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Entries in Actress (140)

Thursday
Apr272017

Call Answered: Emily Kratter: Dead End at Axis Theatre 

Emily Kratter, Photo Credit: David PerlmanAnother rising actress that has recently come to my attention is Emily Kratter. From theatre to film to TV, Emily is appearing everywhere! She's currently starring in Axis Theatre Company's revival of Sidney Kingsley's Dead End, a Broadway hit in 1936, which was later turned into a film starring Humphrey Bogart which included the first appearance of "The Bowery Boys" who went on to become the iconic "kid gang" of American movies.

Dead End takes place in a New York where tenement houses and luxury apartments stand side by side and extreme wealth and abject poverty intersect every day. Gangsters and bankers, prostitutes and lost children, failure and dreams of the future all live on this street. Axis Theatre Company illuminates these stark contrasts with an understanding of their mythology as well as their contemporary mirror in the city of today.

Dead End plays at Axis Theatre (1 Sheridan Square) through May 20. Click here for tickets!

For more on Emily be sure to visit http://www.emilykratter.com and follow her on Twitter and Instagram!

1. Who or what inspired you to become a performer? My earliest memory is seeing Peter Pan...I must have been four or five. "Peter" took off and started flying and it was magic. So, I guess at the time you can say I just wanted to fly? But now, I can tell you for sure that I am inspired every single day to stay a performer by my brilliant friends and collaborators and fellow artists. The theatre community in New York City inspires me.

2. This spring you are starring in Axis Company's production of Sidney Kingsley's Dead End, about the legendary kid gang, "The Bowery Boys" who grew up on the streets of NYC during the Great Depression. What made you want to be part of this show? Well, for one the Axis Company is a group of fearless artists who march to beat of their own drum and create stunning work that is unlike anything I've seen elsewhere. Their artistry is only matched by their hearts and overall awesomeness as humans whom I genuinely always want to be around...So there's that. Working with wonderful people is a huge factor. But also -- immediately when I read this script, I was so taken with the characters, particularly the kids. There is this raw energy that excited me. Their emotions live entirely on their sleeves. They are silly, and scared, and yearning, and manipulative, and just trying to survive. The piece has so much going on. Our director, Randy Sharp has said, "It's like there is one miracle after the next" and I feel that to be true. There's not one moment in the play that does not propel us forward and nobody is ever on even ground. I felt that potential in my first read.

3. What do you relate to most about your character? What is one trait of theirs, you are glad you, yourself, don't have? Hmm well, "Milty" is hilarious. I think I definitely see elements of myself as a kid in him...He has a wild imagination that I know I had, and hope I still do. He is not self-conscious, and fully self-expressed and I love that, and it's a thrill to play. He also looks up to the gang leader, "Tommy" with such fierce admiration. I DEFINITELY did that as a kid. I had a group of older friends that I thought were the coolest. I upped my "cool" cred, just by being around them. As far as one trait I don't have? He is a SPAZ. And honestly, I guess I am too...but he takes it to a new level. I think I can say I'm not quite that bad...(I hope).

Cast of "Dead End", Photo Credit: Pavel Antonov4. How do you feel "The Bowery Boys" story resonates in today's world? Dead End takes place in the 1930s where luxury apartments and tenement housing stand side by side. It examines the intersection of wealth and poverty and at the heart of it is the impact on this gang of kids. It's astonishing how much and how little has changed since that time. I live on the west side of Manhattan where buildings of grandeur are going up every day, and at it's base lay homeless men and women. It is our hope that while these characters might have once been labeled as archetypes, "gangster," "prostitute," "lost boy" etc, that we are examining the humanity underneath. And that humanity, I think will resonate forever.

And one more point of note: While "The Bowery Boys" are certainly a pillar in this play, there are 14 ACTORS making up this ensemble. I'll repeat: This is a downtown theater that hired 14 ACTORS to produce this baby. I think that's awesome and worth emphasizing.

5. What is something you learned about "The Bowery Boys" in preparing for this show that made you go, "Oh wow, I wonder how I would have faired or what would I have done in this situation? Hmm...I'm not sure how to answer this question without giving too much away. But there is a theme regarding "survival of the fittest." How far are you willing to go to build the life you've dreamed of? Or how far are you willing to go to for love? For a friend who's in trouble? And what is that point when one makes the decision to do what's best for him/herself despite everything else?

Cast of "Dead End", Photo Credit: Pavel Antonov6. Since this story focuses on a kid gang, growing up, did you have your own gang or posse? Oh, I DID indeed. I was so lucky to have the most amazing friends growing up. Most of them are still my best friends today. I had a group of friends that I met doing theatre together, and now they are running the world -- they became attorneys and doctors and entrepreneurs and social workers and parents. Some have become successful actors too! And in school, I was in a group of five girls that were inseparable. We even had a name...We called ourselves, "PENT" because there were five of us. They are going to die a little when they read this. We are bonded for life...well, four of us...(long story).

7. In Dead End, gangsters and bankers, prostitutes and lost children, failure and dreams of the future all live on this street. If we break each of these categories down, when have you felt like a gangster, a banker, a prostitute, and a lost child? WOW. I guess I could most relate to the lost child... given these choices, I'm not sure if that's a good or bad thing. I'm holding on to a hopefulness that I'm not going to let this world take from me. As for gangster? I'd be terrible...When I was in high school, my friend and I went through the turnstile together for the subway. A policeman grabbed us and told us not to do it again, and I think I had a panic attack. A banker? I think my soul would die if I worked in a cubicle. They work in cubicles right? or desks? I think I would die at a desk all day too. And prostitute? Yikes. Luckily things haven't gotten that rough yet...Ask me in a few years ;)

Emily Kratter, Photo Credit: David Perlman8. What are some of your dreams of the future? What are some of your failures of the past? I have had so much fun working on this show. It hasn't felt like work for one second. That's what I dream of...To have a fulfilling career "working" and never feeling the labor. To do what I love with the people I love. To tell stories that move people...to laughter or tears, whatever. To make some kind of impact and affect people by sharing these tales of flawed, broken, beautiful humans. I think at one point I told my parents I was going to double major when I was at NYU, have some sort of a "back up plan"...I failed at that promise. I'm not sure I even really tried, but shhh!

9. Let's play with the title of Dead End for a moment. What is a path or an idea you started out on, but unfortunately hit a "Dead End," with nowhere to go? I have gone through so many periods where I have wracked my brain and tried to trick myself into believing that perhaps I could be satisfied doing something else with my life. Something with more security, with structure. It's a dead end for sure. I think this crazy business is stuck with me for the long run.

10. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent better every day? That's amazing!! I love this!! There are SO many things!! But to keep things light, I need to sharpen my cooking skills. I have a crock pot I bought off of Amazon last year that's still in the box....well, it's actually out of the box, but that's as far as I got :( Terrible....Shameless plug: Our director Randy Sharp actually has a BRILLIANT cooking show on youtube called DINNER PARTY TONIGHT - One day I'll make her proud and replicate one of her to-die-for recipes. Ina Garten better watch out.

Emily Kratter, Photo Credit: David PerlmanMore on Emily:

Emily Kratter Favorite credits: Axis: Dead EndEvening – 1910, The Groundling and Solitary Light. Other Select NYC theatre/workshops: Confederates (LAByrinth Theater Co, The Lark/Workshop); Be More Chill (workshop/Dir. Scott Ellis); Death For Sydney Black (TerraNOVA Collective/Dir. Kip Fagan); Boomer's Millenial Hero StoryBelieber (TerraNOVA Collective/Groundbreakers); The Austerity of Hope (The Barrow Group); Greenwood (NYMF); Progress In Flying (The New Group/New Works); Pooka (Dramatists Guild/Playwrights Horizons); Five Second Chances (The Playwright's Realm/INK'D); The Physicists (Williamstown); The Holy Ghostly (Williamstown/workshop), The Children's Hour (APAC). Film:  Adelaide, Half Brother (Amazon/Itunes) TV: Unforgettable (CBS). Web: Fomo Daily NYU Tisch. 

Thursday
Apr062017

Call Redialed: NEW Facetime interview: Sheri Sanders is LEGIT! An Evening of Legit Musical Theatre + Rock The Audition Online

"Call Me Adam" catches up with Sheri Sanders, the pioneer trailblazer who started Rock The Audition, where Sheri teaches how to audition for rock musicals even cutting & arranging music for your personal needs. Now, Sheri has brought this program online, making it possible to study directly with Sheri from every corner of the world.

After dipping her toe back into performing two years ago, Sheri is taking the stage once again, this time at Subculture NYC (45 Bleecker Street, in the basement of the Lynn Redgrave Theatre) to perform a concert of legit musical theatre "Sheri style!" On April 17 at 8pm, Sheri will present Sheri Sanders is LEGIT! An Evening of Legit Musical Theatre, directed by Joe Barros. Click here for tickets!

For more on Sheri & Rock The Audition be sure to visit https://www.rock-the-audition.com and follow Sheri on Facebook, Twitter, and Instagram!

"Call Me Adam's" NEW interview with Sheri Sanders:

Monday
Apr032017

Call Answered: Sally Schwab: Adventures in Babysitting, The Marvelous Wonderettes, NEWSical The Musical

Sally SchwabFor over 10 years I have been a fan of Sally Schwab. Ever since I saw her star in Tom D'Angora's (Call Me Adam's very first participant) A Broadway Diva Christmas, I was hooked on her glorious vocals! She has repeatedly won me over and over again every time I see her sing.

In addition to being a high school history teacher, starring in the Off-Broadway revival of The Marvelous Wonderettes and being a swing in the long-running hit musical NEWSical the Musical, Sally is bringing back her one woman show Adventures in Babysitting for three performances only at The Laurie Beechman Theatre in NYC! Adventures in Babysitting recounts Sally's story of arriving to the Great White Way as a young, wide-eyed aspiring theatre actress. It follows Sally as she navigates the insane world of auditions while paying her dues working odd gigs, including what would become her go-to survival job: helping to raise NYC's most colorful children.

Joining Sally in Adventures in Babysitting are Alex Ringler (Broadway’s West Side Story, first national tour of A Chorus Line and off Broadway’s Pageant) Dylan Thompson (NEWSical the Musical and Naked Boys Singing!) and Gregory Sullivan (Naked Boys Singing!). Music direction is by eight-time MAC Award winner and Bistro Award winner Tracy Stark.

Adventures in Babysitting will play at The Laurie Beechman Theatre in NYC (407 West 42nd Street, between 9th & 10th Avenue, in the basement of the West Bank Cafe) on Monday, April 3 at 7pm, Monday, April 17 at 9:30pm, and Monday, May 1 at 7pm! Click here for tickets!

For more on Sally follow her on Twitter and Instagram!

For more on The Marvelous Wonderettes visit https://www.themarvelouswonderettes.com!

1. Who or what inspired you to become a performer? There were a few people in my life that really inspired me to become a performer. My entire family is very musical and has always loved musical theatre. So I grew up watching all the classics...The Sound of Music, Carousel, etc. My grandmother actually recorded the PBS Les Miserables special with Colm Wilkenson and Lea Salonga played "Eponine." I remember just falling in love with the music and studying the way she sang "On My Own." It was the only song I sang between the ages of 11 and 16. Around this same time, I was 11, my Aunt took me to NYC for the first time. Beauty and the Beast just opened on Broadway and we saw that. I remember just crying through the opening number. It was a happy, uplifting number, but I was just so moved and at that moment I knew I wanted to be a performer.

2. This April, you are revising your show Adventures In Babysitting, which recounts your story of arriving to the Great White Way as a young, wide-eyed aspiring theatre actress. It follows you through the insane world of auditions, odd jobs, and finding your go-to survival job. What made now the right time to bring this show back? I decided now was the time because I am so immersed in the performing world right now. Before Wonderettes, I haven’t performed in years. You realize very quickly it all can go away, so one day before a Wonderettes show, Tom D'Angora, my producer, and I just looked at each other and said "It’s Time."

Tom D'Angora3. Adventures in Babysitting is co-written with your long-time friend Tom D'Angora. How did you first decide to have him co-write the show with you? What was it like revisiting this show with him now? Tom and I working together is nothing but laughs from start to finish. We met 14 years ago at a Kinkos my first week in NYC. We have been working together on various projects for our entire 14-year friendship. Tom has always believed in me and supported me. I can’t remember if I said to Tom that I wanted to do my own show or if he said "you need to do your own show," but we decided a few years ago to sit down and write something. There was a restaurant on 48th Street called Mont Blanc…it’s closed now, but that was our spot. We met there one day and just started throwing ideas around and the show was born. Working on it now is just as fun. We couldn't go to Mont Blanc, but our other lucky spot is in Tom’s building. So we went there and just started reworking some bits and once again just started laughing and never stopped.

4. How do you feel the four years of life experience, since the last time you did this show, will alter the feel and style of the show? I truly think every experience in life shapes you as a performer. I have been teaching in a public high school in the South Bronx for the past four years. I have grown so much as a human and learned so much about myself. I think it has made me a much more confidant performer. Also, the past year playing "Betty Jean," in a comedic show, has really helped me as an actor. When I did the show years ago, I wasn’t performing, so I wasn’t used to being on a stage. I didn’t have that same confidence that I am hopeful I do now. Haha! I hope the feel and style stays the same though….I just hope I can make it even funnier than last time.

Sally Schwab5. Let's break down this story without giving too much away! It's no secret that your go-to survival job was babysitting the kids of NYC. Why do you think babysitting stuck where so many other "odd jobs" didn't? What did you learn about yourself from babysitting other people's kids? Babysitting stuck because I am such a family person. My first year in NYC was really hard. I was so homesick and missed my family so much. I was so fortunate to meet a couple of really incredible families right away. Yes, I watched their kids, but they welcomed me and included me as a member of their family and that was exactly what I needed. It gave me a sense of stability at a time when I didn’t know anyone and was figuring out my way through the city. I learned through babysitting that I was really good with kids. Working with kids was the best fit for me.

6. How did babysitting lead to you being a high school social studies teacher? What was it like to bring your love of theatre to these high school kids, who have never seen a stage show before, and start their first ever musical theatre department? I love being a performer, there is nothing like taking the stage every night. However, the work I have done as a teacher in the South Bronx is something I am so proud of. Working with this demographic of student has changed my life. I am the person I am today because of these kids. Babysitting taught me that I really loved working with kids, so getting a Masters in Education seemed like the perfect fit. I have always loved history and I knew I wanted to teach it in a way that could be fun and engaging for the kids. I don’t want to brag, but I was writing historical raps for my students well before Hamilton came out. Haha! The kids love when I rap. Of course, musical theatre was always on my mind and our school has a gorgeous stage that never had a musical on it. I knew my mission. My first year teaching I directed and choreographed Once on this Island. This became the schools first ever musical. Now, they are about to have the 4th musical in a row! There are no words to describe the feelings I felt watching these kids take the stage and perform for the first time ever. These are kids who don’t have a lot. They come from an extremely tough neighborhood and just getting them to rehearsals was a challenge. But they persisted and they were all shining stars. My family and friends all came to town to see the show too. It was probably one of the most magical nights of my life. I cried from start to finish.

Cast of "The Marvelous Wonderettes"7. In addition to Adventures in Babysitting and being a high school teacher, you are also starring in the hit Off-Broadway revival of The Marvelous Wonderettes and as a swing in the long-running hit show NEWSical The Musical. How do you keep yourself balanced with such a varied and demanding schedule? That is the biggest challenge of my life right now. I am working seven days a week and every job that I am working is demanding in its own way. I constantly need to switch the roles I play in life. I hit the stage and spend two hours singing in the Wonderettes and having a blast with the gals, then in bed and ready to be up at 6:30am for a full day of teaching. It is intense, but I find time here and there to sit on my couch and watch some Housewives. The girls in the show Ryann Redmond, Jenna Leigh Green and Laura Woyasz have become three of my closest friends, so after every Sunday matinee we go out for dinner and drinks. It is time I really cherish and long after the shows close, it is something I will continue to do with these girls. They have become family. The hardest part is not seeing my friends I don’t work with. It is hard to find time to see people I don’t do a show with or teach with. Also, one day, one day soon, I would love to go on a vacation.

8. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent better every day? Can I pick two things?? Haha!! I need to improve my eating habits. I am always on the go which makes it so hard to cook a nice meal. I love to cook and I don’t have any time to do it. So my bank statement pretty much is all Seamless. So that I need to improve. The second thing is not being afraid to say no to things. I take on too much and I need to say no sometimes.

Sally Schwab in "The Marvelous Wonderettes"9. What do you love about starring in The Marvelous Wonderettes? What do you relate to most about "Betty Jean"? What is on characteristic of hers you are glad you, yourself, don't possess? I love Wonderettes so much. I have been with the show since the beginning and to see how we have evolved this past year has been an incredible thing to see. Wonderettes is such a feel good show. I love making people laugh and smile every night. I mean, when you hear "It’s My Party," how do you not have a good time. Also, the people have made this experience incredible. The cast and crew have become family. I look so forward to going to work knowing I get to see these gals that have become my best friends. We have shared so much and gone through so much together and they will be lifelong friends.

I relate very much to "Betty Jean's" goofiness and how feisty she is. She has such a positive spirit....even when things don't go her way, she tries to fight through it and stay positive. I like to think I am like that. The one characteristic of "Betty Jean" that I am glad I don't possess is her willingness to just go back to "Johnny" after he isn't faithful to her. I doubt I would be so forgiving.

10. In this post-election world we live in, what makes being in NEWSical The Musical so great? There is so much going on politically in the world right now and to have jokes and songs to poke fun at the administration in such a turbulent time is really helpful for all of us. When I stop and think about everything that is going on it really enrages me. Performing in NEWsical gives us an outlet and an artistic way to express some feelings. There is a really great Melania Trump number that is just so much fun to do. Expression through art is a really great way to cope with what is going on.

Sally SchwabMore on Sally:

Sally Schwab made her Off-Broadway debut in A Broadway Diva Christmas, produced by Tom and Michael D’Angora. She later went on to appear in Back in Pictures and as "Queenie" in the Provincetown Theatre’s production of Andrew Lippa’s The Wild Party. She attended the University at Buffalo for musical theatre and holds a Masters degree in Education from Hunter College.

She currently stars as "Betty Jean" in The Marvelous Wonderettes and as the female swing in NEWSical the Musical, both playing at The Kirk Theatre. The Marvelous Wonderettes takes a cotton-candied colored musical trip down memory lane with four girls whose hopes and dreams are as big as their crinoline skirts. Their lives and loves from prom night to their ten year reunion are told through more than twenty chart topping hits of the fifties. NEWSical the Musical spoofs all the headlines of the day in side splitting numbers. Both are produced by Tom D’Angora.

Friday
Mar172017

Call Redialed: Lucie Pohl: "Apohlcalypse Now!" at Under St. Marks Theater

Lucie Pohl, Photo Credit: Laura RoseLast time comedian/actress Lucie Pohl and I spoke, she was starring in her one-woman show Hi, Hitler, now these two Jews are talking about her new show Apohlcalypse Now! From tyrants to death, we know our herritage! In this new show, Apohlcalypse Now! bangs together stand up, storytelling and character comedy. Expect bad language, bad decisions, a wedding, a break up, dead rats and wake up calls from Stephen Baldwin.

Apohlcalypse Now! will play a very limited run, four performances only, March 20, 21, 27 & 28 at Under St. Marks Theater (94 St. Marks Place). March 20 & 27 are at 8pm. March 21 & 28 are at 7pm. Click here for tickets!

For more on Lucie be sure to visit http://www.luciepohl.com and follow her on FacebookTwitter, and Instagram!

1. It's great to catch up with you! Last we spoke, we did an interview for your one-woman show Hi, Hitler. Now you are back in NYC with your brand new show Apohlcalypse Now! How ironic that your show a few years ago had Hitler in the title and now your show has Apohlcalypse (a funny take on apocalypse) in the title. In the few years between shows, we got a new Hitler leading our country and he's creating an apocalypse. How do you explain this irony? Yes that is creepy and ironic. I'm psychic! Or may be it's that artists have invisible, subconscious feelers which pick things up before they've emerged into daily life.

One way to look at it is also, Hi, Hitler was very much a fish out of water story which went all the way back to my Jewish-German family history of persecution and migration. The whole point of the show was embracing that not fitting in was in my DNA. In this sense, I am not surprised that those of us who are different (for many different reasons) have become a target again. The fight for acceptance against periodic assholes will never end, I think.

The Apohlcalypse theme came out of a period of extremely taxing events in my life that kept piling up relentlessly. I also had been having this feeling of imminent doom for a few years. I never anticipated that history would tie these two shows together in such a frightening way.

Lucie Pohl, Photo Credit: Elmar Lemes2. What can people expect from this new show? What people can expect from Apohlcalypse Now! is a wild roller coaster ride into a year of tragically funny disasters in my life told through storytelling, stand-up and character comedy. It's an intimate, sometimes surreal, hilarious and very honest 60 minutes. And there's a goldfish monologue.

3. Let's play with the title of your show, "Apohlcalypse Now!" for a moment. What is the biggest event to happen in your life that would be as big as an apocalypse? The biggest apocalypse ever to happen in my life is when I realized Nutella is made with palm oil and I can no longer eat it! Game over!

No, ok, I'll be serious: it was the violent shattering of my 12 year relationship. Internally that was something which completely destroyed everything I thought I was, I thought I had and I thought I knew. And then a few other things happened simultaneously which just added more fire and brimstone. But these are all spoilers! That's what the show is about!

But one more thing: In writing the show I spoke to Anbarra Khalidi who is an apocalyptic scholar at Oxford (yes that's a job title) and she told me that the nature of the apocalyptic framework is both horror and clarity - exposing uncomfortable truths, mirroring the notion that we are our truest selves in moments of suffering, trial and judgement. This idea sort of fell into my lap and became what I was most interested in.

Lucie Pohl, Photo Credit: Mindy Tucker4. In this show we can expect bad language, bad decisions, a wedding, a break-up, dead rats, and wake-up calls from Stephen Baldwin. So for the next few questions we are going to break these down. If you could create a sentence using your five favorite bad words, how would that sentence look? Trump is a motherfucking thundercunting asswiping fuck-shit fascist.

5. What is the worst decision you've ever made? What did you learn from this bad decision? The worst decision I ever made was deciding to act on every impulse I had regardless of the consequence. I've made many bad decisions. What I've learned (the hard way) is that decisions matter and they are decisions, not accidents. You control that, it doesn't control you. It's not always about doing the thing which feels best in the moment, it's about knowing what's important and what you want in the long run.

And of course looking at the ingredients list on a Nutella jar.

6. What is one of your most funny break-up stories? When I was a teenager my boyfriend at the time said he was going downstairs real quick to get a Snapple. He came back 10 days later. I tried to punch him and missed. We broke up.

Lucie Pohl7. What is a good wedding tale you can tell? I once went to a wedding in England and woke up in Wales.

8. I hate rats. I mean HATE, but I'm going to ask a question about them anyway. What is an interaction you've had with a dead rat? Big, fat spoiler but here it goes: I found a dead rat in my mailbox! Yes, this is a true story and I have the pics to prove it.

9. When did you get a wake-up call from Stephen Baldwin? I got a wake up call from Stephen Baldwin in Istanbul, Turkey when I was in a horror film with him about a cult which impregnates women with demon babies to make an army of super humans. Duh! What else?! (Another spoiler).

10. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent better every day? Right now I'm trying to not freak out on subway platforms every day about terrible MTA service. Yesterday I waited for 45 minutes at Union Square and at one point a nice man eating plantain chips told me to "Relax." Gotta work on that. Ommmm.

Lucie Pohl, Photo Credit: Laura RoseMore on Lucie:

Lucie Pohl is a German-born-NYC-raised comedian, actor, writer, solo performer and producer. Her storytelling comedy debut HI, HITLER was nominated for the 2015 New York Innovative Theater Award (Outstanding Solo Performance), received 5 and 4 star reviews and played to sold out houses at the Edinburgh Fringe Festival, on London’s West End, 59E59 Theatres NY & Los Angeles.

Monday
Mar132017

Call Answered: Nancy Opel: "Urinetown", 92Y Lyrics & Lyricists' "Baby, Dream Your Dream: Dorothy Fields and The Women of the American Songbook"

Nancy Opel"Who rules the world? Girls!" Throughout history, or should I say, herstory, we have had many strong female songwriters. Most of my iTunes consists of songs written and performed by woman. When I saw the 92Y was going to be showcasing the music of Dorothy Fields and other women lyricists' of the American Songbook as part of their Lyrics & Lyricists' series, I couldn't wait to see who would be part of this concert. Then I saw the cast list (Marilyn Maye, Kenita Miller, Nancy Opel, Margo Seibert and Emily Skinner) and was like, "This is going to be one heck of a concert."

I loved Nancy Opel in her Tony-nominated turn in Broadway's Urinetown. She really brought the laugh in laughter to that role. I have gone on to enjoy her in Memphis, Cinderella, and Honeymoon in Vegas. My favorite Nancy Opel moment was just this past February when I got to briefly interview her during Billy Mitchell's Villain: DeBlanks at The Laurie Beechman Theatre. We had a great time together, so it's super exciting to get to do a more in depth interview with her now for the 92Y's latest Lyrics & Lyricists' concert series entitled Baby, Dream Your Dream: Dorothy Fields and The Women of the American Songbook.

Led by Dorothy Fields, Baby, Dream Your Dream will also include such pioneers as Betty Comden, Carolyn Leigh and Mary Rodgers whose work earned them an indelible place in the American Songbook alongside their more visible peers like Berlin, the Gershwins and Cy Coleman. Their timeless classics range from "The Way You Look Tonight," and "I Can't Give You Anything but Love," to "Witchcraft," On the Town and Once Upon a Mattress.

Baby, Dream Your Dream will take place at 92Y (1395 Lexington Avenue, 92nd Street & Lexington Ave.) from March 18-20! Click here for tickets! 

For more on Nancy be sure to visit http://www.nancyopel.com and follow her on Facebook, Twitter, and Instagram!

For more on 92Y visit http://www.92y.org and follow them on FacebookTwitter, and Instagram!

1. This March you are you are starring in the 92Y Lyrics & Lyricists' Baby, Dream Your Dream: Dorothy Fields and The Women of the American Songbook along with Marilyn Maye, Kenita Miller, Margo Seibert, and Emily Skinner. What are you looking forward to most about this upcoming concert? I love doing an all female show, especially with this sensational collection of gals. I’ve been a fan of Marilyn Maye’s for many many years (I snuck into the Kansas City Playboy Club when I was a kid to see her show there). I’ve worked very happily with Ms. Skinner and I look forward to this go round. Kenita I don’t know well, but we’ve done a bit of work together and I really admire her talent. I just saw Margo in IN TRANSIT and she’s great. PLUS, I have worked several times with our director, Mark Waldrop, and we always have a good time.

2. What do you think will excite 92Y audiences about this show? Well, it’s great, and I mean GREAT material - it’s an interesting grouping of points of view since it’s not a concert featuring one writer’s lyrics.

3. How did these female composers influence you? If you have been in show business for 15 minutes, you’ve sung one of these women’s lyrics, just runs the gamut on well known and significant.

4. Of the songs you are performing, which one did you jump up and down over that you are getting to sing? I am both thrilled and terrified to do "If You Hadn’t But You Did."

5. This concert is sort of a coming home for you in that songs from one of the show's featured is On The Town, which you starred in as "Madame Dilly" at Barrington Stage. Whether or not you are performing one of the songs from On The Town in Lyrics & Lyricists, how do you feel you relate to that music now as opposed to when you were starring in the show? I loved ON THE TOWN and since I sang very little when in the cast, I got a chance to enjoy and admire it back then. It’s an amazing show then and now.

Nancy Opel as "Bea Singer" in "Honeymoon in Vegas"6. Since this installment of Lyrics & Lyricists is called Baby, Dream Your Dream, what is one dream you just had to pinch yourself over that came true? What is one dream you still hope manifests for you? I’ve had a bunch of pinching moments, haha. I guess a couple of obvious ones are first Broadway show (Evita), first Sondheim show (Sunday in the Park), and Tony nomination. What do I still hope for? Well, I guess, continuing to do relevant and exciting work is all I really hope for now.

7. One of the songs being performed is "The Way You Look Tonight." Growing up, how did you feel about "The Way You Look Tonight" and now that you are an adult how has that view changed? Genius tune with equally genius lyrics. I thought so the first time I hear Fred Astaire sing them, I still do. I think the thing I understand now is that that kind of perfect pairing of music to lyrics is a pretty rare combination. It’s one of the most romantic songs in the world, especially because of all the specificity, like "and that laugh that wrinkles your nose - touches my foolish heart."

8. Another song on the show's list is "Witchcraft." If you could conjure up a spell, what you kind of spell would you cast? Give everybody great free healthcare. Bibbity-bobbity-boo!

Nancy Opel as "Penelope Pennywise" in "Urinetown"9. On "Call Me Adam" I have a section called One Percent Better, where through my own fitness commitment, I try to encourage people to improve their own life by one percent every day. What is something in your life that you want to improve by one percent better every day? I am trying to improve my health every day, too! My commitment is to cook more for myself, and to cook healthy food- mostly vegetarian and vegan for the planet!

10. Since we met during Billy Mitchell's "Villain: DeBlanks," I want to revisit the question I had asked you that evening because I loved your answer and I want more people to hear it. You're big number in Broadway's Urinetown was "The Privilege to Pee". Was there a time during the show or rehearsal or since then that you laughed so much you peed? I can't believe that you would ask a woman of certain age, whose been pregnant, and had children, if there was time she has peed.

Nancy OpelMore on Nancy:

A singer, actress and teacher, Nancy Opel was born in Prairie Village, Kansas, and trained at Juillliard. She made her Broadway debut as a "Person of Argentina" in the original 1979 production of Andrew Lloyd Weber and Tim Rice’s Evita, and in the later run was the replacement for the leading role. In 1985, she originated the roles of "Betty" and "Frieda" in Stephen Sondheim’s Sunday in the Park with George. After appearance as the replacement for "Hope Harcourt" in the 1987 revival of Cole Porter’s Anything Goes, Nancy played "Eleanor" in Teddy & Alice, a musical that drew upon the relationship between Teddy Roosevelt and his daughter as well as on the music of John Philip Sousa.

Nancy was nominated for the Tony Award for Best Leading Actress in a Musical for her performance as "Penelope Pennywise" in Urinetown. Other Broadway appearances include Triumph of Love, Fiddler on the Roof, Memphis and Cinderella. She performed the roles of "Mazeppa" and "Miss Cratchitt" in the Encores! staged concert of Gypsy in 2007. That same year, she played the title character in the first national tour of The Drowsy Chaperone. She was nominated for the 2015 Drama Desk Award for Outstanding Featured Actress in a Musical for Honeymoon in Vegas, in which she played the ghost of the lead character’s mother.

Nancy's television credits include the Law & Order franchise, Flight of the Conchords, and other shows.