Subscribe to our mailing list

* indicates required


"Call Me Adam" chats with...



Entries in Actress (150)


Call Redialed: Lane Bradbury: "Let Me Entertain You, Again" at Don't Tell Mama

Lane Bradbury, Photo Credit: Angelique HannahThey say the third time's a charm and that couldn't be more true. I have interviewed Lane Bradbury, Broadway's original "Dainty June" in Gypsy twice before about her upcoming one-woman show Let Me Entertain You, Again, but this time around, we really got deep into the heart of this show, Lane's struggles, her freedoms, and most of all, the backstage drama of Lane's time working with Ethel Merman & Jerome Robbins in Broadway's original production Gypsy!

Written by Doug DeVita and directed by Elkin Antoniou, Let Me Entertain You, Again is a highly personal tour of how Lane Bradbury went from being an Atlanta Debutante to a performer on "The Great White Way" during the Golden Age of Broadway. Songs include "Gee, But It's Good To Be Here," "Corner Of The Sky," and "Another Hundred People," among others, as well as four songs from Gypsy: "Broadway," "Everything's Coming Up Roses," "If Momma Was Married," and, of course, "Let Me Entertain You."

Let Me Entertain You, Again played it's first return engagement on June 6 and will now play it's second performance Thursday, June 29 at 7pm at Don't Tell Mama in NYC (343 West 46th Street, between 8th & 9th Avenue). Click here for tickets!

For more on Lane be sure to visit and follow her on Facebook and Twitter!

1. This June you are bringing back your one-woman show, Let Me Entertain You, Again to NYC, but this time you are performing it at Don't Tell Mama. What made now the right time to return with this show? I got an amazing manager by the name of Stephen Hanks and this was the first thing we did together, so that's why now.

2. Why did you want to do this run at Don't Tell Mama? It's a classic place. I love the intimacy of the venue. I mean "Don't Tell Mama," the title alone just sounds so enticing and it adds a little bit of sweet wickedness to that name. And I've seen other cabaret shows there, so I just felt the venue was perfect for me.

Me: Also since you created the role of "Dainty June" in Broadway's Gypsy and you had "Mama" in that show, "Mama Rose," maybe there's a little tie in there with "Don't Tell Mama." 

Lane: You just put that together, [laughs], but "Mama" sure does stand out.

Lane Bradbury in "Let Me Entertain You, Again" at Don't Tell Mama 2017, Photo Credit: Stephen Hanks3. What do you hope to gain from this return engagement that you did not get from your previous mountings of this show? I would like to keep the momentum going and get more engagements of Let Me Entertain You, Again because it's so much fun to do.

Me: Well, it's a lot of fun to watch.

4. This is the third production of Let Me Entertain You, Again that I will be coming to see. Where do you hope this show will take you/your career? I would love to do another Broadway musical. That would just be the perfect icing on the cake. I would love to do a play too, but prefer a musical because I love music. 

5. Which part of the show, Let Me Entertain You, Again, is the hardest for you to perform? Which part is the most fun? There is no hard part, just fun. I talk about this in the show, but I came back to this show with a lot of fear, so much so that it paralyzed me. I would get sooo furious when I got something wrong, but after working with my daughter Elkin Antoniou and her husband film director Bobby Garabedian, they really got me me to loosen up and absolutely fall into freedom and joy and let the mistakes become okay. I've known this from acting, sometimes the best moments are the times when you make a mistake and then something real takes over. You go into your unconscious and something wonderful comes out. That's just a great thing to know and to try to live by. Elkin and Bobby really showed me that.

Lane Bradbury in "Let Me Entertain You, Again" at Don't Tell Mama 2017, Photo Credit: Stephen Hanks6. In our very first interview back in 2009, I asked you "What was your worst experience in a show?" At that time, you had said "Working with Jerome Robbins in Gypsy was your worst experience." If Gypsy were being mounted today with you, Ethel Merman, and Jerome Robbins as director and choreographer, how do you think Lane Bradbury of today would handle those big personalities as opposed to Lane Bradbury of yesterday? I hope, with Jerry, from the experiences I've had and the years I've got under my belt would help me not become so paralyzed by his personality and that I would say something like "You know you want a good performance from me. I want a good performance too. The best way to get that is to be positive with me and encourage me, rather than put me down because, now, I have to rise above all your negativity and that's just really hard to do. So you are making your job and my job harder."

With Merman, I don't know how you communicate with somebody who doesn't communicate. Unless, in the interim, she had grown some or exerpienced something in life that would have changed her, I would probably do the same that I did back then, just do the best performance I could do and pretend I was working with someone else, rather than actually working with her. That's one of the things we learn to do in method acting, if the character or the other actor in the scene doesn't work for you in the way they should, then you think they are someone else so it doesn't hang you up. It makes it real for you.

Me: That says so much about the struggle you went through at the time and it's great to hear how much stronger you are now and rise above it all.

Lane: I sure hope so. As artists there is something very delicate and exposed about us and that needs to be protected. That was something Jerome Robbins, I don't think really understood, although he went to the studio, so he was taught that, but a lot of people that know the method seem to have something about their personality where they just can't be as positive as we would like them to be. As artists we have to adjust the best we can and somehow be able to use whatever they are giving us to be better and not let ourselves go down into that negative place where there is no getting back from.

Me: Well, I think you would be able to do it.

Lane: I think I would too. [Laughs]. But I'm looking back over the road at how difficult that was.

Me: Sure and at the time you were just a teenager.

Lane: I was 17. Until that time, I had never come across that negativity. My ballet teacher was an angel and the most positive being in my life. Then when I did Ondine, they just encouraged everything I did, so when I got with Jerry Robbins, it was such a shocker, just something out of the blue.

Me: Especially after coming from such a positive reinforcement with your ballet teacher to go to his negativity, I'm sure it was quite a shock.

Lane: It was. Truly, truly, truly.

Lane Bradbury in "Let Me Entertain You, Again" at Don't Tell Mama 2017, Photo Credit: Stephen Hanks7. With your dream of coming back to Broadway, if you could be put into any show currently running on Broadway or coming next season, which show or shows would you like to be part of? I don't get into Manhattan a lot to go to the theatre, but I'd love to play "Diana" in a revival of Next To Normal (even though I'm probably too old for the part, I could pull it off). That would be the pennacle role for me.

Me: I think you could pull it off. I remember in one of our previous interviews you mentioned wanting to work with Tom Kitt and Brian Yorkey and how you'd love them to write you a musical about "Diana" after she gets out of treament. So, let's put this out there again for that to happen.

Lane: Yes, lets. And the other show I'm really really right for would be Pippin. While I was doing Let Me Entertain You, Again in LA, someone said to me, "Lane, you should play 'Madame Rose'" in Gypsy. I thought, I could do that, even though I feel my size would work a little bit against me, my voice would work for me. I wish I knew more of the current season, but I'm hoping Let Me Entertain You, Again, will put me in a better position to see more shows.

8. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent better every day? I would still love to drop away the negativity that comes into your mind when something doesn't go right and replace it with the magic and wonder that is positive. I know to do that, but it's so easy for the little dark thoughts to invade us, but the quicker we can get over those, shed them and put something positive in there, the better off we are. It's a habbit we need to do.

Me: You have to consciously work at it, to put the postive in your mind and not let the negative take over.

Lane: Right.

Lane Bradbury, Photo Credit: Angelique HannahMore on Lane:

Lane Bradbury created the role of "Dainty June" in Broadway's Gypsy starring Ethel Merman. Her other stage credits include J.B., The Night of the Iguana, and Marathon '33. Her film credits include Alice Doesn't Live Here Anymore, Hawaii, The Barony, and Consenting Adults, and her TV work includes In the Heat of the Night, Kung Fu, The Rockford Files, The Partridge Family, The Waltons, and The Mod Squad.


Call Redialed: EXCLUSIVE NEW "Orange is the New Black" Facetime Interview with Annie Golden "Norma Romano" 

Annie Golden as "Norma Romano" on Netflix's "Orange is the New Black"Live from The Algonquin Hotel, "Call Me Adam" sits down for an all NEW EXCLUSIVE interview with Orange is the New Black's Annie Golden ("Norma Romano," the mute)!

We talk about everything Orange is the New Black! From what made Annie want to be part of the show to what she thinks "Norma's" first speaking words would be to acting with her senses! It's an insider's dream come true!

Orange is the New Black Season 5 drops 6/9 on Netflix!

If you missed my theatrical interview with Annie Golden, you can watch it here!

"Call Me Adam's" EXCLUSIVE NEW Orange is the New Black Facetime interview with Annie Golden ("Norma Romano"):

Watch Orange is the New Black Season 5 Trailer here:


Call Answered: Amber Nash: Archer, Vulture Festival, Hart of America

Amber Nash and "Pam Poovey" from FX/FXX's "Archer", Photo Credit: FXGrowing up, I was all about the Saturday Morning cartoons from Scooby-Doo to The Smurfs, I was up and ready to watch! So you can imagine my excitement when I called and Amber Nash, of FX/FXX's Archer answered. I was delighted to talk with "Pam Poovey" herself about this hit show, meeting fans, performing improv and so much more including Amber's own web series Hart of America!

Archer airs Wednesdays at 10pm on FXX!

For more on Amber follow her on Facebook, Twitter, and Instagram!

1. Who or what inspired you to become a performer? I found out when I was a kid that if I made people laugh it was easier to make friends. I think that is where it all started. Then I became a ham. Always performing. I was a theatre kid in High School and then found improv in college.

2. You attended Vulture Festival recently in NYC where fans came to hear you speak on the "Saturday Morning Cartoons" panel. What do you like about attending these kinds of festivals and interacting with your fans? It's so fun meeting fans and seeing how they respond to the show. I'm always so blown away by how loyal our fans are and how much they know about the show that I don't. Fans are the best, I always love seeing "Pam" cosplay too!

Amber Nash as "Pam Poovey" on FX/FXX's "Archer", Photo Credit: FX3. For the past eight seasons you have been the voice of "Pam Poovey," a former ISIS Human Resources Director, on FX/FXX's series Archer. What initially attracted you to this show? Honestly, a pay check! It was a job, I was a gigging actor, and I just wanted to work. But then, I was like wait a minute! This is an awesome show with a bunch of amazingly talented, famous actors and I get to be on it?!? I really got lucky!

4. The character of "Pam" is changing a lot this season. Did you have any input on her direction? I didn't. I got a call from Adam Reed, the creator and writer and he told me where we were headed and what we were doing this season and that "Poovey" would be a gender-neutral cop that was loosely based on Russell Crowe's character from L.A. Confidential. I was so excited. What a dream. I love that Adam feels like I and the character are literally capable of anything!

5. What is the most politically incorrect thing you have to do as "Pam" that initially made you uncomfortable, but after recording it, you were like "I support this because it will open up some dialog between people."? Nothing. I really feel like I'm so lucky that I get some of the funniest, raunchiest lines in the show. The character is so well-written, fun and capable. I think the show overall really earns it's dirty because it's such a smart show.

Amber Nash as "Pam Poovey" on FX/FXX's "Archer", Photo Credit: FX6. What do you relate to most about "Pam" and what is one characteristic of hers you are glad you don't have? I probably relate to being one of the boys, I really was a tomboy growing up with lots of guy friends. I wish I had "Pam's" unapologetic attitude, she doesn't care what people think about her. I think that is one of the things that people respond to most about "Pam."

7. What are some challenges to doing voice over work? What is the best part about it? The challenge is only having your voice and distilling everything you've got down to that. The best part is it is fast, no hair and make-up and I don't have to memorize lines. It's the easiest acting job out there.

8. In addition to television, you have also been working on the web series Hart of America. What differences do you see between network/cable television and web series? What do you like about working on a web series over a TV series? Well the big difference is that Hart of America is mine while Archer is a job that I'm hired to do. I like making my own stuff with the amazing team I work with. It's fun to show people the other stuff I can do. I can't wait to do more.

Amber Nash in "Hart of America"9. Playing with this series title a bit. We are all trying to find our hearts in this new America. Have have you found your heart after this election or how are you finding it? I don't even know what to say. It's crazy town USA. I'm just hanging on.

10. If you could go back in time to when you were a little girl growing up in Atlanta with big Hollywood dreams, what would successful adult Amber tell dreamer Amber? Be nice, work hard, be brave and don't worry so much about bothering people, you have to ask for what you want.

11. You got your start as an improv performer. How do you feel the world of improv prepared for your television/web series work today? Improv taught me everything I know. The audience tells you immediately if your ideas are funny. Improv and the culture is very positive, it helps you be game for just about anything.

12. What do you get from Improv performing that you don't get from "scripted" work? The ability to be wholly creative and responsible for your content.

Amber Nash, Photo Credit: Birdie ThompsonMore on Amber:

A native of Atlanta, Amber graduated from Georgia State University with a B.S. in Psychology. After graduating, she worked at an outdoor therapeutic program for a few years, living with teens who had emotional and behavioral challenges. During this time, she started taking improv classes and performed regularly at Dad’s Garage Theatre Company, where she still performs, directs and teaches to this day. She is a current member of Laughing Matters and performs on stage in Atlanta year round. She has also worked with Push Push Theatre and The Center for Puppetry Arts. Amber was also involved with the world-renowned improv groups Improv Olympic (iO) and Second City in Chicago.

Amber got her start doing animated voice work on Cartoon Network’s Adult Swim TV series Frisky Dingo, voicing the roles of "Val," "Hooker," and a variety of others. Producers and writers Adam Reed and Matt Thompson gave Amber her voice career start and continue to be friends and mentors to this day. Her work on Frisky Dingo led to Amber being cast in the series regular role of "Poovey" on Archer. Amber was also very honored when asked to voice a character in the 100th episode of Aqua Teen Hunger Force for the role of "Tabitha."

In addition to her voice career, Amber regularly tours the U.S., Canada and Europe improvising, studying and teaching. She has worked with Second City, performing at the Alliance Theatre and on Norwegian Cruise Lines. She is a regular in online sketches for Dad’s Garage TV and recently produced and starred in the award winning web series Hart of America. Amber has extensive stage experience, having performed in BRAWL, an improvised wrestling show, Clash Titan Clash!DroveFingertipsInvasion: Our Town and One Flew Over the Cuckoo’s Nest.

Between seasons of Archer, Amber continues to perform in live productions, travel, participate in panels and appearances, and tweet, in character, as "Pam" from Archer at @pamsgossiptrain or as herself @ambercnash.


Call Answered: Conference Call: Dale Raoul & Ray Thompson: True Blood, The Young & The Restless, Marriage, Lighting, & Acting

Ray Thompson and Dale Raoul at the 2017 Daytime Emmy AwardsAt first bite, I was so excited to do a new interview with True Blood's Dale Raoul, but what really brightened up this interview, was the joining of Dale's husband, Ray Thompson, nine-time Daytime Emmy Award winning Lighting Director on The Young & The Restless. From their first date to marriage to working together, Dale & Ray give us the succulent details of their Hollywood romance!

1. How did you two first meet? What did you do for your first date?

Both: We met doing summer theatre together. On our first date, we went to a cast party.

2. How long after your first date did you marry? What was the proposal like? Dale, were you surprised? Ray, were you nervous? 

Both: We were actually together a long time before we got married – about eight years. Now we can’t remember why we waited so long!

Dale Raoul: I was very surprised. We had talked about getting married but were happy with the relationship the way it was. But when he proposed, I knew it was the right time. I always knew he was the right guy.

Ray Thompson: I took her out to dinner and did the whole thing down on one knee – I was fairly certain she would say yes but you never know…yes, I was nervous anyway.

Dale Raoul and Ray Thompson3. You wed in 1986, now have been married for over 30 years. What is your secret to staying in love with each other? 

Dale Raoul: I would say humor is our key to a good marriage. Ray makes lots of puns which are pretty terrible but I still laugh.

Ray Thompson: Well, I’m always late so for me, my secret to make Dale happy is to be early. I’m still working on it.

4. You both work in Hollywood. Dale, a successful actress, best known for your role on the hit HBO series True Blood, and Ray, you are a 9-time Emmy Award winning Lighting Director at The Young & The Restless. Have you ever worked together, meaning, Ray, have you ever designed a show that Dale was on? If so, what was that experience like?

Ray Thompson: I have never lit a TV show or film that Dale has worked on but I have done the lighting on plays she’s been in. We love that as we both started out in the theatre. And it’s so fun to work on a project together. I was an actor in college so I understand the process and enjoy watching rehearsals and seeing the show come together. Dale seems to want my opinions of her work as we’re going along and fortunately, she’s usually good at whatever she’s doing, so I don’t have to give her too much criticism.

Dale Raoul on Nickelodeon's "Nicky, Ricky, Dicky, and Dawn"5. Dale, most recently, you guest starred on the hit Emmy Award winning Nickelodeon show Nicky, Ricky, Dicky, and Dawn. What made you want to be on this show? How is filming a kids show different than filming a more adult sitcom or drama?

Dale Raoul: I loved being on NICKY, RICKY, DICKY AND DAWN! I auditioned for it just like I would for any other show. I hadn’t really done many other kids’ shows so I wasn’t sure what to expect. In this case, the kids were total professionals. They were all terrific actors and the producers and director kept the tone very light during the week of rehearsal. It’s a sweet, easy job because the union doesn’t allow child actors to work for than eight hours per day. This is not the case on adult shows which can go on for hours and hours every day. I had a lot of fun and I would love to go back on it. They will be doing one more season but the kids are growing up so fast I’m not sure how much longer they can do the show.

6. Ray, what made you want to be a lighting designer?

Ray Thompson 2017 Daytime Emmy AwardsRay Thompson: I studied acting in college and had a minor in theatrical makeup which is very similar to lighting as it’s all about shadow and highlights. When I got out of school, I wanted to get a job that would give me the income to be an actor/waiter, not a waiter/actor. I got a job at CBS on a stage crew and learned all the aspects of production. I suddenly realized that I really loved the creative, technical side of the business. And I also figured out that I’m not a person cut out for the uncertainty of the actor’s life. I want to be in a bit more control of my future. I had a wonderful mentor at CBS who taught me lighting design. It was the right fit.

7. Ray, you just won your ninth Emmy (your fifth in a row) for Outstanding Lighting Director of a Drama Series for The Young & The Restless. Let's go back in time for a moment. What was it like the first time you got nominated & then won the Emmy? Now, that you have won nine times, five times in a row, what do the wins mean to you now? Since you've won so many times, do you feel added pressure during the season?

Ray Thompson: My first Emmy win was in 1994 and all I really remember is being very nervous! And when I got up to accept the award, I pretty much forgot everybody I wanted to thank. Over the years, I’ve been fortunate to be able to remedy that mistake! Every time I win, I am amazed, quite honestly. I work hard but so does every other lighting director in our business. It’s a roll of the dice every time. I was just as surprised to win my 9th Emmy as my first one.

Ray Thompson 8. Ray, as a lighting designer, you are the actors best friend, making them look great, or you can be their worst enemy, should they make you mad. Who have you enjoyed lighting the most? Can you tell us a time (maybe without naming names, but I leave that up to you) when you either purposely or jokingly kept someone in the dark? What is one behind-the-scenes story of The Young & The Restless you can tell us?

Ray Thompson: Sorry, I can’t give away any trade secrets or gossip about anybody! Of course I do have my favorite actors. Over the years, there have been a few actresses who insist on doing their own makeup – it’s always a mistake. It drives the makeup people crazy and it’s tough for me as it’s always done incorrectly for the camera and for the lighting. Just because it looks nice in real life does not mean it will look good on camera.

9. Dale, as an actress, what do you look for in a lighting designer when you are on a show? Do you ever chat them up with tips on how to light you best? Has there ever been a time you came home from a set and said to Ray, "Why couldn't they hire you?" That designer almost made me look like the bride of frankenstein the way he shined those lights on me!"

Dale RaoulDale Raoul: Whenever I’m working on a show, I try to meet the lighting people as sometimes Ray will know them and it’s fun to talk with them. It’s a small world. The only time I’ve ever had bad luck is when it’s a low-budget project and the lighting designer or cinematographer might be very young or inexperienced. You just hope for the best! And now that I’m older, I don’t care as much.

10. Dale, I have a new segment in my interviews called, "I Can See Clearly Now," where I try to clear up misconceptions. What is the biggest misconception out there about Dale Raoul?

Dale Raoul: I just attended a fan convention and several people mentioned that they were surprised that I seemed nice! I guess it was because of my role on TRUE BLOOD – they thought I would be nasty and mean and horrible! But guess what? Those are the most fun roles to play. I just try not to bring them home with me…

11. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent better every day?

Dale Raoul: Take my dogs on a longer walk!

Ray Thompson: Get more sleep!

Dale Raoul and Ray Thompson 2012 Daytime Emmy AwardsMore on Ray:

Ray Thompson has been a lighting designer at CBS Television City for 30 years, honored with nine Emmys, in addition to the Los Angeles Drama Critics Circle Award for excellence in lighting. Prior to his work on The Young and the Restless, he worked on CBS This MorningThe Bonnie Hunt ShowFace the NationArchie Bunker’s Place and other TV pilots, game shows and news programs.

More on Dale:

For six seasons Dale Raoul enticed television audiences as "Maxine Fortenberry" on HBO's True Blood. A veteran character actress, Dale has been entertaining stage, film, and television audiences for the past three decades.

Dale began her professional acting career at the Old Globe Theatre in San Diego, CA appearing in Hamlet and Taming of the Shrew. From there, she performed at such regional theatres as Indiana Repertory Theatre, Arizona Theatre Company, the New Mexico Repertory Theatre, and the Montanta Repertory Theatre, the state's first and only professional acting company. A Montana native, Dale was thrilled to star in their production of A Moon For The Misbegotten. Dale later moved to California where she continued to dazzle theatre goers at the Pasadena Playhouse, the Los Angeles Theater Center, the Odyssey Theatre, and the Cast Theatre. Amongst her many awards, Dale won A Drama-Logue Award for her work in Steaming at the Ivy Substation.

Dale's foray into television began in 1986 when she booked her first television appearance on Murder She Wrote. Earning a formidable reputation as a character actress, Dale appeared in numerous television series including The MiddleThe OfficeSix Feet UnderFriendsNYPD BlueSeinfeldMister SterlingThe Drew Carey ShowSabrina The Teenage WitchUnhappily Ever AfterNash BridgesParty of FiveKnots LandingValerieWho's The Boss, and LA Law.

In addition to series television, Dale has starred in such made-for-television movies as Mending FencesNet ForceA Match Made In HeavenDeath BenefitFavorite Deadly Sins, and Here To Remember.

Dale's feature film credits include The MexicanBeautifulSeven PoundsForfeitSave the MavericksLove StinksOut to Sea, amongst others.

When not performing, Dale dedicates much of her time to many charitable events such as Truman Capote's "A Christmas Memory," which benefited Five Acres Orphanage and Caring for Babies with AIDS.


Call Answered: Conference Call: Bryce Pinkham & Lauren Worsham: 92Y Lyrics & Lyricists + A Gentleman's Guide To Love & Murder

Bryce Pinkham and Lauren Worsham, Photo Credit: Walter McBride"Stop! Wait! What?" I'm getting to interview Tony Nominees Bryce Pinkham & Lauren Worsham whom I LOVED in the Tony Award winning musical A Gentleman's Guide to Love & Murder! With "Poison in My Pocket," I got Bryce & Lauren to open up about GGLAM antics and reuniting for the 92Y Lyrics & Lyricists series From Camelot to California: The Worlds of Lerner & Lowe!

Scotland, California, Covent Garden, Paris, Camelot — lyricist Alan Jay Lerner and composer Frederick Loewe evoked entire worlds in their groundbreaking musicals. Brigadoon, Paint Your Wagon, My Fair Lady, Gigi and Camelot all were conjured by the Old World Austrian Loewe and the Harvard-educated American Lerner. Rob Berman, music director of the New York City Center Encores! series and recent Broadway musicals Dames at Sea, Bright Star and Tuck Everlasting, makes his Lyrics & Lyricists debut as artistic director for an entrancing show that revels in their romantic songs, from "Almost Like Being in Love" to "I Could Have Danced All Night."

From Camelot to California: The Worlds of Lerner & Lowe will take place June 3-5 at 92Y (Lexington Avenue & 92nd Street). Click here for tickets!

For more on Bryce follow him on Twitter and Instagram!

For more on Lauren visit and follow her on Twitter!

For more on 92Y visit and follow them on FacebookTwitter, and Instagram!

1. Who or what inspired you to become a performer?

Bryce Pinkham: My parents were called into a parent/teacher conference in the first grade in which the teacher begged them to find their son a stage other than her classroom. To this day, that compassionate, patient and apparently prescient teacher remains a friend of the family.

Lauren Worsham: My mother inspired me to become a performer. I was a bit of a class clown and a troublemaker, always seeking attention. My mother put me in theater programs as a child in order to channel some of that attention-seeking energy into something positive. It worked. :)

Bryce Pinkham backstage at the 2014 Tony Awards2. This June you are going to be part of the the 92Y's Lyrics & Lyricist concert series featuring the music of Lerner & Loewe. What is it about their music that made you want to be part of this particular concert series?

Bryce Pinkham: The style of the music from their period seems to suit my voice. They also understood how to write really complicated characters. Who else could have turned a George Bernard Shaw play into a musical? Also, I really wanted to work with Rob Berman; he is a brilliant mind and an all-around nice guy.

Lauren Worsham: Truth be told, I would giddily be a part of any project involving Rob Berman and Chase Brock. I've worked with both Chase and Rob on different gigs. I've done two shows with Rob through NY City Center Encores!: -  Where's Charley and Big River. Chase choreographed my rock band's piece "The Wildness" at Ars Nova when I was 7 months pregnant. The gorgeous music of Lerner and Loewe is icing on the collaboration cake!

3. What do you think will excite and surprise 92Y audiences about this concert?

Bryce Pinkham: I'll be singing "Eliza Doolittle" songs in drag, I expect that will be a surprising for some and exciting for others.

Lauren Worsham: I cannot imagine a better group of individuals to put on a show. I also know the majority of them personally. Lilli and I played opposite each other in The Wildness and Bryce and I played opposite each other in A Gentleman's Guide to Love & Murder. I think those personal relationships help to fast track our team to dig deeper more quickly. I also know that Rob's knowledge of the musical theater canon is vast and I cannot wait to see how he puts everything together

Bryce Pinkham in Madagascar4. One of the songs being performed is "Almost Like Being In Love." When scenario has happened to you that made you feel it was "Almost Like Being In Love"?

Bryce Pinkham: Well, I've never gone hunting with a buddy in Scotland and met a girl from a mysterious disappearing village, so maybe a better question would be "Have you ever allowed someone else's life to mean more to you than anything else?" To which my answer would have to be: I am trying to constantly find ways to make other people (particularly strangers) lives' better. A good friend and I went to Madagascar and built a theater show with 14 at-risk kids whose language we didn't speak. In the process, we rediscovered why the performing arts have great potential to change lives. We were also reminded how by placing one's attention on someone else one can reconnect to their humanity, that pure empathic generator that show-business so often clouds with ego and shrouds with fear. Watching 14 children who had never seen a stage before ultimately perform a show they created for their own community in their native language and subsequently receive applause from their entire village...that was almost like being in love. Your readers can learn more about our project at

Lauren Worsham: If you take the song just at its title - I'd say I've felt that way every time I travel to a new city and experience the romance of vacation! Which matches nicely with the musical it comes from - Brigadoon. Traveling to a new city can feel like traveling to a new world! I think the song is trying to say that the protagonist actually IS in love, he's just not ready to say it yet. I think the last time I felt that was when I first fell in love with my husband.

Lauren Worsham and her husband5. Another song on the roster is "I Could Have Danced All Night." When have you had that feeling in your own life?

Bryce Pinkham: I love dancing, but I also love sleep. So I can safely say that I have never had that feeling in my life. *Please Note: This is one of the songs I will be singing in drag ;)

Lauren Worsham: The night that GGL&M won the Best Musical Tony Award, I most definitely could have danced all night!! Also, my wedding night! And bizarrely, the night I gave birth to my daughter. When something that exciting happens - it's hard to let go of that energy. 

6. If you could star in any revival of a Lerner & Lowe show, which one would you like to star in?

Bryce Pinkham: "King Arthur" in a few years time

Lauren Worsham: My Fair Lady!

Lisa O'Hare, Bryce Pinkham, and Lauren Worsham in the Tony Award winning musical "A Gentleman's Guide To Love & Murder"7. Let's play with the title of Lerner & Lowe's "Paint Your Wagon." If you were to "Paint Your Wagon," what would your painting represent?

Bryce Pinkham: Authenticity and the constant search for it in myself and others.

Lauren Worsham: Ummmm....If I'm traveling across the country in the wagon I would like for it to say something important politically. Maybe, This country was built on immigrants! Or Respect each other! 

8. Now, let's talk about the two of you for a moment over these next two questions. You both starred on Broadway together in the Tony Award winning musical, A Gentleman's Guide To Love & Murder. What are you most excited about in performing together again?

Bryce Pinkham: Anyone who gets to sing with Lauren automatically sounds better for it. This will be the fifth time I have said yes to singing with Lauren and that's no mistake. I made my Carnegie Hall debut with her (a night of Gilbert and Sullivan), she even let me come sing with her badass rock band and now I will be lucky enough to work with her after she's become a mom, so that's going to be special. Lauren is delightfully authentic and always comes in with many more ideas than me. I will always say yes to singing with her whenever I can.

Lauren Worsham: I'm really looking forward to hearing Bryce just sing. He has a lovely voice and I miss it.

Lauren Worsham and Bryce Pinkham at the 2014 Drama Desk Awards9. What was one of the funniest moments to happen to you on stage during Gentleman's Guide?

Bryce Pinkham: When Jefferson Mays and Joanna Glushack used to inadvertently spray Lauren, Lisa and I with saliva across the dinner table. You never knew where it was going to land and sometimes it landed in very funny places and we would have a hard time not losing our collective minds. Very good times those were indeed.

Lauren Worsham: Oh, mostly a lot of stuff involving bodily fluids - spit and sweat and snot. Nothing pretty. One time though, someone stepped on my train and I fell to my knees mid-song. It's very hard to get up from the floor in a corset. I didn't stop singing though!

10. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent better every day?

Bryce Pinkham: I want to spend 1% less time every day in front of my screens. I dare your readers to take a whole subway ride without looking at their phone. I try to talk to a stranger once every day - mind you - not in a creepy way, just in a way that reminds me that we have the ability to connect with each other despite having nothing in common. We humans used to depend on each other to fill the void we all feel. Nowadays we increasingly fill that same void with time interacting with machines. I think we are losing our ability and quite frankly, our desire to talk to each other. I hate to break it to you folks, but a Facebook friend is not a friend. A text is not a conversation. With respect, this isn't even an interview, I just typed out the answers on my computer and sent them back in an email. We didn't even talk*.  I understand why we depend so much on our machines, and what we stand to gain from them, but I think we have to consciously spend more and more time away from them if we want to find what I think we are all desperately looking for: genuine connection. 

*A Note from Bryce: Adam graciously offered to talk over the phone, but because of time constraints I chose to answer his questions in email form.

Lauren Worsham: I think it would be nice to improve my nap schedule by 1%. Being a new parent is exhausting!!!

Bryce PinkhamMore on Bryce:

An American stage and screen actor, Bryce Pinkham is most widely known for originating the role of "Monty Navarro" in the Tony Award Winning production of A Gentleman's Guide to Love and Murder, for which he was nominated for a Tony, Grammy and Drama Desk Award. He also notably appeared in the Broadway revival of The Heidi Chronicles as "Peter Patrone," for which he was nominated for an Outer Critics Circle Award and a Drama League Award for Distinguished Performance in 2015. His other Broadway credits include original roles in Holiday Inn, Ghost and Bloody Bloody Andrew Jackson.

Bryce's television appearances include as a series regular on the second season of PBS’ Civil War Drama Mercy Street, guest appearances in Baz Lurman's Netflix series The Get Down and Robert DeNiro's feature film The Comedian as well as The Good Wife (CBS), and Person of Interest (CBS).

As a singer Bryce has performed in concert venues across the country, most notably Carnegie Hall, Chicago Lyric Opera, Lincoln Center and The Library of Congress.

As a writer, Bryce has published articles on acting, performing and education in American Theater Magazine, Yale Alumni Magazine and others.

In 2012 Bryce helped found Zara Aina, an NGO that uses the power of theatrical storytelling to empower at-risk youth. In May 2013, Bryce led a team of American artists on Zara Aina’s pilot program to Madagascar. Bryce is also a frequent collaborator with Outside the Wire, a social impact theater company that serves many communities but particularly focuses on military audiences. His most notable international tours include Guantanamo Bay, Japan, Kuwait, and Qatar.

A graduate of the Yale School of Drama, Bryce was awarded the Leonore Annenberg Foundation Early Career Fellowship in 2012. Bryce holds a BA from Boston College and an MA from the Yale School of Drama.

Lauren WorshamMore on Lauren:

Lauren Worsham is a Tony-nominated actress and singer. She was nominated for a Tony and won Drama Desk and Theatre World awards for the role of "Phoebe" in A Gentleman's Guide to Love and Murder (2014 Tony winner for Best Musical). Most recently, she was seen in New York City Center’s gala production of Sunday in the Park with George. Other favorite roles include "Lisa" in Dog Days at Montclair Peak Performances, Fort Worth Opera and LA Opera for director Robert Woodruff; "Flora" in Turn of the Screw at New York City Opera for Sam Buntrock; "Amy" in Where’s Charley? at Encores! for John Doyle; "Cunegonde" in New York City Opera's Candide, and "Olive" in the first national tour of The 25th Annual Putnam County Spelling Bee. Lauren performs frequently in concert at Carnegie Hall, 54 Below, Joe's Pub, Caramoor, Merkin Hall, Oregon Bach Festival, Galapagos Art Space and New York City Opera's VOX. Lauren placed second in the Kurt Weill Foundation's Lotte Lenya competition. She’s co-founder and executive director of the downtown opera company, The Coterie, and is a founding member of the band, Sky-Pony.