a little before getting back to work on our projects? The other two people are Damon Devine, who was Yma’s caregiver and friend. He is working on a book that I really want to see come to life and I want to help promote. The other is Thomas Lauderdale of the band Pink Martini. I introduced him to Yma to record a song and she gave him a great start.

3. Why is Scarlet Envy the perfect drag queen to portray Yma? What aspects of Yma do you see in Scarlet? Spencer Rothman, the editor of this project has gone so far and beyond helping make this show come to life, introduced me to her. He saw I was really struggling to cast the project. I went through so many options. The problem was...if I was making a show that says "Yma has the greatest voice in the world ever," then how do I cast a live singer? No-one can sing these songs. (if you are reading this and you think this is incorrect….please introduce me to the singer that you think can do this).

Also, if I was in the audience for this show, I would want to hear Yma’s voice. So, the only choice seemed to be to do a lip sync show. I did consider real women along with drag performers but when it came to lip syncing, I think Drag performers have a little more practice…haha. I was already following Scarlet Envy on Instagram, so I was a fan of her beauty. She has an old Hollywood glamor to her look. She’s a beautiful woman and not a girl. I wanted the person playing Yma to be an older version of Yma. When I saw Scarlet paint herself to look like Yma, the resemblance was shocking and exciting. She had to do it. Yma’s career suffered somewhat from being considered "campy" or "kitsch" so I carefully considered whether casting a drag performer was the right thing to do but in the end I decided that the gender of the artist on stage is the last thing anyone needed to worry about. There is no nudity in the show except the male dancers show a lot of side ass.

Scarlet Envy as Yma SumacThe real Yma Sumac4. Some of Yma's greatest hits were "Malambo No. 1," "Mozart's Queen of the Night," and "Claire de Lune." In rehearsing this show what memories come up for you as hear these songs being performed? Because it is pretty rare to hear Yma’s music out in the world, I look forward to hearing my favorite songs by her on a nice loud system in a public place. I never heard Yma sing any of these songs live but when I would drive her around I would play these songs and she would drum on my dash board and sing along. One of my biggest regrets is not filming these moments. The way she would sing on top of the existing song was incredible. She would do this with any song by the way, not just hers. It was always in perfect harmony. I don’t know musical terms that well but she would also counter the melody in a very interesting way. She was also a great percussionist. Who knew the dashboard of a car could add so much great rhythm to a song?

5. The Legend of Yma Sumac incorporates unseen footage of Yma that was shot by you. How did you decide what footage to pick? What was it like to watch this footage now as opposed to when you first shot it? When I first picked up this project five years after her death, I needed to digitize some pretty archaic video formats (the project started in the 80’s). When I first started watching the footage, I literally broke out in hives on my face. The experience of watching the footage was a overwhelming. I put it away again until now. This year, I also won a grant from the National Hispanic Foundation for the Arts for my feature documentary about Yma so I’ve been working on that as well. Chip Duckett knew I was doing this and asked me if I wanted to do a live show at the Laurie Beechman Theatre, I wanted the live show to be a tribute to her so I picked footage that was happy and she looked great in.

Scarlet Envy as Yma SumacThe real Yma Sumac6. What do you hope audiences learn about Yma from attending the show? I want them to learn that she was a serious artist and had the greatest voice ever recorded. According to some experts I've interviewed, there are two other women who could sing the same scale as Yma and we know this from the music that was written for their voices but this was before the technology to record them existed.

7. What was the hardest/most emotional part of the show to write? What was the most fun part? The hardest part of the show was the end. Every time we would get to that part I would get emotional. It was a little embarrassing but luckily Spencer the editor is a friend. The "fun" part?…..did I say I had fun? Actually the whole experience has been fun.

Patti LaBelle8. In addition to Yma, you have made videos for numerous high profile artists such as Mary J. Blige, Patti Labelle, Maxi Priest, Dawn Robinson, Miranda, and RuPaul's Drag Race stars Jinkx Monsoon and Sharon Needles, amongst others. Is there a really crazy story that stands out from one of these shoots where you were like, "I can't believe that just happened?" Meeting Patti LaBelle was crazy and amazing and educational. She was the first big name person I ever directed. The record company guy took me to her hotel room and as we waited in the living room of her suite I was very nervous. From the bedroom she called out "Is that Steve Willis? I love your work!" I said "yes." She answered "Oh my, I look terrible and I don’t want to come out of my bedroom, I'm on my period." We all laughed and my nerves went away. She came out and we had a great meeting. I realized after what a pro move this was. She has probably met and intimidated many people and that's not the best place to start working with someone. Complimenting me and bringing herself to a human level was a great way to start working together.

Rebecca Romijn9. You also directed the documentary Wet Dreams with Rebecca Romijn about your attempt to approach Wet Design, the creators of the Bellagio fountain, to choreograph a fountain show of your own. What did you learn from this experience? Are there any secrets about the Bellagio fountain or fountain show that you can share with us that we, the public, might not know? That was an amazing experience. I was the first civilian to swim in the Bellagio Fountain. The film is about what we learned and the secrets of the fountain. It is on Youtube. So, if you want to know the answer to this question you need to watch the film 😊

10. What is something Yma taught you that you can share with us? She taught me not to compromise on your artistic vision no matter what. Once you have a clear vision, everyone can go to hell before you compromise on any small detail. I’ve never seen anyone hold to this more strongly and I've worked with many of the top people in the Film, TV and Fashion Industry.

Steve WillisMore on Steve:

Steve Willis is a filmmaker, photographer, and music video director. As a music video director, he has made videos for numerous artists, including Mary J. Blige, Patti Labelle, Maxi Priest, Dawn Robinson, Miranda, and many others (including RuPaul's Drag Race stars Jinkx Monsoon and Sharon Needles). He directed the documentary Wet Dreams with Rebecca Romijn, and is currently working on a documentary about Yma Sumac, who he befriended in 1987.

Friday
Jul152011

Rozz Morehead

Rozz Morehead is a multi-faceted performer and director from Broadway to television to music! She made her Broadway debut in "Big River" and has since gone on to perform on Broadway in "Urban Cowboy" and "Once On This Island." Her Off-Broadway credits include "Tapestry: The Music of Carole King" and "Beehive." Regionally, Rozz has performed at the Guthrie Theatre in their critically-acclaimed production of "Candide" as well as "Joseph and The Amazing Technicolor Dreamcoat," "Aida," "A...My Name Is Alice" (at the Old Globe), "Dreamgirls," and "Sophisticated Ladies."

Rozz has appeared on several episodes of Nick Jr.'s "The Wonder Pets" as "Mama Blowfish" including "Off To School," "Meet The Beetles," and "The Rat Pack." She was also featured in the new animated film "Santa Baby," from Producers Rankin and Bass, for Fox TV starring Eartha Kitt, Patti LaBelle, Gregory Hines, and Vanessa Williams and on the soundtrack version of the song "Santa Baby" with Eartha Kitt.

While competing on Star Search, Rozz received national attention for her performances, making it all the way to the Finalist competition. She was the vocalist and announce on the TV show "New York At Night" and the vocalist for the theme song to "ABC Sports Pro Bowling Tournament."

She has performed on "Top of the Pops" (BBC) with Moby as the featured vocalist on the hit dance record "Move," and on "MTV Unplugged" with "Everytime You Touch Me" by Moby. Rozz has also performed with several Pops concerts with such symphony orchestras as Minnesota, St. Louis, Houston, Portland, Milwaukee, and Omaha presenting the Music of Andrew Lloyd Webber and Friends, Harold Arlen, Rodgers, Hart, and Hammerstein, Cole Porter, and Irving Berlin.

As a background singer, Rozz has performed with such luminaries as Patti Austin, Stephanie Mills, Maxwell, Debbie Gibson, Ben E. King, Jennifer Holiday, Black 47, Buster Poindexter, Kathy Triccoli, Clint Holmes and Grover Washington, Jr., and completed the Diana Ross 2002 summer tour, performing in concert for Prince Charles in Hyde Park for over 60,000.

"Ocean in a Teacup" CastNow Rozz is bringing her talents to New York, working behind the scenes, as director of "Ocean in a Teacup" in the Midtown International Theatre Festival. "Ocean in a Teacup" tells the story of a broken American soldier who gets a second chance at life in post-war India…The war is over, but Ray Hauserman does not return home from India to the woman he loves. The shame of having broken his vow “never to kill” draws him to an Indian teacher who offers him a unique path to redemption.

"Ocean in a Teacup" plays from July 17-26 at the June Havoc Theatre (312 West 36th Street).

Click here for tickets! For much more on Rozz be sure to visit http://www.myspace.com/rozzmorehead!

1. Who or what inspired you to become a performer? I started singing when I was about 4 years old. Even at a young age, I think I understood that singing was a way to bring joy to people. When I was in high school, I got a job working at a textile mill in NC, and it was then I knew I NEVER wanted to work that hard again.

2. Who is the one person you haven't worked with that you would like to? Jon Stewart.

3. How did you get invovled with and what attracted you to "Ocean in a Teacup?" What excites you most about having it in MITF? I was working as a singer with the writer, Joel Krantz and he asked me to take a look at a show he'd been working on. I was so busy that I hoped that I wouldn't like it so I'd have a reason NOT to get involved. One night we were discussing the show, and Joel recited the lyrics to a new song. It was called, "Nothing Can Stop You From Loving". We were standing outside a little restaurant in NJ and those lyrics brought me to tears. It was pure poetry with a beautiful message. I then went home and listened to a few of the songs, read the script and I was hooked! I started doing dramaturge work with him on the piece. Being accepted into the MITF has given us a chance to really hone the script and tell the story to a larger audience.

4. What do you get from directing a show over performing in one? Even when I've been on the other side of the table, I've always been interested in how directors work. I'd stay and watch them work with other actors just to see how they would look at a scene and interpret the script. Insider trading that had been passed to them directly from the writer, and then given to the actor. As a performer, I love diving deeper into each character to find the truth and emotion behind every word.

5. What do you get from working in theatre that you don't get from working television or music? Theater is just telling a story. If your heart is in it, every medium is the same. Even on a corporate industrial, the motivation should be telling the story and being in the moment. Not above it, but present and accounted for.

6. What have you learned about yourself from being a performer and a director? That there is power in the gifts we are given. I try to use my talents to be welcoming and inclusive, to build confidence in the people I'm working with, and to bring glory to God.

7. What is the best advice you've ever received? When I was a little girl I was chosen to sing a solo at church. It was well-recieved by the congregation and at the end of the service I ran up to my mom asking, "Did you see me? Did you see me?" She looked down at me and simply said, "If you were doing it to be seen, you were doing it for the wrong reason." At first, I was totally deflated, but as I thought about it, I began to understand. When singing or performing becomes about me, I get nervous and uncertain. When I keep me out of it, and use my talents to serve and move another's heart, then everything is as it should be. I feel at peace. I'm just an instrument to be used.

8. If you could dream about anyone while you sleep, who would it be? My mom and dad.

9. Favorite website? That would be a tie between, myspace music and youtube. I'm the music minister of All Souls Community Church in Nanuet and those websites are invaluable for finding new music and hearing the full version of the songs, even whole CDs.

10. "Mary" or "Rhoda"? Mary.

BONUS QUESTIONS:

11. How did you come to work with 'NSYNC and co-write "Home For Christmas?" My friend Gary Haase with whom I co-wrote the song, asked me to collaborate with him on a Christmas song for Celine Dion. We wrote the song "Home For Christmas" for her. By the time it was finished it was too late to get it onto her CD, but he told me there was another artist interested in the song. At the time, I had no idea who 'NSYNC was, but I was excited that they liked the song. Several months later, I got the call that not only had they recorded the song, but it was the title cut of the CD. Whoo Hoo!!!

12. What was the best part about working with Diana Ross, Eartha Kitt, Vanessa Williams, and Debbie Gibson? What did you learn from each of them? 

I love working with them all, but Diana Ross? What can I say. I had been a fan of hers for as long as I could remember. At the audition for the gig, I was teamed up with another girl to sing with the band. We were working on "Keep Me Hanging On", when in walks Ms. Ross. I was stunned. She came in, hair billowing behind her, picked up a mic and started to sing with us. I was DONE! Tears started streaming down my face. At the end of the song, she looked at me and said, "Are you okay?" I just shook my head and said, "You... are Diana Ross!" I got the gig! Her band was playing a private party at the Waldorf the next night. I got a call asking if I'd like to come and sing backup for her at that gig. I nearly fell off my couch. But that night, unrehearsed, I did my first job with her. But it got even crazier. As she was singing "I Will Survive", she came over and pulled me from the ranks of the background singers, gave me her mic and said, "Take it!" Not being one to shy away from anything, and having sung the song for 100 years, I came down front and started to wail. IT WAS AWESOME!!! That has to be one of the best moments of my life. Having Diana Ross share the stage with me. 

What did I learn from them? The most wonderful lesson of all. Our gifts and talents are meant to be shared to bring joy and move another's heart.