Subscribe to our mailing list

* indicates required


"Call Me Adam" chats with...



Entries in Broadway (339)


Call Answered: Behind-The-Scenes Rehearsal Facetime Interview with Anthony Nunziata for 54 Below solo debut

"Call Me Adam" went behind-the-scenes with recording artist Anthony Nunziata as he prepares for his debut solo concert at 54 Below in NYC. Anthony let us into his rehearsal studio, where he and musical director Tedd Firth, were busy at work preparing for this big night.

Anthony will be making his solo concert debut at 54 Below on Friday, November 28 at 9:30pm with Tedd Firth - Piano/Musical Director/Arranger, Tom Hubbard - Bass, and Sherrie Maricle - Drums. Click here for tickets!

For more on Anthony be sure to visit and follow him on Facebook and Twitter!

Behind-The-Scenes Facetime video interview with Anthony Nunziata and Tedd Firth:


Call Redialed: Steven Reineke: New York Pops: By Special Request: An Evening With The Orchestra

Steven Reineke, Photo Credit: Michael Tammaro"Call Me Adam" once again chats with The New York Pops' Musical Director Steven Reineke. This time around we discuss the second concert of their 32nd Season, By Special Request: An Evening With The Orchestra, which will take place on Friday, November 14 at 7:30pm at Carnegie Hall in NYC (57th Street and 7th Avenue). By Special Request: An Evening With The Orchestra will feature popular symphonic pieces by European masters; selections from great American composers such as Copland, Gershwin, Bernstein with Essential Voices USA; and the New York premiere of "Festival Te Deum" written by The New York Pops very own Steven Reineke. Click here for tickets!

For more on The New York Pops be sure to visit and follow them on Facebook and Twitter!

Steven Reineke conducting The New York Pops, Photo Credit: Johanna Webber1. On Friday, November 14, The New York Pops continues their 32nd Season with By Special Request: An Evening With The Orchestra. What do you like most about doing these special request concerts? I love that we've begun a tradition of featuring the orchestra and its wonderful musicians each season. We collaborate throughout the year with so many incredible guests artists and soloists but at the heart of it all, it's the orchestra that makes each concert so special with their amazing musicianship and versatility. 

Doing a program like this really allows the orchestra to shine. The repertoire I've chosen is very demanding, giving us a chance to push ourselves and challenge the orchestra to reach even greater heights artistically.

2. During this show, you will perform your composition "Festival Te Deum," which will be making its New York debut. What excites you most about premiering this song during By Special Request? What, if anything, makes you nervous about having an audience hear one of your compositions for the first time? I'm very excited to conduct this piece in New York for the first time. I don't often program a lot of my own music here but I thought this was a great opportunity to show our audience another side of me. I'm not sure many of them realize that I'm also a composer. It's always a little scary to perform your own music for an audience because it's very personal. I just take a deep breath and hope that it connects with the listener and has an impact on them.

Steven Reineke conducting The New York Pops Gala, Photo Credit: Richard Termine3. How did you decide which songs you were going to perform for this concert? The second half of the program is dedicated to iconic New York composers - Aaron Copland, Leonard Bernstein, and George Gershwin. It all started when I realized the date of the performance, November 14th, fell on Aaron Copland's birthday. He would've been 114 years old this year. That's when I decided to feature his music and pair it with Bernstein and Gershwin. The first half of the concert features some great music from the European symphonic repertoire.

4. Since the evening is called By Special Request, what is the one special request you get asked the most in regards to The New York Pops? Patrons and fans are constantly giving me their ideas and opinions regarding what they would like to see and hear. I really like that and take it all to heart. Honestly though, the number one thing I've heard from patrons over the years is that they sometimes just want to hear the orchestra featured without guest artists.  I think this is a huge compliment to the musicians of The New York Pops. That's why I decided to create a concert each year called By Special Request: An Evening With the Orchestra.

5. If you could request anything of the New York Pops' audience, what would you ask them? Please tell all of their friends to buy subscription packages or single tickets to our concerts! Also, feel free to use social media to spread the word about this great orchestra. If you enjoyed a concert, then tweet about us or post on Facebook. We want everyone to know how special our concerts are and to continue to sell out our performances.

Steven Reineke conducting, Photo Credit: Richard Termine6. Once again, you are teaming up Judith Clurman's Essential Voices USA for this evening's concert. How did you first come to work with them and what makes you want to continue to team up with them for your concerts? Judith Clurman and the chorus were recommended to me the first season I was with the orchestra. We brought them in for a concert and I was blown away by their sound and professionalism. Judith is an extraordinary conductor and prepares the chorus beautifully. We know each other so well at this point that she knows exactly what I'll like or not.

7. What makes this By Special Request concert different from previous ones? For these concerts, it seems as though I've alternated programming film music one year and classical repertoire the next. This year we are back to classical pieces. I'm excited that this one also includes music from opera, ballet, and theater.

8. If you could be any original flavor Life Saver, which one would you be? Pineapple. It's the most interesting of the five original flavors.

Steven Reineke conducting The New York Pops, Photo Credit: Johanna Webber9. If you could have a song written about your life, what are some key elements you would want to make sure the lyricist wrote into the song? For example, I've had two theme songs written for for my past radio show and one for a live interview series I used to conduct. The key elements I wanted to make sure got written into each theme song was that I did entertainment interviews and then the lyricists wrote my theme songs around that idea. That I was born to be an entertainer and that I think love is the most powerful force in the universe.

10. How do you want to be remembered? Um, I sure hope that I'm not going anywhere very soon!!! I would like to be remembered as a kind, thoughtful, and generous person that gave everything to my work and lived life to the fullest. Hopefully, I also touched some people through music along the way.

Steven Reineke, Photo Credit; Michael TammaroMore on Steven:

Steven Reineke is the Music Director of The New York Pops at Carnegie Hall, Principal Pops Conductor of the National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts, and Principal Pops Conductor of the Toronto Symphony Orchestra. Mr. Reineke is a frequent guest conductor with The Philadelphia Orchestra and has been on the podium with the Boston Pops, The Cleveland Orchestra and the Chicago Symphony Orchestra at Ravinia. His extensive North American conducting appearances include San Francisco, Houston, Seattle, Edmonton and Pittsburgh. As the creator of more than one hundred orchestral arrangements for the Cincinnati Pops Orchestra, Mr. Reineke's work has been performed worldwide, and can be heard on numerous Cincinnati Pops Orchestra recordings on the Telarc label. His symphonic works Celebration Fanfare, Legend of Sleepy Hollow and Casey at the Bat are performed frequently in North America. His numerous wind ensemble compositions are published by the C.L. Barnhouse Company and are performed by concert bands around the world. A native of Ohio, Mr. Reineke is a graduate of Miami University of Ohio, where he earned bachelor of music degrees with honors in both trumpet performance and music composition. He currently resides in New York City with his husband Eric Gabbard.

Steven Reineke conducting The New York Pops, Photo Credit: Richard TermineMore on The New York Pops:

The New York Pops is the largest independent pops orchestra in the United States, and the only professional symphonic orchestra in New York City specializing in popular music. Led by Music Director Steven Reineke, the orchestra performs an annual subscription series and birthday gala at Carnegie Hall. The New York Pops was founded by Skitch Henderson in 1983 with a mission to create greater public awareness and appreciation of America’s rich musical heritage. The New York Pops is dedicated to lifelong learning, and collaborates with public schools, community organizations, children’s hospitals and senior centers throughout the five boroughs of New York City. PopsEd allows thousands of New Yorkers of all ages and backgrounds to participate in fully customizable music programs that blend traditional education with pure fun. 


Call Answered: Scott Lowell: The Elephant Man on Broadway/Queer As Folk

Scott Lowell, Photo Credit: Kevyn Major HowardBest known for playing "Ted Schmidt" on Showtime's Queer As Folk and "Dr. Douglas Filmore" on Fox's Bones, "Call Me Adam" chats with actor Scott Lowell about making his Broadway debut in The Elephant Man starring Bradley Cooper, Patricia Clarkson, and Alessandro Nivola, which will play at the Booth Theatre in NYC (222 West 45th Street, between Broadway & 8th Avenue) from November 7-February 15. Click here for tickets! 

The Elephant Man tells the story of a 19th-century British man who became a star of the traveling freak show circuit. When the renowned "Dr. Treves" takes "Merrick" under his care, he is astonished by the man’s brilliant intelligence, unshakable faith and, most of all, his resounding desire for love and understanding. He introduces "Merrick" to the beautiful actress "Mrs. Kendal," who is deeply touched by this pure and genuine soul. As a complex friendship blossoms among the three, "Treves" and "Kendal" struggle to protect "Merrick" from a world of questionable intentions…and so begins a story of love as unique as The Elephant Man himself.

For more on Scott be sure to visit and follow him on Facebook and Twitter!

1. In 2012, you starred in the pre-Broadway production of The Elephant Man at Williamstown Theatre Festival with Bradley Cooper, Patricia Clarkson, and Alessandro Nivola. At that time, what made you want to audition for this production? Growing up and going to school in CT I had always wanted to work at Williamstown (the Crown Jewel of Summer Theatre Fests!) and I had just met Scott Ellis the previous Fall out in CA (and we hit it off immediately). When I saw that he would be directing Elephant Man w/Bradley I got very excited. I had always been a fan of the play and knew there were a few multi-character tracks in it (my bread-and-butter back in Chicago) so I got in touch and asked if I could put myself on tape for some of the roles. Scott graciously agreed and fortunately he was feeling generous when he watched my tape and agreed to let me join in the adventure.

Broadway cast of "The Elephant Man", Photo Credit: Walter McBride2. Now, two years later, you are all starring in the Broadway production from November 7-February 15 at The Booth Theatre. What are you looking forward to most about working with this cast again? Exactly what we have been doing: not merely dusting it off but really re-examining it and going even deeper with it than we were able to with the brief rehearsal period we had up in the Berkshires.

3. What do you identify most with about the story of The Elephant Man? The notion of never judging a book by it’s cover--that you never know what kind of beautiful soul may be lurking under the most off-putting of exteriors.

Scott Lowell "The Elephant Man", Photo Credit: Walter McBride4. You play a few different roles in The Elephant Man. What do you enjoy most about playing several roles in one show as opposed to having one role? Do you relate more to one of your characters than another? It’s a great challenge and can at times be less satisfying than having one character with an arc…but challenges bring great rewards sometimes. In this case, it’s the reward of helping tell the story of this incredible man. I usually do relate more to one of my characters when I’m doing multiple roles but to be honest I haven’t played favorites yet with any of them in this show…but I’m leaning towards "Snork." I mean, his name alone...

5. It's been two years since you performed in this production of The Elephant Man and have had two years of life experience. How do you think these past two years of living will enhance your portrayal of the roles you are playing? ALL my characters will be a lot GRAYER!

Scott Lowell as "Dr. Douglas Filmore" on Fox's "Bones"6. While you are known for playing "Ted Schmidt" on Showtime's Queer As Folk and "Dr. Douglas Filmore" on Fox's Bones, you have had an equally successful career on stage, but never performed on Broadway prior to The Elephant Man. What excites you about making your Broadway debut and what are you most nervous about? This is truly a childhood dream come true for me. I grew up around New Haven, CT and would come to NYC to see shows all the time and read the Sunday New York Times Arts & Leisure section every week (I was VERY good at finding the "Ninas" in the Hirschfeld drawings!) and all this is what made me want to become an actor. I saw Sunday in the Park with George multiple times at The Booth Theatre and the fact that I will be making my Broadway debut on that very stage gives me goosebumps. I LOVE working on stage and to FINALLY be invited to work on a Broadway stage after 27 years of a professional career is absolutely the greatest reward I can imagine. Now, what am I nervous about? Being deemed unworthy of that reward and never invited back. That’s all. No big deal, right?

7. What do you hope audiences come away with after seeing this production of The Elephant Man? A greater sensitivity to their fellow man and an appreciation for the extraordinary skills and talents of Bradley, Patricia, Alessandro and all my fellow cast mates.

Cast of Showtime's "Queer As Folk"8. In addition to The Elephant Man, you are also creating a web series called Adoptable!, based upon your life experience of finding your birth parents. What made you want to create a web series based upon this experience? What advice would you give to other adoptees searching for their birth parents? This web series reunites you with your Queer As Folk castmates Sharon Gless and Gale Harold. What is the best part about working with them again? The story of the search for my birth parents back in 1997 - 99 is one I’m often asked to relate by friends and storytelling groups mostly because it’s a world mysterious to most people and because there were so many awkward and humiliating (and therefore FUNNY!) moments all along the way. Also, because it taps into that basic question I think everyone has: Who Am I? I decided basing a long-form storytelling method was the best way to do it and an independently produced web series offered me the best chance to tell the story MY way.

My biggest advice to adoptees wanting to begin the search process would be to enter into it with very low expectations and need. If you’re looking for your birth parents to somehow fill a void in your life or replace the family you grew up with somehow, you will be setting yourself up for too much disappointment. I can’t imagine a harder decision for a woman to make than to give up her child so just be prepared that after doing something like that opening that door again for her may be complicated.

We haven’t shot the first season of ADOPTABLE! yet (only a teaser so far) as we are currently raising money for it through 11/9th ( but I know Dame Sharon, Gale and I will have a WHOLE lot of fun in the scenes I have written for us.

Scott Lowell and Peter Paige on Showtime's "Queer As Folk"9. Looking back, what did you enjoy most about starring on Queer As Folk? Did the success of the show change you in anyway? I loved that QAF was actually a very theatrical, collaborative, ENSEMBLE-based experience for most of us and that it challenged me to a degree I NEVER thought television acting would. Also, to be part of a groundbreaking series that still, ten years after we stopped production, is something people THANK me for doing all over the world and tell me how it changed their liveswowI mean, its everything you hope to achieve as an artistPLUS having a steady gig for FIVE years was intoxicating. The show definitely made me a better actor and a better heterosexual too!

10. What have you learned about yourself from being a performer? That I’m happier when I’m working and entertaining others even if it’s for free!

11. What's the best advice you've ever received? Once when I was feeling a lot of pressure that I was put here on this Earth for a reason and that I wasn’t living up to my potential my mother said: "Well, maybe you were put here for a reason but maybe that reason is nothing more than touching the peoples' lives that you touch on a daily basis. That’s reason enough, don’t you think?"

12. How do you want to be remembered? For fulfilling many dreams while harming very few.


13. If you could have any super power, which one would you choose? Viagra.

14. If you could be an original Life Saver flavor, which one would you be? Wint-O-Green.

15. If you could have a song written about your life, what are some key elements you would want to make sure the lyricist wrote into the song? For example, I've had two theme songs written for for my past radio show and one for a live interview series I used to conduct. The key elements I wanted to make sure got written into each theme song was that I did entertainment interviews and then the lyricists wrote my theme songs around that idea. Raccoons, Spider Monkeys, Puggles, Sushi, Peace, Love and Understanding.

Scott Lowell, Photo Credit: Steve GranitzMore on Scott:

Scott Lowell is best known for his role as "Ted Schmidt" in Showtime’s popular and critically acclaimed Queer As Folk for which he was twice nominated for a Prism Award. The groundbreaking and provocative series originally ran in the U.S from 2000 –2005 and is currently airing in countries all over the world. Scott was born in Denver, Colorado and raised in the suburbs of New Haven, Connecticut. He majored in theater at Connecticut College and also studied acting at the National Theatre Institute (he was fortunate to study at both schools with the legendary Morris Carnovsky). He shortly moved to Chicago where over the course of a decade, he immersed himself in the local theater scene, including performances at the famed Steppenwolf and Goodman. He also landed his first TV role in Chicago on Early Edition.

Scott moved to Los Angeles in 1998 and quickly found himself busy in a number of successful commercial campaigns, guest roles on sit-coms and a lead in a sci-fi television film. In 2000 he landed QAF and spent the next five years shuttling back and forth between LA and Toronto, Canada where the series was filmed. He also kept busy traveling around making speeches for a number of civil rights organizations (including the Human Rights Campaign) and political campaigns as well as appearing as a presenter and Host of a number of GLAAD Awards shows.

Since QAF has wrapped Scott has appeared on stage in 12 Angry MenOrson’s Shadow and Present Laughter (Pasadena Playhouse); The Big Meal (Artists Rep); The Elephant Man (Williamstown); Blithe Spirit (A Noise Within); The Pain and the Itch (Furious/Boston Court); The Heidi Chronicles (Berkshire Theatre Fest). Chicago: Picasso At The Lapin Agile and Twelfth Night (Steppenwolf); Light Up The Sky (Goodman); Chicago Conspiracy TrialA Perfect Ganesh; Laughter on the 23rd FloorAssassins as well as a number of independent films and television series including Bones where he has appeared as "Dr. Douglas Filmore," CSICastle, CSI:NY, NCIS, Heroes, Criminal Minds, Leverage and as various voices in the animated series American Dad. He has also been hard at work writing screenplays on his own and with his writing partner, Eddie Jemison as well as developing ideas for television and the web including the series Adoptable and the podcast CharActors!. Scott also works as a mentor for the Young Story Tellers Foundation and raising awareness for the Evan B. Donaldson Adoption Institute.


Call Redialed: Seth Rudetsky: Seth's Broadway Diary

"Call Me Adam" caught up with Broadway's Seth Rudetsky to talk about his new book Seth's Broadway Diary, published by Dress Circle Publishing. A one of a kind Broadway journal, Seth's Broadway Diary chronicles Seth's unique life on and around the Great White Way. Click here to purchase your copy!

For more on Seth be sure to visit and follow him on Facebook and Twitter!

1. On October 22, you launched your 4th book, Seth's Broadway Diary, a one of a kind Broadway journal chronicling your unique life on and around the Great White Way. What made now the right time to release this book? My A.D.D. plus harrasment. For years I've been talking about getting my Playbill columns published. Basically since I started writing them in 2007. My A.D.D. prevented me from actually doing anything about it. Finally, my husband harrassed me and commandeered my old assistant Joey Monda to send out samples. Joey sent one to Dress Circle Publishing and I got a book deal!

2. What excites you most about this release? I love seeing all these really hilarious stories and interviews in one book instead of tracking them down online. I love the kind of book that you can open and read something fun. Even though this book is in chronological order, you can open it up to any page and get a great story about Sutton Foster, me missing a flight to rehearse with Betty Buckley or some amazing inside scoop about Donna McKechnie and the original cast of A CHORUS LINE.

Seth Rudetsky and Matthew Broderick at "Seth's Broadway Diary" Book Launch Party3. What was it like to go back through your life on and around Broadway to write this book? How did you narrow down what you wanted to include in the book? This is literally the columns I published. I only added sassy 2014 side comments (in a different font) when I went through it to edit. For instance, I wrote about seeing the show 13 and I added that the cast featured a then-unknown Ariana Grande!

4. While you were writing this book, did you come across any events that you wish you had done differently? I wish I didn't call James my boyfriend in every column. I mean, he was my boyfriend at the time, but every time I mentioned him I reiterated it in case I had new readers. A few months after I began writing the columns, I interviewed Nathan Lane and he told me he had HAD IT with me writing "my boyfriend James" every month. "WE GET IT ALREADY! IS JAMES YOUR FIRST BOYFRIEND!?!?!"

Kelli O'Hara and Seth Rudetsky at "Seth's Broadway Diary" Book Launch Party5. What advice would you give your younger self that you didn't know then, but do now? Stop eating cereal late at night. Cardio stops working after age 39.

6. What did you learn about yourself from writing this book? I've done a lot of things I've forgotten about!!! I was reading about an interview I did with Barbara Cook to promote her upcoming concert with Audra McDonald that benefitted the Obama reelection campaign. I wished I had seen the concert. Then I read the following column where I wrote about how great the concert was!

7. What do you hope readers come away with after reading this book? So many fun stories about Broadway they can tell their friends! "Did you know Chita Rivera kicked herself in the head every night at the end of "America" because she's so flexible?" "Did you know Betty Buckley's agent prevented her from getting the role of "Catherine" in PIPPIN because he wanted his other client (Jill Clayburgh) to get the gig?" "Did you know Andrea McArdle hid 64 easter eggs on the set of LES MIZ and they only found 58? And it wound up breaking the barricade?"

Jackie Hoffman, Seth Rudetsky, and Alysha Umphress at "Seth's Broadway Diary" Book Launch Party8. What was the most emotional event you came across while writing this book? What was the happiest event? The most emotional was reading about Loretta Sable Ayres audition for SOUTH PACIFIC and how she almost didn't go because she thought they'd be mean to her like the judges on AMERICAN IDOL. Her husband talked her into going...she got the part...and a Tony nomination!

The happiest is reading about all these amazing Broadway people I've worshipped that I got to hang out with. My inner 14-year-old's childhood dream!

9. Of the celebrities you write about in your book, did any of them have an issue with you telling any of these behind-the-scenes antics or was everyone okay with it? Bebe Neuwirth once said "Seth has an ability to make you reveal things you never thought you'd say in public."!

Seth Rudetsky and Jennifer Ashley Tepper at "Seth's Broadway Diary" Book Launch Party10. What do you like about being an author that you don't get from doing your live interviews on Sirius XM or at Seth's Broadway Chatterbox? Sometimes people don't know how to build a story when they tell me and when I write it, I can give the details for maximum emphasis. Example...Rebecca Luker told me they didn't want to see her for MUSIC MAN. She asked her agent to get her an audition as a courtesy. The powers-that-be finally agreed but let it be known that she was not what they were looking for. Rebecca went to the audition knowing they didn't want to see her or cast her (so nervewracking!), but she got a callback, the role and a Tony nomination! When I asked Rebecca in person "How did you get MUSIC MAN?" she said "I auditioned." Wowza. I had to get her to tell the story in increments for the full effect!


11. If you could be any original flavor Life Saver, which one would you be? The flavor Red whatever that is.

12. How do you want to be remembered? For loving art/music/comedy and spreading that love around!

Seth Rudetsky at "Seth's Broadway Diary" Book Launch PartyMore on Seth:

Seth is the afternoon host on Sirius/XM Satellite Radio’s ON BROADWAY as well as the host of SETH SPEAKS on Sirius/XM Stars. As a pianist, Seth has played for more than a dozen Broadway shows including RAGTIME, LES MIZ and PHANTOM. He was the Artistic Producer/Music Director for the first five annual Actors Fund Fall Concerts including DREAMGIRLS with Audra MacDonald (recorded on Nonesuch Records) and HAIR with Jennifer Hudson (recorded on Ghostlight Records, Grammy Nomination). In 2007 he made his Broadway acting debut playing Sheldon (singing “Magic to Do” in a devastating unitard) in THE RITZ directed by Joe Mantello for The Roundabout Theater. Off-Broadway he wrote and starred in the critically acclaimed RHAPSODY IN SETH (directed by Peter Flynn) at the Actors Playhouse and has also appeared on TV on LAW AND ORDER C.I. and had a recurring role on ALL MY CHILDREN. As an author, he penned the non-fiction Q GUIDE TO BROADWAY, the novel BROADWAY NIGHTS and the recently published MY AWESOME/AWFUL POPULARITY PLAN (Random House). BROADWAY NIGHTS is available on starring Kristin Chenoweth, Andrea Martin and Jonathan Groff and MY AWESOME/AWFUL POPULARITY PLAN stars Jesse Tyler Ferguson, Ana Gasteyer and Megan Hiltly. Seth played himself on Kathy Griffin; My Life on the D-List, was the vocal coach on MTV’s LEGALLYLONDE reality show and starred opposite Sutton Foster in THEY’RE PLAYING OUR SONG for the Actors Fund. Recently, he co-wrote and starred in DISASTER! (which the NY TIMES called a "triumph"), and he currently writes a weekly column on and tours the country doing master classes and performing his one-man show "DECONSTRUCTING BROADWAY."


Call Answered: Facetime Interview with Dream Interpreter Jefferson Harman

Jefferson Harman"Call Me Adam" went across the pond to Weehawken, NJ to chat with Dream Interpreter Jefferson Harman about how he got into interpreting people's dreams, what celebrity he'd love to interview, and why people should go to him. In the coming weeks, we'll be posting his dream interpretations of some of today's rising Broadway actors and stay tuned!

For more on Jefferson and his workshops be sure to visit and follow him on Twitter!

"Call Me Adam" interview with Jefferson Harman:

More on Jefferson:

Jefferson Harman is a Symbolic Intuitive, Dream Interpreter, Radio Personality and Writer who reads the symbols present in your dreams & everyday life. By interpreting this invisible language, he identifies your blocks and challenges and ways to overcome them. He has been actively studying the relationships among metaphysics, psychology and anatomy for over 25 years.

Jefferson is available for private readings in person, by phone and through Skype. He conducts workshops on various topics including Dream InterpretationOvercoming Your Phobias and The Healing Power of the Mind. In his workshop series, New Thoughts, New Lives®, Jefferson explores the transformative power of Affirmation. He also teaches workshops in Origami as a meditation tool to promote World Peace.

Jefferson is a recurring guest on Life Unedited with John Aberle, on WCHE Radio 1520 AM, in the Philadelphia area on the first Saturday of each month - listen live at Listeners can call in to have their dreams interpreted LIVE on the air and are welcome to ask questions on dreams, phobias and more.

Jefferson's podcast series Everyday Symbology® is available at iTunes and on the web. The show includes interviews with holistic practitioners, artists and musicians, presenting topical discussions on all things holistic and metaphysical. Jefferson also has a book in the works by the same title.

Jefferson writes a regular column entitled Night Sailing, originally printed in the holistic publication MARCI Magazine. In each article he interprets dreams that readers have sent him via email. Send your dream to He also contributed articles and book reviews to the magazine, which will be reposted over time to this website.

Jefferson is a former Member of the Board of Trustees of the Holistic Mentorship Network and the former Chairperson of the HMN Publishing Committee, which included the Network's flagship publication, MARCI Magazine. He is also a Board Member of the Pompton Lakes Residents for Environmental Integrity (PLREI).