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"Call Me Adam" chats with...

Entries in Off-Broadway (303)

Wednesday
Dec172014

Call Redialed: Scott Alan: Greatest Hits Volume 1 and 54 Below Debut Concert 

Scott Alan"Call Me Adam" catches up with songwriter Scott Alan to talk about his new album Scott Alan Greatest Hits Volume 1 and his upcoming 54 Below debut concert on January 19, 2015 at 7pm, which celebrates the release of Scott Alan Greatest Hits Volume 1!

Scott Alan Greatest Hits Volume 1 features Samantha Barks, Shoshana Bean, Stephanie J. Block, Lisa Brescia, Liz Callaway, Kerry Ellis, Hadley Fraser, Eden Espinosa, Marcus Paul James and Willemijn Verkaik, and new tracks by Marc Broussard, Taylor Dayne, Cynthia Erivo, RJ Helton, Christina Marie, Jonathan Mendelsohn, Stuart Matthew Price, Oliver Tompsett and Natalie Weiss.

Scheduled to appear at Scott's 54 Below concert include 2014 Tony Award Winners James Monroe Iglehart (Aladdin) and Jessie Mueller (Beautiful), Tony Nominee’s Joshua Henry (The Scottsboro Boys, Violet) and Chad Kimball (Memphis) as well as Lilla Crawford (Little Red Riding Hood in Disney’s upcoming film adaptation of Into the Woods), Alysha Umphress (On the Town), David Burtka (upcoming’s It Shoulda Been You), Mykal Kilgore (Motown), Natalie Weiss (Wicked), Katie Thompson (Giant), Ellyn Marie Marsh (Kinky Boots), Danny Calvert (Altar Boyz), Elizabeth Stanley (On the Town). More performers to be announced. Click here for tickets!

For more on Scott be sure to visit http://scottalan.net and follow him on Facebook, Twitter, YouTube, and Instagram!

Designed by Robbie Rozelle1. You have just released your new album Scott Alan Greatest Hits Volume 1 which features, well, some of your biggest hits from your previous five albums, plus a few new recordings and re-workings of other hits. What made now the right time to release a Greatest Hits album as opposed to recording a new album? To make a new album would cost too much money and putting out a Greatest Hits album allowed me the opportunity to revisit my older catalogue of music and reconstruct it enough to give these songs a new feel. In addition, since so many of my past albums are out of print, it only made sense to place the greatest hits on one album instead of spending the money to duplicate all or most of my previous albums. Everything comes down to money, which isn’t to say this album didn’t cost money, it actually cost more to make then my debut album, Dreaming Wide Awake.

2. What does it mean to you to have enough material to be able to create a Greatest Hits album? It means I’m getting really old. I’m now in that stage of my life where graduates tell me they discovered my music when they were in Junior High School. Old. Old. Old.

Scott Alan3. How did you decide which songs you wanted to put on this first collection of Greatest Hits and how did you decide which songs you wanted to re-work/change from their original recording? We did a poll on my website and about 90% of the songs were picked from that poll. As for the re-worked songs, it was important to have updates on many of the songs to make this album special and unique and not the normal "greatest hits" collection of songs that fans already own.

4. Some of the artists featured on your Greatest Hits were not the original artists you initially had record the song. Why did you choose to change some of the artists for this release? It started with the song "Anything Worth Holding on To." It’s a very personal song but it never caught on when released on my third album, What I Wanna Be When I Grow Up, even though it was beautifully sung by the iconic voice of Crystal Monee Hall. Then when I did my IndigO2 concert at the O2 and it was performed by the extraordinarily gifted talents of Cynthia Erivo, it gained a new life and a new following. I knew I wanted to try and recreate that and so having Cytnhia record the song was not even a question. Nothing will ever match the magic of the live performance but it’s so incredible to have it recorded for this album. And, to have Stuart Matthew Price re-create his performance of "Over the Mountains" was a no brainer. He was my original idea for the recording but I had already offered it to Bobby Steggert. Then we tried to have him in for the LIVE album but he was busy with Shrek. So, we finally had the timing right. Thankfully. And, "In This Moment" recorded in the studio was a no-brainer. Marc Broussard. Hello. This new version of "Kiss the Air" was featured on the special edition of LIVE, so we changed the arrangement a bit. Oliver Tompsett’s voice is timeless. And Natalie Weiss' new version of "The Distance You Have Come" was our way of going back to the original demo of what the song represented. Simplistic and organic.

Scott Alan and Taylor Dayne5. One artist who is new to this recording is the one and only Taylor Dayne who sings "I'm Coming Home To You." I have loved Taylor Dayne since she burst onto the music scene in the 80s. How did you come to work with this Grammy-nominated artist? I’m annoying and overly eager. Taylor can tell the story better but truthfully I just kept tweeting her and emailing her assistant until she said yes. I wouldn’t give up and kept on pushing and thankfully our schedules linked up and I had the opportunity to work with one of my childhood idols. I grew up the biggest Taylor Dayne voice and that voice hasn’t changed one bit. It’s still crazy to look in my phone and know I can call her, and I do. She’s so down to earth and awesome. The studio session was a blast. Just two Long Island kids. We have the same lingo and she is brilliant in knowing what she wants and how to achieve it. She’s got a brilliant mind. It was an honor.

6. On January 19, you will be making your 54 Below debut to celebrate the release of your Greatest Hits. What excites you about making your 54 Below debut? Why was now the best time to make your 54 Below debut? You know, I feel like I’m having an affair on Birdland because I've been performing there for years but when Jennifer Tepper asked me if I would be interested in doing a concert at 54 Below I couldn’t help but say yes. I mean, aren’t all the cool kids doing it? Sometimes new scenery is just what the doctor ordered.

Scott Alan7. In addition to this concert being your 54 Below debut, your first concert in a year and a half, why should fans get excited for this concert? and What do you hope audiences come away with after attending this concert? I have always feared performing in New York because I feel like I can’t just sit back and relax and be myself. Over the years, performing in London and Australia and Holland and Germany and just having the opportunity to sit back and tell my story - I’m excited to do that now, in my city. It’s gonna be a very different vibe and I’m really excited to share that with this audience.

8. Why did you wait a year and a half to return to the New York concert stage? I always think nobody will show up and so I think it’s always smart to take breaks so that the audience awaits your next visit and I don’t overdose on xanax.

9. What's the best advice you've ever received? From Frank Wildhorn. He said "The day you stop thinking you’re a new voice and think you’ve learned everything there is to be learned, leave the industry." Smart advice. Thankfully, I keep learning. And advice I always tell the young one’s which is to "Always remain a fan" and I do. I continue to work with my childhood hero’s because I am still that 12 year old kid in his bedroom waiting for life to begin.

Scott Alan10. What have you learned about yourself from being a composer/lyricist? How truly therapeutic music can be if you let it.

11. How do you want to be remembered? As a father and a husband. I just need a husband and kids to father. But that is what I want my legacy to be. 

BONUS QUESTIONS:

12. If you could have any super power, which one would you choose? I seem to dream about flying a lot. I don’t know why. I have dreams often that I can fly. So, I guess that one?

13. If you could be an original flavor Life Saver, which one would you be? Oh, hmmmm. Is cool mint an option?

14. If you could create your own signature drink, what would you call it and what would the ingredients be? The Dreamer. Part Malibu Rum, Part Pineapple Juice, Part Citrus Absolute Vodka, part Midori Melon and topped off with a cherry. And yes. I was a bartender and that actually was my signature drink back in the day at Stonewall Inn, located in the W. Village. So I’m sorta cheating.

Scott AlanMore on Scott:

Since returning to New York City in 2003 many of Broadway's elite have sung Scott Alan's songs, including Liz Callaway, Jonathan Groff, Shoshana Bean, Adriane Lenox, Stephanie J. Block, Cheyenne Jackson, Eden Espinosa and more, all of which can be found featured on his debut CD Dreaming Wide Awake. Scott then released the follow up CD, Keys, in 2008 which features more of Broadway and West End elite singing his work, including Sutton Foster, Norm Lewis, Kerry Ellis, Randy Graff, Megan Hilty, Hadley Fraser, Julia Murney and many more.

In the fall of 2010, Scott Alan released his third album, What I Wanna Be When I Grow Up, featuring Christiane Noll, Darius de Haas, Christopher Sieber, Willemijn Verkaik, Patina Miller and more.

Scott Alan released his fourth album, LIVE, in 2012 which was recorded at the famed Birdland Jazz Club in New York City. This recording featured Samantha Barks, Lea Salonga, Jane Monheit, Marc Broussard, Ramin Karimloo, Pentatonix and many of today's brightest Broadway and West End stars. On May 24th, 2012 Scott's composition, "It's Good to See You Again" was featured on the premiere episode of the ninth season of So You Think You Can Dance. His work has also been heard in the documentary The Standbys and on VH1's reality show Off-Pitch.

In 2014 Scott released his fifth album, a seven song collection sung by the composer called Anything Worth Holding on To.

Scott Alan has sold out concerts of his music in New York City, London, Holland, Germany, San Francisco, Boston, Los Angeles and Australia.

Thursday
Nov202014

Call Answered: Behind-The-Scenes Rehearsal Facetime Interview with Anthony Nunziata for 54 Below solo debut

"Call Me Adam" went behind-the-scenes with recording artist Anthony Nunziata as he prepares for his debut solo concert at 54 Below in NYC. Anthony let us into his rehearsal studio, where he and musical director Tedd Firth, were busy at work preparing for this big night.

Anthony will be making his solo concert debut at 54 Below on Friday, November 28 at 9:30pm with Tedd Firth - Piano/Musical Director/Arranger, Tom Hubbard - Bass, and Sherrie Maricle - Drums. Click here for tickets!

For more on Anthony be sure to visit http://www.anthonynunziata.com and follow him on Facebook and Twitter!

Behind-The-Scenes Facetime video interview with Anthony Nunziata and Tedd Firth:

Monday
Nov102014

Call Redialed: Steven Reineke: New York Pops: By Special Request: An Evening With The Orchestra

Steven Reineke, Photo Credit: Michael Tammaro"Call Me Adam" once again chats with The New York Pops' Musical Director Steven Reineke. This time around we discuss the second concert of their 32nd Season, By Special Request: An Evening With The Orchestra, which will take place on Friday, November 14 at 7:30pm at Carnegie Hall in NYC (57th Street and 7th Avenue). By Special Request: An Evening With The Orchestra will feature popular symphonic pieces by European masters; selections from great American composers such as Copland, Gershwin, Bernstein with Essential Voices USA; and the New York premiere of "Festival Te Deum" written by The New York Pops very own Steven Reineke. Click here for tickets!

For more on The New York Pops be sure to visit http://www.newyorkpops.org and follow them on Facebook and Twitter!

Steven Reineke conducting The New York Pops, Photo Credit: Johanna Webber1. On Friday, November 14, The New York Pops continues their 32nd Season with By Special Request: An Evening With The Orchestra. What do you like most about doing these special request concerts? I love that we've begun a tradition of featuring the orchestra and its wonderful musicians each season. We collaborate throughout the year with so many incredible guests artists and soloists but at the heart of it all, it's the orchestra that makes each concert so special with their amazing musicianship and versatility. 

Doing a program like this really allows the orchestra to shine. The repertoire I've chosen is very demanding, giving us a chance to push ourselves and challenge the orchestra to reach even greater heights artistically.

2. During this show, you will perform your composition "Festival Te Deum," which will be making its New York debut. What excites you most about premiering this song during By Special Request? What, if anything, makes you nervous about having an audience hear one of your compositions for the first time? I'm very excited to conduct this piece in New York for the first time. I don't often program a lot of my own music here but I thought this was a great opportunity to show our audience another side of me. I'm not sure many of them realize that I'm also a composer. It's always a little scary to perform your own music for an audience because it's very personal. I just take a deep breath and hope that it connects with the listener and has an impact on them.

Steven Reineke conducting The New York Pops Gala, Photo Credit: Richard Termine3. How did you decide which songs you were going to perform for this concert? The second half of the program is dedicated to iconic New York composers - Aaron Copland, Leonard Bernstein, and George Gershwin. It all started when I realized the date of the performance, November 14th, fell on Aaron Copland's birthday. He would've been 114 years old this year. That's when I decided to feature his music and pair it with Bernstein and Gershwin. The first half of the concert features some great music from the European symphonic repertoire.

4. Since the evening is called By Special Request, what is the one special request you get asked the most in regards to The New York Pops? Patrons and fans are constantly giving me their ideas and opinions regarding what they would like to see and hear. I really like that and take it all to heart. Honestly though, the number one thing I've heard from patrons over the years is that they sometimes just want to hear the orchestra featured without guest artists.  I think this is a huge compliment to the musicians of The New York Pops. That's why I decided to create a concert each year called By Special Request: An Evening With the Orchestra.

5. If you could request anything of the New York Pops' audience, what would you ask them? Please tell all of their friends to buy subscription packages or single tickets to our concerts! Also, feel free to use social media to spread the word about this great orchestra. If you enjoyed a concert, then tweet about us or post on Facebook. We want everyone to know how special our concerts are and to continue to sell out our performances.

Steven Reineke conducting, Photo Credit: Richard Termine6. Once again, you are teaming up Judith Clurman's Essential Voices USA for this evening's concert. How did you first come to work with them and what makes you want to continue to team up with them for your concerts? Judith Clurman and the chorus were recommended to me the first season I was with the orchestra. We brought them in for a concert and I was blown away by their sound and professionalism. Judith is an extraordinary conductor and prepares the chorus beautifully. We know each other so well at this point that she knows exactly what I'll like or not.

7. What makes this By Special Request concert different from previous ones? For these concerts, it seems as though I've alternated programming film music one year and classical repertoire the next. This year we are back to classical pieces. I'm excited that this one also includes music from opera, ballet, and theater.

8. If you could be any original flavor Life Saver, which one would you be? Pineapple. It's the most interesting of the five original flavors.

Steven Reineke conducting The New York Pops, Photo Credit: Johanna Webber9. If you could have a song written about your life, what are some key elements you would want to make sure the lyricist wrote into the song? For example, I've had two theme songs written for me...one for my past radio show and one for a live interview series I used to conduct. The key elements I wanted to make sure got written into each theme song was that I did entertainment interviews and then the lyricists wrote my theme songs around that idea. That I was born to be an entertainer and that I think love is the most powerful force in the universe.

10. How do you want to be remembered? Um, I sure hope that I'm not going anywhere very soon!!! I would like to be remembered as a kind, thoughtful, and generous person that gave everything to my work and lived life to the fullest. Hopefully, I also touched some people through music along the way.

Steven Reineke, Photo Credit; Michael TammaroMore on Steven:

Steven Reineke is the Music Director of The New York Pops at Carnegie Hall, Principal Pops Conductor of the National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts, and Principal Pops Conductor of the Toronto Symphony Orchestra. Mr. Reineke is a frequent guest conductor with The Philadelphia Orchestra and has been on the podium with the Boston Pops, The Cleveland Orchestra and the Chicago Symphony Orchestra at Ravinia. His extensive North American conducting appearances include San Francisco, Houston, Seattle, Edmonton and Pittsburgh. As the creator of more than one hundred orchestral arrangements for the Cincinnati Pops Orchestra, Mr. Reineke's work has been performed worldwide, and can be heard on numerous Cincinnati Pops Orchestra recordings on the Telarc label. His symphonic works Celebration Fanfare, Legend of Sleepy Hollow and Casey at the Bat are performed frequently in North America. His numerous wind ensemble compositions are published by the C.L. Barnhouse Company and are performed by concert bands around the world. A native of Ohio, Mr. Reineke is a graduate of Miami University of Ohio, where he earned bachelor of music degrees with honors in both trumpet performance and music composition. He currently resides in New York City with his husband Eric Gabbard.

Steven Reineke conducting The New York Pops, Photo Credit: Richard TermineMore on The New York Pops:

The New York Pops is the largest independent pops orchestra in the United States, and the only professional symphonic orchestra in New York City specializing in popular music. Led by Music Director Steven Reineke, the orchestra performs an annual subscription series and birthday gala at Carnegie Hall. The New York Pops was founded by Skitch Henderson in 1983 with a mission to create greater public awareness and appreciation of America’s rich musical heritage. The New York Pops is dedicated to lifelong learning, and collaborates with public schools, community organizations, children’s hospitals and senior centers throughout the five boroughs of New York City. PopsEd allows thousands of New Yorkers of all ages and backgrounds to participate in fully customizable music programs that blend traditional education with pure fun. 

Monday
Nov032014

Call Answered: Markus Potter: Stalking The Bogeyman

Markus Potter"Call Me Adam" chats with adaptor and director Markus Potter about his new play Stalking The Bogeyman, about the real-life story of David Holthouse's secret pursuit of justice for a crime hidden for 25 years. Stalking The Bogeyman plays at New World Stages in NYC (340 West 50th Street, between 8th & 9th Avenue) through November 9. Click here for tickets!

For more on Markus be sure to visit http://www.markuspotter.com and follow him on Facebook, Twitter, and Instagram!

1. You have adapted the script and are directing the new Off-Broadway show Stalking the Bogeyman at New World Stages based upon the real-life story of David Holthouse's secret pursuit of justice for a crime hidden for 25 years. What was it about this story that made you want to adapt it for the stage? When I heard this story, its raw truth cut me to the core. It was so powerful and beautiful and inspiring. I knew right away that this thrilling story about healing needed to reach more people.

2. Why did you want to direct the show in addition to adapting the script? My intent from the beginning was to DIRECT the play. I was in negotiations with some big writers to adapt the story but the roadblock was the agent. I had to wait months to get a response, and when negotiations were going nowhere, I started to blueprint the structure as a directorial exercise. I sat down with Shane Zeigler, Shane Stokes and Santino Fontana, and six months later, when negotiations with agents were going nowhere, I realized that we actually had the beginnings of a play. And with David Holthouse’s extraordinary skill as a storyteller and writer himself, everything was already there. We simply expanded what Holthouse had already created.

Markus Potter and David Holthouse, Photo Credit: David Gordon3. What was it like to work with David to bring his story to life in this manner? There are not many people in this world that I respect more than Holthouse. Brilliant mind, brilliant writer, brilliant storyteller.  Our collaboration has been incredible since the moment we first spoke.

His notes/thoughts/ideas were always spot on. People come and go in your life and always leave impressions. Not only do I respect David for his honesty and bravery in putting his story out there like this, but when I think of his talent, the only word I feel that does him justice is "brilliant." He is a great collaborator and courageous man. Happy to say he has become a trusted friend.

4. What have you enjoyed most about working with this cast? One of the strongest casts in NYC. They are truthful, grounded, vulnerable, and settle for nothing less than the immediacy of every moment. Truly a tremendous cast that makes my job easy.

Roderick Hill in "Stalking The Bogeyman"5. What do you identify most with about the story? Secrets, Fear, Shame, Family, Parenthood, Communication, Hope.

6. What do you hope audiences come away with after seeing Stalking The Bogeyman? Catharsis.  Courage. Inspiration. I hope that audiences leave this play feeling inspired to confront the darkness inside of them. I want people to feel hopeful and that you can change course at any moment.

7. Since this show is about the dangers of vengeance, the power of forgiveness, and the strength of family, what has happened in your life that you've forgiven someone for? I’m not very good at forgiveness. I still have fantasies of hurting an old bully in high school that would torture the weakest kids in our school. I’m not sure if I hate him or hate myself more for not speaking up. Not sure if I can forgive, but when I remind myself that he was just a scared and damaged boy who was desperate to feel a sense of power and control and self worth, I’m able to let it go to some extent.

Scene from "Stalking The Bogeyman"8. What's the best advice you've ever received? Don’t trust your gut. It’s pretty hard to decipher the gut from the heart from the cerebral cortex.

9. How do you want to be remembered? Committed father, good husband, and a great director that brought important stories to the world.

10. With the announcement that Stalking The Bogeyman is closing November 9, what is next for the show? I plan to direct the play next year in L.A., and we are in conversations with many regional theatre’s across the country. Stalking the Bogeyman has also been optioned as a feature film…more info to come.  Also some London talk, TBD…

BONUS QUESTIONS:

Roderick Hill in "Stalking The Bogeyman"

11. If you could have any super power, which one would you choose?Eternal patience. I have very little of it. Occasionally it’s a good thing, many times it is not.

12. If you could be any original flavor Life Saver, which one would you be? Orange, to match our show poster.

13. Favorite way to stay in shape? Racing after my 4 year old son Tennessee and 2 year old Juliet.

14. Boxers or Briefs? Whatever my wife gives me for my birthday.

Markus PotterMore on Markus:

Markus Potter is the founder and producing artistic director of NewYorkRep. 
Directing and producing credits include Stalking the Bogeyman (North Carolina Stage Company), The Velocity of Autumn by Eric Coble (Broadway-St. James), Black Wizard/Blue Wizard by Dave Malloy and Eliza Bent (Incubator Arts), Why You Beasting (Best of FringeNYC – transferred to the Players theatre off-Broadway).

As an actor: The Guthrie Theatre, Long Wharf, Denver Center, ACT, Berkeley Rep, tour of Death of a Salesman with Christopher Lloyd, Cherry Lane, Cal Shakes, San Francisco Shakespeare Festival, Studio Theatre DC, Great Lakes Theatre Festival and many more.

Thursday
Oct302014

Call Redialed: Seth Rudetsky: Seth's Broadway Diary

"Call Me Adam" caught up with Broadway's Seth Rudetsky to talk about his new book Seth's Broadway Diary, published by Dress Circle Publishing. A one of a kind Broadway journal, Seth's Broadway Diary chronicles Seth's unique life on and around the Great White Way. Click here to purchase your copy!

For more on Seth be sure to visit http://www.sethtv.com and follow him on Facebook and Twitter!

1. On October 22, you launched your 4th book, Seth's Broadway Diary, a one of a kind Broadway journal chronicling your unique life on and around the Great White Way. What made now the right time to release this book? My A.D.D. plus harrasment. For years I've been talking about getting my Playbill columns published. Basically since I started writing them in 2007. My A.D.D. prevented me from actually doing anything about it. Finally, my husband harrassed me and commandeered my old assistant Joey Monda to send out samples. Joey sent one to Dress Circle Publishing and I got a book deal!

2. What excites you most about this release? I love seeing all these really hilarious stories and interviews in one book instead of tracking them down online. I love the kind of book that you can open and read something fun. Even though this book is in chronological order, you can open it up to any page and get a great story about Sutton Foster, me missing a flight to rehearse with Betty Buckley or some amazing inside scoop about Donna McKechnie and the original cast of A CHORUS LINE.

Seth Rudetsky and Matthew Broderick at "Seth's Broadway Diary" Book Launch Party3. What was it like to go back through your life on and around Broadway to write this book? How did you narrow down what you wanted to include in the book? This is literally the columns I published. I only added sassy 2014 side comments (in a different font) when I went through it to edit. For instance, I wrote about seeing the show 13 and I added that the cast featured a then-unknown Ariana Grande!

4. While you were writing this book, did you come across any events that you wish you had done differently? I wish I didn't call James my boyfriend in every column. I mean, he was my boyfriend at the time, but every time I mentioned him I reiterated it in case I had new readers. A few months after I began writing the columns, I interviewed Nathan Lane and he told me he had HAD IT with me writing "my boyfriend James" every month. "WE GET IT ALREADY! IS JAMES YOUR FIRST BOYFRIEND!?!?!"

Kelli O'Hara and Seth Rudetsky at "Seth's Broadway Diary" Book Launch Party5. What advice would you give your younger self that you didn't know then, but do now? Stop eating cereal late at night. Cardio stops working after age 39.

6. What did you learn about yourself from writing this book? I've done a lot of things I've forgotten about!!! I was reading about an interview I did with Barbara Cook to promote her upcoming concert with Audra McDonald that benefitted the Obama reelection campaign. I wished I had seen the concert. Then I read the following column where I wrote about how great the concert was!

7. What do you hope readers come away with after reading this book? So many fun stories about Broadway they can tell their friends! "Did you know Chita Rivera kicked herself in the head every night at the end of "America" because she's so flexible?" "Did you know Betty Buckley's agent prevented her from getting the role of "Catherine" in PIPPIN because he wanted his other client (Jill Clayburgh) to get the gig?" "Did you know Andrea McArdle hid 64 easter eggs on the set of LES MIZ and they only found 58? And it wound up breaking the barricade?"

Jackie Hoffman, Seth Rudetsky, and Alysha Umphress at "Seth's Broadway Diary" Book Launch Party8. What was the most emotional event you came across while writing this book? What was the happiest event? The most emotional was reading about Loretta Sable Ayres audition for SOUTH PACIFIC and how she almost didn't go because she thought they'd be mean to her like the judges on AMERICAN IDOL. Her husband talked her into going...she got the part...and a Tony nomination!

The happiest is reading about all these amazing Broadway people I've worshipped that I got to hang out with. My inner 14-year-old's childhood dream!

9. Of the celebrities you write about in your book, did any of them have an issue with you telling any of these behind-the-scenes antics or was everyone okay with it? Bebe Neuwirth once said "Seth has an ability to make you reveal things you never thought you'd say in public." So...no!

Seth Rudetsky and Jennifer Ashley Tepper at "Seth's Broadway Diary" Book Launch Party10. What do you like about being an author that you don't get from doing your live interviews on Sirius XM or at Seth's Broadway Chatterbox? Sometimes people don't know how to build a story when they tell me and when I write it, I can give the details for maximum emphasis. Example...Rebecca Luker told me they didn't want to see her for MUSIC MAN. She asked her agent to get her an audition as a courtesy. The powers-that-be finally agreed but let it be known that she was not what they were looking for. Rebecca went to the audition knowing they didn't want to see her or cast her (so nervewracking!), but she got a callback, the role and a Tony nomination! When I asked Rebecca in person "How did you get MUSIC MAN?" she said "I auditioned." Wowza. I had to get her to tell the story in increments for the full effect!

BONUS QUESTIONS:

11. If you could be any original flavor Life Saver, which one would you be? The flavor Red whatever that is.

12. How do you want to be remembered? For loving art/music/comedy and spreading that love around!

Seth Rudetsky at "Seth's Broadway Diary" Book Launch PartyMore on Seth:

Seth is the afternoon host on Sirius/XM Satellite Radio’s ON BROADWAY as well as the host of SETH SPEAKS on Sirius/XM Stars. As a pianist, Seth has played for more than a dozen Broadway shows including RAGTIME, LES MIZ and PHANTOM. He was the Artistic Producer/Music Director for the first five annual Actors Fund Fall Concerts including DREAMGIRLS with Audra MacDonald (recorded on Nonesuch Records) and HAIR with Jennifer Hudson (recorded on Ghostlight Records, Grammy Nomination). In 2007 he made his Broadway acting debut playing Sheldon (singing “Magic to Do” in a devastating unitard) in THE RITZ directed by Joe Mantello for The Roundabout Theater. Off-Broadway he wrote and starred in the critically acclaimed RHAPSODY IN SETH (directed by Peter Flynn) at the Actors Playhouse and has also appeared on TV on LAW AND ORDER C.I. and had a recurring role on ALL MY CHILDREN. As an author, he penned the non-fiction Q GUIDE TO BROADWAY, the novel BROADWAY NIGHTS and the recently published MY AWESOME/AWFUL POPULARITY PLAN (Random House). BROADWAY NIGHTS is available on Audible.com starring Kristin Chenoweth, Andrea Martin and Jonathan Groff and MY AWESOME/AWFUL POPULARITY PLAN stars Jesse Tyler Ferguson, Ana Gasteyer and Megan Hiltly. Seth played himself on Kathy Griffin; My Life on the D-List, was the vocal coach on MTV’s LEGALLYLONDE reality show and starred opposite Sutton Foster in THEY’RE PLAYING OUR SONG for the Actors Fund. Recently, he co-wrote and starred in DISASTER! (which the NY TIMES called a "triumph"), and he currently writes a weekly column on Playbill.com and tours the country doing master classes and performing his one-man show "DECONSTRUCTING BROADWAY."